Selecting Audio Input Signals and Adjusting
Recording Levels
When the AUDIO SELECT CH1/CH2 switch is positioned at [AUTO], the recording levels for Audio Channels 1 and 2 are automatically adjusted. To manually adjust the recording levels, position the switch at [MAN]. Note that the recording levels for Audio Channels 3 and 4 are selected through a menu option.
Notes
zEven in HD mode (1080i or 720P),
zWhen SDI input signals or signals input through the DVCPRO/DV connector are recorded, the settings above are overridden; audio signals from the SDI IN or DVCPRO/DV connector are always recorded.
Selecting Audio Input Signals
Adjustments
The input signals to be recorded on Audio Channels 1, 2, 3, and 4 are selected with the AUDIO IN switch. For more information, see [Audio (input) Function Section] (page 15).
AUDIO SELECT
CH1/CH2 switch
Display window
MONITOR CH1/3
/ST / CH2/4 selector switch
MONITOR SELECT CH1/2 / CH3/4 selector switch
| AUDIO | |
AUDIO IN CH1/CH2/ | LEVEL CH1/ | |
CH2 controls | ||
CH3/CH4 buttons | ||
|
Specific audio settings are performed through the <MIC/ AUDIO1> and <MIC/AUDIO2> screens, which are accessible from the MAIN OPERATION page.
For more information, see [MAIN OPERATION] (page 178).
# < MIC/AUDIO1 > |
|
FRONT VR CH1 | :OFF |
FRONT VR CH2 | :OFF |
MIC LOWCUT CH1 | :OFF |
MIC LOWCUT CH2 | :OFF |
MIC LOWCUT CH3 | :OFF |
MIC LOWCUT CH4 | :OFF |
LIMITER CH1 | :OFF |
LIMITER CH2 | :OFF |
AUTO LEVEL CH3 | :ON |
AUTO LEVEL CH4 | :ON |
25M REC CH SEL | :2CH |
TEST TONE | :NORMAL |
# < MIC/AUDIO2 > |
|
FRONT MIC POWER | :ON |
REAR MIC POWER | :ON |
MONITOR SELECT | :STEREO |
FRONT MIC LEVEL | |
REAR MIC CH1 LEVEL | |
REAR MIC CH2 LEVEL | |
REAR LINE IN LVL | :+4dB |
AUDIO OUT LVL | :+4dB |
HEADROOM | :20dB |
WIRELESS WARN | :OFF |
Recording for Settings and
In SD mode (DVCPRO50, DVCPRO, or DV with 480i or 576i), your unit is
Notes
zAudio Channels 1 and 2 always receive the signals selected with the AUDIO IN CH1 and CH2 switches.
z
Adjustments and Settings for Recording : Selecting Audio Input Signals and Adjusting Recording Levels 53