178 | Chapter |
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| Threshold (dB) |
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| Ratio ( | :1) | 3.5 |
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| Attack (ms) | 1 |
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09 | A.Dr.BD |
| with acoustic kit’s bass drum. |
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| Out gain (dB) |
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| Width (dB) | 7 |
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| Release (ms) | 192 |
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| Threshold (dB) |
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| Ratio ( | :1) | 2.5 |
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10 | A.Dr.SN | COMP |
| Attack (ms) | 8 | Compressor program for use |
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| Out gain (dB) | 3.5 | with acoustic kit’s snare drum. |
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| Knee |
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| Release (ms) | 12 |
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| Threshold (dB) |
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| Ratio ( | :1) | 2 |
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11 | A.Dr.SN | EXPAND |
| Attack (ms) | 0 | Expander program for use with |
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| Out gain (dB) | 0.5 | acoustic kit’s snare drum. |
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| Knee |
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| Release (ms) | 151 |
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| Threshold (dB) |
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| Range (dB) | Gate program for use with acous- |
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12 | A.Dr.SN | GATE |
| Attack (ms) | 1 |
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| tic kit’s snare drum. |
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| Hold (ms) | 0.63 |
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| Decay (ms) | 238 |
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| Threshold (dB) |
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| Ratio ( | :1) | 1.7 |
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13 | A.Dr.SN |
| Attack (ms) | 11 |
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| Out gain (dB) | 0.0 | with acoustic kit’s snare drum. |
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| Width (dB) | 10 |
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| Release (ms) | 128 |
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| Threshold (dB) | Expander program for use with |
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| Ratio ( | :1) | 2 |
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| acoustic kit’s tom toms, which |
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| Attack (ms) | 2 |
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14 | A.Dr.Tom | EXPAND |
| automatically reduces the vol- |
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| Out gain (dB) | 5.0 | ume when the tom toms are not |
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| played, helping to differentiate |
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| Knee |
| 2 |
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| the bass and snare drums clearly. |
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| Release (ms) | 749 |
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| Threshold (dB) |
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| to emphasize the attack and |
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| Ratio ( | :1) | 2 |
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| ambience of cymbals recorded |
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| Attack (ms) | 38 |
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15 | A.Dr.OverTop |
| with overhead microphones. It |
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| Out gain (dB) |
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| Width (dB) | 54 | ume when the cymbals are not |
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| played, helping to differentiate |
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| Release (ms) | 842 |
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| the bass and snare drums clearly. |
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| Threshold (dB) |
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| Ratio ( | :1) | 2 | Compressor program to level the |
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| Attack (ms) | 15 |
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16 | E.B.Finger | COMP |
| attack and volume level of a fin- |
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| Out gain (dB) | 4.5 |
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| Knee |
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| Release (ms) | 470 |
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