AKG Acoustics PT 40 PRO, HT 40 PRO, WMS 40 manual Rear panel, Receiver while the transmitter is off

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2 Description

2

4

5

5

4

2

3

6

1

6

3

 

 

Fig. 1: Front panel

4 RF OK (1 per channel): This LED illuminates to indicate that signal is

 

controls on

being received. If no signal is received or the automatic squelch is on,

SR 40 DUAL receiver

the RF OK LED goes out and the audio output is muted.

 

5AF CLIP (1 per channel): This LED illuminates to indicate the audio level of the received signal is overloading the receiver's audio section.

6Color code lines: The color indicates the carrier frequency of the re- spective receiver channel. Both the SR 40 SINGLE and the SR 40 DUAL have two color code lines. On the SR 40 SINGLE, both color code lines are of the same color. Transmitters tuned to the same frequency are marked with the same color. Refer to the Manual Supplement sheet for a color code table.

2.4.2 Rear Panel

7 Carrier frequency label: A label indicating the carrier frequency (fre-

Controls

quencies) and approval marks of your receiver is affixed to the rear panel

 

of the receiver.

 

 

 

 

7

9

10

8

8

 

 

Fig. 2: Rear panel

8 AUDIO OUT (1 per channel): Balanced TRS 1/4" jack, adjustable from

controls on

mic to line level. You can connect the output either to an XLR micro-

SR 40 DUAL receiver.

phone input or to an unbalanced line input on a mixer or amplifier.

9Strain relief for the feeder cable of the supplied AC adapter.

10DC ONLY: Input connector for the supplied AC adapter.

2.4.3Automatic The automatic squelch circuit switches the receiver off if the received sig- Squelch nal is too weak, in order to suppress the related noise or the residual noise

of the receiver while the transmitter is off.

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WMS 40 SINGLE/DUAL

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Contents WMS 40 SINGLE/DUAL WMS 40 PRO SINGLE/DUAL 21a WMS 40 SINGLE/DUAL Inhaltsverzeichnis SeiteEtikett einlegen Headset-Mikrofon C 444 LSicherheit und Umwelt Beschreibung Taschensender PT 40 PROEmpfänger SR 40 Dual Schwarz Sets mit Zweikanal Empfänger SRTaschensender PT 40 PRO Handsender HT 40 PRO Kabel MKG L Rent Empfänger SR 40 DualAn der Rückseite AutomatischerSquelch HandsenderBatteriefachdeckel Siehe Kapitel Batteriefachdeckel mit integriertem Schraubenzieher 21a MikrofoneGangsbuchse des PT 40 PRO anschließen GitarrenkabelInbetriebnahme Batterien in den Hand-/Taschen- sender einlegen und testen Hinweis Handsender in Betrieb nehmenSiehe auch Kapitel 4 Mikrofontechnik Farbcode-Clip tauschenInbetriebnahme Mikrofontechnik Reinigung Fon C 444 LFehlerbehebung Fehler Mögliche Ursache BehebungRauschen, Krachen GAIN-Regler soweit zurück Antennenposition Empfänger an einer anderenStelle aufstellen. Falls Dro Pouts bestehen bleiben, kriTechnische Daten Abmessungen Nettogewicht710 865 MHz 40 20.000 Hz ±15 kHz Typ ,8% Typ dBA CK 55 L, C 444 LTable of Contents Safety and Environment FCC StatementDescription Kits with SRSingle receiver Accessories Kits with SR 40 Dual receiverOptional ReceiversRear panel Receiver while the transmitter is offLED lit green Battery is OK Battery compartment lid Refer to sectionHT 40 PRO PT 40 PRO Body- pack TransmitterBattery compartment lid with integrated screwdriver 21a Setting Up Connecting the Receiver to an Un- balanced Input Refer to onPack Transmitters To the polarity marksRound Replacing the Color Code ClipAKG warranty scheme Connecting aConnecting an MicrophoneMicrophon Technique Microphone tiepinCleaning Troubleshooting Problem Possible Cause RemedyDistortion Specifications Table des matierès Mise en place et test des piles de l’émetteur à mainSécurité et environnement Emetteur de poche PT PROAccessoires Modèles équipés du récepteur à deux canaux SR 40 DualOptionnels RécepteurCommandes Demeure sur la face avantVotre amplificateur De la face arrière3 Atténuation Automatique desBruits de fond Emetteur à mainCK 55 L 417 L 420 L 444 L Mise en service ’émetteur à main/de Poche et contrôle deLa charge Du clip de couleurRaccordement d’un microphone Voir la de la ’un instrument deMusique Insertion d’uneTechnique du microphone ’accompagnement crophoneNettoyage ’autres installations sans Ou défectueux hors tension DépannageDéfaut Cause possible Remède Position de l’antenne des Changer le récepteur de Antennes Place. Si les décrochages’action Persistent, marquer les en Droits critiques et les éviterCaractéristiques techniques Mini XLR à 3 broches Noir satiné X 22 L Sans câbleMini XLR à 3 broches Noir satiné 130 ø Sans connecteur Indice Figg , 4, 8Pagina Figg , 6, 7Sicurezza ed ambiente Descrizione IntroduzioneDotazione Ad un canale SRInstrumental SET Dual 2 Trasmettitori da tasca Comando sul retro Elementi di comando sul retro del ricevitore SR 40 DualDescrizione Il LED è acceso di verde Batteria o.k AvvertenzaMicrofoni CK 55 L Cavo per chitarra 417 L 420 L 444 LMessa in esercizio ComeIl ricevitore Batterie nel Trasmettitore aMano/da tasca e Come testarleCome colle- gare uno strumento Tecnica microfonica Pulizia Microfono headset C 444 LPopping interno del RioGuida alla soluzione di problemi Problema Possibile causa RimedioImpianti senza filo, da tv, ra Delle antenne Un altro punto. Se i dropout Persistono, marcare i puntiCritici ed evitarli Dati tecnici CK 55 L, C 444 L Página Introducir las pilas en el transmisor manualSeguridad y medio ambiente Descripción Instrumental SET Dual 2 Transmisores de bolsillo Opcionales o DualControles en Descripción El LED se ilumina de verde la pila está en orden Controles Véase en la páginaNota Tapa de la caja de pilas con destornillador integrado 21aPuesta en servicio Posicionar elReceptor Nual de Instrucciones del RMU 40 PRONota Poner en servicio el trans- misor manual Véase también el Capítulo 4 Técnica microfónicaRecambiar el clip del código de colores Véase en la páginaEn on MicrofónicaEl LED AF Clip 5 en el receptor Técnica microfónica Limpieza Micrófono de cabeza C 444 LViento interior del Reparación de defectos Defecto Posible causa ReparaciónDes en on Equipos inalámbricos, tele Turbadores o defectuosos oMuy bajo Antenas Lugar. Si siguen existiendoLas pérdidas de sonido, de Ben marcarse y evitarse losEspecificaciones técnicas Tiempo de operación Tip h con pila deMini-XLR 3 polos Negro opaco X 22 mm Sin cable Índice Segurança e meio ambiente Apresentação Folha adicional Manual SupplementSets com receptor de dois canais SR 40 Dual Acessórios opcionais ReceptorDe mixagem ou do seu amplificador ComandoSinal recebido sobrecarrega a seção de áudio do receptor Nal de recepção. O SR 40 Dual assim como o SR 40 Single posSquelch auto MáticoEmissor de mão Elementos deCompartimento de pilhas com chave de fendas integrada 21a Operação ImportanteConectar o Receptor a umaMão/de bolso e De mãoMicrofone Conectar umInstrumento Técnica de microfone Coro AcompanhanteQue maior de Limpeza Dos ponteiros do relógioRemova a tela antivento peça de espuma da tampa de grades Lave a tela antivento numa lixívia de sabão muito diluídaResolver problemas Problema Causa possívelPosição da antena das Posicionar o receptor num Antenas Outro lugar. Caso as inteRrupções de som conti Nuem, marcar os lugaresEspecificações AKG ACOUSTICS, U.S
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WMS 40, HT 40 PRO, WMS 40 PRO, PT 40 PRO specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.