AKG Acoustics WMS 40 PRO, PT 40 PRO, HT 40 PRO manual Cleaning

Page 31

4 Microphon Technique

Remember that gain-before-feedback will be the higher the closer the microphone sits to the user's mouth!

3. Make sure to aim the microphone at the user's mouth.

1.Put the microphone on.

2.Bend the gooseneck so that the microphone will sit to one side in front of the corner of your mouth.

•Should you hear excessive pop noise ("p" and "t" sounds are overem- phasized unnaturally), move the microphone capsule further away from your mouth (up or back).

•If the microphone sounds "thin" or flat, move the microphone capsule closer to your mouth (refer to fig. 3).

•Find the optimum position during the soundcheck.

Note:

4.3C 444 L Head- worn Microphone 4.3.1 Putting On the Microphone

Refer to fig. 15 on page 4.

Note:

If (for instance, in outdoor use) excessive wind or pop noise becomes au-

4.3.2 Windscreen

dible, attach the supplied windscreen to the microphone.

 

1. Slide the windscreen onto the microphone capsule.

 

2. Pull the windscreen over the outer edge of the microphone capsule.

 

A special moisture shield on the microphone capsule makes it difficult for

4.3.3 Moisture

moisture and makeup to penetrate into the microphone. This barrier pre-

Shield

vents the microphone sound entries from being clogged by perspiration

Refer to fig. 16 on

or makeup, which would make the sound dull and reduce the sensitivity

page 4.

of the microphone. Therefore, never remove the moisture shield from the

 

microphone!

 

In case the moisture shield is damaged or lost, the C 444 L head-worn

 

microphone includes two replacement moisture shields.

 

 

5 Cleaning

•

Use a soft cloth moistened with water to clean the receiver and trans-

5.1

Surfaces

 

mitter surfaces.

 

 

 

1.

Unscrew the wire-mesh cap of the handheld transmitter CCW and re-

5.2

Handheld

 

move the wire-mesh cap from the transmitter.

Transmitter Internal

2.

Remove the windscreen (foam sheet) from the wire-mesh cap.

Windscreen

3.Wash the windscreen in mild soap suds.

4.As soon as the windscreen has dried, replace it in the wire-mesh cap and screw the wire-mesh cap onto the transmitter CW.

WMS 40 SINGLE/DUAL

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Contents WMS 40 SINGLE/DUAL WMS 40 PRO SINGLE/DUAL 21a WMS 40 SINGLE/DUAL Headset-Mikrofon C 444 L InhaltsverzeichnisSeite Etikett einlegenSicherheit und Umwelt Taschensender PT 40 PRO BeschreibungEmpfänger SR 40 Dual Schwarz Kabel MKG L Rent Empfänger SR 40 Dual Sets mit ZweikanalEmpfänger SR Taschensender PT 40 PRO Handsender HT 40 PROHandsender An der RückseiteAutomatischer SquelchBatteriefachdeckel Siehe Kapitel Gitarrenkabel Batteriefachdeckel mit integriertem Schraubenzieher 21aMikrofone Gangsbuchse des PT 40 PRO anschließenInbetriebnahme Farbcode-Clip tauschen Batterien in den Hand-/Taschen- sender einlegen und testenHinweis Handsender in Betrieb nehmen Siehe auch Kapitel 4 MikrofontechnikInbetriebnahme Mikrofontechnik Fon C 444 L ReinigungFehler Mögliche Ursache Behebung FehlerbehebungRauschen, Krachen Pouts bestehen bleiben, kri GAIN-Regler soweit zurückAntennenposition Empfänger an einer anderen Stelle aufstellen. Falls DroCK 55 L, C 444 L Technische DatenAbmessungen Nettogewicht 710 865 MHz 40 20.000 Hz ±15 kHz Typ ,8% Typ dBATable of Contents FCC Statement Safety and EnvironmentKits with SR DescriptionSingle receiver Receivers AccessoriesKits with SR 40 Dual receiver OptionalReceiver while the transmitter is off Rear panelPT 40 PRO Body- pack Transmitter LED lit green Battery is OKBattery compartment lid Refer to section HT 40 PROBattery compartment lid with integrated screwdriver 21a Connecting the Receiver to an Un- balanced Input Refer to on Setting UpReplacing the Color Code Clip Pack TransmittersTo the polarity marks RoundMicrophone AKG warranty schemeConnecting a Connecting anMicrophone tiepin Microphon TechniqueCleaning Problem Possible Cause Remedy TroubleshootingDistortion Specifications Mise en place et test des piles de l’émetteur à main Table des matierèsSécurité et environnement PRO Emetteur de poche PTRécepteur AccessoiresModèles équipés du récepteur à deux canaux SR 40 Dual OptionnelsDe la face arrière CommandesDemeure sur la face avant Votre amplificateurEmetteur à main 3 AtténuationAutomatique des Bruits de fondCK 55 L 417 L 420 L 444 L Mise en service Du clip de couleur ’émetteur à main/dePoche et contrôle de La chargeInsertion d’une Raccordement d’un microphone Voir la de la’un instrument de Musique’accompagnement crophone Technique du microphoneNettoyage Dépannage ’autres installations sans Ou défectueux hors tensionDéfaut Cause possible Remède Persistent, marquer les en Droits critiques et les éviter Position de l’antenne des Changer le récepteur deAntennes Place. Si les décrochages ’actionMini XLR à 3 broches Noir satiné X 22 L Sans câble Caractéristiques techniquesMini XLR à 3 broches Noir satiné 130 ø Sans connecteur Figg , 6, 7 IndiceFigg , 4, 8 PaginaSicurezza ed ambiente Ad un canale SR DescrizioneIntroduzione DotazioneInstrumental SET Dual 2 Trasmettitori da tasca Elementi di comando sul retro del ricevitore SR 40 Dual Comando sul retroDescrizione CK 55 L Cavo per chitarra 417 L 420 L 444 L Il LED è acceso di verde Batteria o.kAvvertenza MicrofoniCome Messa in esercizioIl ricevitore Come testarle Batterie nelTrasmettitore a Mano/da tasca eCome colle- gare uno strumento Tecnica microfonica Rio PuliziaMicrofono headset C 444 L Popping interno delProblema Possibile causa Rimedio Guida alla soluzione di problemiImpianti senza filo, da tv, ra Persistono, marcare i punti Delle antenne Un altro punto. Se i dropoutCritici ed evitarli Dati tecnici CK 55 L, C 444 L Introducir las pilas en el transmisor manual PáginaSeguridad y medio ambiente Descripción Opcionales o Dual Instrumental SET Dual 2 Transmisores de bolsilloControles en Descripción Tapa de la caja de pilas con destornillador integrado 21a El LED se ilumina de verde la pila está en ordenControles Véase en la página NotaNual de Instrucciones del RMU 40 PRO Puesta en servicioPosicionar el ReceptorVéase en la página Nota Poner en servicio el trans- misor manualVéase también el Capítulo 4 Técnica microfónica Recambiar el clip del código de coloresMicrofónica En onEl LED AF Clip 5 en el receptor Técnica microfónica Micrófono de cabeza C 444 L LimpiezaViento interior del Equipos inalámbricos, tele Turbadores o defectuosos o Reparación de defectosDefecto Posible causa Reparación Des en onBen marcarse y evitarse los Muy bajoAntenas Lugar. Si siguen existiendo Las pérdidas de sonido, deTiempo de operación Tip h con pila de Especificaciones técnicasMini-XLR 3 polos Negro opaco X 22 mm Sin cable Índice Segurança e meio ambiente Folha adicional Manual Supplement ApresentaçãoAcessórios opcionais Receptor Sets com receptor de dois canais SR 40 DualNal de recepção. O SR 40 Dual assim como o SR 40 Single pos De mixagem ou do seu amplificadorComando Sinal recebido sobrecarrega a seção de áudio do receptorElementos de Squelch autoMático Emissor de mãoCompartimento de pilhas com chave de fendas integrada 21a Receptor a uma OperaçãoImportante Conectar oDe mão Mão/de bolso eConectar um MicrofoneInstrumento Técnica de microfone Acompanhante CoroQue maior de Lave a tela antivento numa lixívia de sabão muito diluída LimpezaDos ponteiros do relógio Remova a tela antivento peça de espuma da tampa de gradesProblema Causa possível Resolver problemasNuem, marcar os lugares Posição da antena das Posicionar o receptor numAntenas Outro lugar. Caso as inte Rrupções de som contiEspecificações AKG ACOUSTICS, U.S
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WMS 40, HT 40 PRO, WMS 40 PRO, PT 40 PRO specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.
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