Mixingi i

Consolele

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Volume/EQ

 

Filter

 

 

 

Effect Depth

 

 

 

 

 

Tune

 

 

 

Voice

 

 

VOLUME

PAN-

EQ

EQ

BRIGHT-

HARMONIC

REVERB

CHORUS

DSP

DSP

DSP

DSP

DSP

DSP

TRANS-

TUNING

OCTAVE

PITCH

PORTAMENTO

VOICE

 

 

 

POT

LOW

HIGH

NESS

CONTENT

(1)

(2)

(3)

(4)

(5)

(6)

(7)

(8)

POSE

 

 

BEND

 

TIME

 

 

 

 

 

***

***

 

 

 

 

 

 

 

 

 

 

*

 

**

RANGE

 

 

 

Master

Overall

–

–

–

–

–

–

–

–

–

–

–

–

–

–

O

–

–

–

 

–

–

Keyboard

All Voices

–

–

–

–

–

–

–

–

–

–

–

–

–

–

O

–

–

–

 

–

–

 

VOICE R1

O

O

O

O

O

O

O

O

–

O

–

–

–

–

–

O

O

O

 

O

–

 

VOICE R2

O

O

O

O

O

O

O

O

–

–

O

–

–

–

–

O

O

O

 

O

–

 

VOICE R3

O

O

O

O

O

O

O

O

–

–

–

O

–

–

–

O

O

O

 

O

–

 

VOICE L

O

O

O

O

O

O

O

O

–

–

–

–

O

–

–

O

O

O

 

O

–

Auto

All Tracks

O

O

O

O

–

–

O

O

O

–

–

–

–

–

–

–

–

–

 

–

–

Accompaniment

RHYTHM 1

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

(Style)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

RHYTHM 2

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

 

 

 

BASS

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

 

CHORD 1

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

 

CHORD 2

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

 

PAD

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

 

PHRASE 1

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

 

PHRASE 2

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

Multi Pad

Multi

O

O

O

O

–

–

O

O

–

–

–

–

–

–

–

–

–

–

 

–

–

 

Pad 1~4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Song

All Tracks

O

O

O

O

–

–

O

O

O

–

–

–

–

–

O

–

–

–

 

–

–

 

TRACK 1

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

 

TRACK 2

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

 

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

 

•

•

 

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

 

•

•

 

TRACK 16

O

O

O

O

O

O

O

O

O

–

–

–

–

–

–

–

–

–

 

–

O

Microphone

MIC

O

O

–

–

–

–

O

O

–

–

–

–

–

O

–

–

–

–

 

–

–

Sound

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

O : available

*

Same as the [TRANSPOSE] button (pages 61 and 162)

 

** Same as the [UPPER OCTAVE] button (page 18)

 

*** Cannot be applied to the part using the Plug-in voice from the PLG150-PF. If you wish

 

 

to adjust them from the PLG150-PF, use the Native Part Parameter settings display

 

 

(Frequency/Gain) in the Plug-in Custom Voice Creator function.

● Volume/EQ

 

• Volume ...................

This lets you change the volume of each part and adjust the rela-

 

 

tive balance among all the parts.

• Panpot

....................

Positions the sound of the specified voice or track from left to right

 

 

in the stereo sound field.

• Equalizer ................

The EQ High and EQ Low controls function in the same way as the

 

 

treble and bass controls on a sound system, boosting or cutting

 

 

the high or low frequency ranges by the specified amount.

● Filter

 

 

• Brightness..............

This increases or decreases the brightness of the sound.

•Harmonic Content..This increases or decreases the harmonic content, giving the sound more or less “punch.”

●Effect Depth

This parameter sets the effect depth for the corresponding part. See the next page for details about Effects.

● Tune

 

• Transpose...............

Allows the pitch to be transposed up or down in semitone incre-

 

ments (pages 61 and 162).

• Tuning.....................

Sets the pitch for the corresponding part.

• Octave....................

Shifts the pitch of the specified part up or down by one or two

 

octaves. The value of this parameter is added to the value set via

 

the [UPPER OCTAVE] button (page 18).

•Pitch Bend Range ..Sets the range of the PITCH BEND wheel for the corresponding part. The range is from “0” to “12” with each step corresponding to one semitone.

• Portamento Time....Sets the portamento time for the corresponding part only when the

part is set to “MONO” (page 60). The higher the value the longer the portamento time. The portamento effect (a smooth slide between notes) is produced when the notes are played legato: i.e., a note is held while the next note is played.

●Voice

This lets you change the voice for each part.

•Make the desired Right 1 voice, Effect Type and Depth, and EQ settings from the Mixing Con- sole, then call up the Custom Voice display to store the set- tings. The Mixing Console parameters can be stored together with the Custom Voice parameters.

•Certain voices may produce excessive noise, depending on the Harmonic Content and/or Brightness settings of the Mixing Console Filter.

•As indicated in the chart above, in addition to the Master Trans- pose setting, there are two other transpose controls: Keyboard Transpose and Song Trans- pose. These can be used to match both the song and your keyboard performance to a cer- tain key. For example, let’s say you wish to both play and sing along with a certain recorded song. The song data is in F, but you feel most comfortable sing- ing in D, and you are accus- tomed to playing the keyboard part in C. To match up the keys, set the Master Transpose to “0,” the Keyboard Transpose to “2,” and the Song Transpose to “-3.” This brings the keyboard part up and the song data down to your comfortable singing key.

Reference 145

143