Yamaha 9000 Pro, professional workstation Chord Types Recognized in the Fingered Mode

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Chord Types Recognized in the Fingered Mode

●Example for “C” chords

C (9)

C 6(9)

CM7

CM7 (9)

CM7(#11)

)

(

Csus4

Caug

CM7 aug

Cm(9)

Cm6

Cm7

)

(

CmM7

CmM7 (9)

Cm7 b5

CmM7 b5

Cdim

Cdim7

C 7

)

(

C 7 (9)

C 7 (#11)

C 7 (13)

C 7 (#9)

C 7 b5

C7 aug

C7sus4

)

(

C(b5)

Cm7 (9)

)

(

C 7 (b9)

)

(

C1+2+5

CM7b5

Cm7(11)

( )

C7 (b13)

Chord Name [Abbreviation]	Normal Voicing		Display for root “C”
Major [M]	1	- 3 - 5	C
Add ninth [(9)]	1	- 2 - 3 - 5	C(9)
Sixth [6]	1	- (3) - 5 - 6	C6
Sixth ninth [6(9)]	1	- 2 - 3 - (5) - 6	C6(9)
Major seventh [M7]	1	- 3 - (5) - 7	CM7
Major seventh ninth [M7(9)]	1	- 2 - 3 - (5) - 7	CM7(9)
Major seventh add sharp eleventh [M7(#11)]	1	- (2) - 3 - #4 - 5 - 7 or	CM7#11
	1	- 2 - 3 - #4 - (5) - 7
Flatted fifth [(b5)]	1	- 3 - b5	C(b5)
Major seventh flatted fifth [M7b5]	1	- 3 - b5 - 7	CM7b5
Suspended fourth [sus4]	1	- 4 - 5	Csus4
Augmented [aug]	1	- 3 - #5	Caug
Major seventh augmented [M7aug]	1	- (3) - #5 - 7	CM7aug
Minor [m]	1	- b3 - 5	Cm
Minor add ninth [m(9)]	1	- 2 - b3 - 5	Cm(9)
Minor sixth [m6]	1	- b3 - 5 - 6	Cm6
Minor seventh [m7]	1	- b3 - (5) - b7	Cm7
Minor seventh ninth [m7(9)]	1	- 2 - b3 - (5) - b7	Cm7(9)
Minor seventh eleventh [m7(11)]	1	- (2) - b3 - 4 - 5 - (b7)	Cm7_11
Minor major seventh [mM7]	1	- b3 - (5) - 7	CmM7
Minor major seventh ninth [mM7(9)]	1	- 2 - b3 - (5) - 7	CmM7_9
Minor seventh flatted fifth [m7b5]	1	- b3 - b5 - b7	Cm7b5
Minor major seventh flatted fifth [mM7b5]	1	- b3 - b5 - 7	CmM7b5
Diminished [dim]	1	- b3 - b5	Cdim
Diminished seventh [dim7]	1	- b3 - b5 - 6	Cdim7
Seventh [7]	1	- 3 - (5) - b7 or	C7
	1	- (3) - 5 - b7
Seventh flatted ninth [7(b9)]	1	- b2 - 3 - (5) - b7	C7(b9)
Seventh add flatted thirteenth [7(b13)]	1	- 3 - 5 - b6 - b7	C7b13
Seventh ninth [7(9)]	1	- 2 - 3 - (5) - b7	C7(9)
Seventh add sharp eleventh [7(#11)]	1	- (2) - 3 - #4 - 5 - b7 or	C7#11
	1	- 2 - 3 - #4 - (5) - b7
Seventh add thirteenth [7(13)]	1	- 3 - (5) - 6 - b7	C7(13)
Seventh sharp ninth [7(#9)]	1	- #2 - 3 - (5) - b7	C7(#9)
Seventh flatted fifth [7b5]	1	- 3 - b5 - b7	C7b5
Seventh augmented [7aug]	1	- 3 - #5 - b7	C7aug
Seventh suspended fourth [7sus4]	1	- 4 - 5 - b7	C7sus4
One plus two plus five [1+2+5]	1	- 2 - 5	C1+2+5

•Notes in parentheses can be omitted.

•If you play any three adjacent keys (including black keys), the chord sound will be canceled and only the rhythm instru- ments will continue playing (Chord Cancel function).

•Playing a single key or two same root keys in the adjacent octaves produces accompani- ment based only on the root.

•A perfect ﬁfth (1 + 5) produces accompaniment based only on the root and ﬁfth which can be used with both major and minor chords.

•The chord ﬁngerings listed are all in “root” position, but other inversions can be used — with the following exceptions:

m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), m7_11, 1+2+5.

•Inversion of the 7sus4 chord is not recognized if the 5th is omitted.

•The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).

•Two-note ﬁngerings will pro- duce a chord based on the pre- viously played chord.

Reference 71