parameters available in the PLAY mode (pages 32 and 41). The

“SendCho→ Rev” parameter (page 91) can be used to send some or all of the output from the chorus stage to the reverb stage. If the the “SendCho→ Rev” parameter is set to maximum and the “ChoRtn” parameter is set to “000”, the chorus stage and reverb stage are effectively connected in series.

● When the Variation Stage is a System Effect

 

 

 

Monaural

Distortion

 

 

Stereo

Tone

 

 

 

generator

 

 

 

Dry/Wet

 

 

 

RevSend

Reverb

 

 

RevPan

RevRtn

 

 

SendCho→

Rev

 

ChoSend

Chorus

 

 

ChoPan

ChoRtn

 

SendVar→

Cho

Output

 

 

 

 

SendVar→

Rev

 

 

Variation

 

 

VarSend

VarPan

VarRtn

DryLevel DryLine

In this case the output from the tone generator is first sent to the distortion stage, and the distortion effect signal is then mixed back into the main signal line via the corresponding “Dry/Wet” parameter. In this connection mode only the distortion stage is functioning as an insertion effect. After the distortion stage the signal can be sent to the reverb, chorus and variation stages via the “RevSend”, “ChoSend”, and “VarSend” parameters available in the PLAY mode (pages 35 and 39). The output from all three of these stages is stereo, and the effect signal can be mixed back in with the main signal line via the “RevRtn”, “ChoRtn”, and “VarRtn” parameters available in the PLAY mode (pages 32, 33 and 41). The “SendCho→ Rev” parameter (page 32) can be used to send some or all of the output from the chorus stage to the reverb stage. If the “SendCho→ Rev” parameter is set to maximum and the “ChoRtn” parameter is set to “000”, the chorus stage and reverb stage are effectively connected in series. The “SendVar→ Rev” and “SendVar→ Cho” parameters (page 93) can be used to send some or all of the output from the variation stage to the reverb and chorus stages, respectively.

Effects & Effect Editing 87