Part 6: Editing Effects
76 QS7.1/QS8.1 Reference Manual
CONFIGURATION #5: OVERDRIVE+LEZLIE
Pitch 1 Delay 1 Reverb 1
Mono Chorus Mono Delay Plate 1
Mono Flange Stereo Delay Plate 2
Resonator Ping-Pong Delay Room
Hall
Large
Gate
Reverse

HOW “OVERDRIVE+LEZLIE” IS ARRANGED

This Configuration is as “all-for-one” as it gets: a total of six different effects, all at
once, and all of them on Send 1.
Since this is an extremely linear Configuration, let’s follow the flow of the core signal
step by step, then double-back to consider the complex extra routing choices which
are available.
The main path:
Send 1 is routed to an Overdrive effect which provides classic distortion.
The output of the Overdrive is sent through a balance fader to a mono Pitch
effect.
The output of the Pitch effect is sent through a balance fader to a stereo Delay.
The output of the Delay is summed to mono and sent through a balance fader to
a stereo Reverb.
The output of the Reverb is summed to mono and sent into a stereo Lezlie.
The stereo output of the Reverb goes, as a stereo signal, to a shelving EQ.
The stereo output of the EQ goes to the [MAIN LEFT] and [MAIN RIGHT] outputs.