Alesis QS8.1, QS7.1 manual Configuration #5 OVERDRIVE+LEZLIE, HOW OVERDRIVE+LEZLIE is Arranged

Part 6: Editing Effects

CONFIGURATION #5: OVERDRIVE+LEZLIE

Pitch 1	Delay 1	Reverb 1
Mono Chorus	Mono Delay	Plate 1
Mono Flange	Stereo Delay	Plate 2
Resonator	Ping-Pong Delay	Room
		Hall
		Large
		Gate
		Reverse

HOW “OVERDRIVE+LEZLIE” IS ARRANGED

This Configuration is as “all-for-one” as it gets: a total of six different effects, all at once, and all of them on Send 1.

Since this is an extremely linear Configuration, let’s follow the flow of the core signal step by step, then double-back to consider the complex extra routing choices which are available.

The main path:

∙Send 1 is routed to an Overdrive effect which provides classic distortion.

∙The output of the Overdrive is sent through a balance fader to a mono Pitch effect.

∙The output of the Pitch effect is sent through a balance fader to a stereo Delay.

∙The output of the Delay is summed to mono and sent through a balance fader to a stereo Reverb.

∙The output of the Reverb is summed to mono and sent into a stereo Lezlie.

∙The stereo output of the Reverb goes, as a stereo signal, to a shelving EQ.

∙The stereo output of the EQ goes to the [MAIN LEFT] and [MAIN RIGHT] outputs.

76 QS7.1/QS8.1 Reference Manual