Part 6: Editing Effects
QS7.1/QS8.1 Reference Manual 75
CONFIGURATION #4: 1 REVERB+EQ
Pitch 1 Delay 1 Reverb 1
Mono Chorus Mono Delay Plate 1
Stereo Chorus Stereo Delay Plate 2
Mono Flange Ping-Pong Delay Room
Stereo Flange Hall
Pitch Detune Large
Resonator Gate
Reverse
Pitch 2 Delay 2 Reverb 2
Mono Chorus Mono Delay Balance and level
Stereo Chorus Stereo Delay to Reverb 1
Mono Flange Ping-Pong Delay
Stereo Flange
Pitch Detune
Resonator

HOW “REVERB+EQ” IS ARRANGED

The arrangement of Sends 1 and 2 in this Configuration are identical to those in
Configuration #1. That’s where the resemblance ends, though. In this Configuration:
• Sends 3 and 4 don’t exist! (Literally. If you route Sounds which have their
outputs set to OFF through these sends you will hear nothing at all, just the same
as if you were trying to play your guitar through an amp that hasn’t been
plugged in.)
• In their place we’ve added a stereo shelving EQ module to the [MAIN] outputs.
The important thing to remember about this EQ — and one of its most useful aspects
— is that it gives you bass and treble boost/cut control over all sounds coming out of
the [MAIN] outputs. This means you can tweak EQs not just on the sounds being
routed to the Effects Sends, but everything else being produced by your QS as well.