Yamaha QY700 manuals
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334 pages 6.9 Mb
5 Features of the QY7007 How to use the manualsOwners Manual: Reference (this manual) Owners Manual: QY700 Reference Listings Printing conventions in this manual s 9 Finding the information that you need10 Table of contents13 1. Front and rear panelsTop panel1. PITCH wheel 2. ASSIGNABLE wheel 3. Mode keys 15 -19. Locate keys 20. Track keys 24. Enter key26. Microkeyboard25. Octave keys 25. Octave keys 16. Sequencer keys 18. JOB key14 16.Sequencer keys 17.e keySwitch to Song Edit ( p.129) or Phrase Edit ( p.254). 18.j keyAccess the Song jobs ( p.138) or Pattern jobs ( p.256). 19.1 (Locate 1) key 2 (Locate 2) key 22. Decrement key, Increment key 17. EDIT key 21. Cursor keys 23. Numeric keypad 17 Rear panel18 Floppy disk drive19 2. ConnectionsPower supply connections 20 Audio equipment connectionsST RST ST To output the sound of the QY700, connect an amp or mixer to the output jacks. Connection to powered speakers Connection to a mixer Using headphonesPOWER ON INDCPHONESL/MONORSWFOOT OUTPUT OFF1 2 4 5 6 7 8 9 10 12 13 14 15 16 20 21 Connecting a foot switchConnecting external MIDI devicesConnecting a MIDI keyboard Connecting a tone generator moduleMIDI OUT MIDI INE aug E b 789 456 123 0-SONG 11) c7( 13 7(b dim aug m7 m7OUT BOUT AIN B CONTRAST EDIT SOLOMUTE REST C#D# m add9 MSHIFT F1 F2 F3 F4 F5 F6 SHIFTEXIT c MTR (MTC,MMC-compatible)MIDI OUT-1 +1 PART MIDI BANK/PGM#VOLEXP PAN REV CHO VAR KEY PUSH ON/OFF MIDI IN MIDI IN-A or IN-Bb 789 456 123 0-SHIFT F1 F2 F3 F4 F5 F6 SHIFTEXIT MTR (MTC,MMC-compatible) MIDI OUT-A or OUT-B Synchronizing the QY700 by MTC from an external device Controlling an external device via MMC from the QY700MIDI OUT-A MIDI IN-B MIDI OUT-BA/D INPUT PHONES POWER/VOL PLAYEDIT UTILEFFECT MODEEQ MUTE/ SOLO ENTER EXIT PART SELECT VALUEALL F# Eadd9 M7 a mM7 m6TRACK DOWNTRACK UPIN B MIDI OUT BOUT A IN A IN A PLAYREC JOB LOC 2LOC 1 TIE 7(#5) 7(b5) 7(#9) 7 sus4 sus4 GbDbEb7(b9) bM7(9) 6 (9) 7 (9) ) 7(13) JI m7(11) G# Ab A# Bb 789 456 123 0-VOICE SHIFT F1 F2 F3 F4 F5 F6 SHIFTEXITMAX VOLUME PITCH ASSIGNABLEPATTERN UTILITY FOOT SWRL/MONO OUTPUT MTR (MTC/MMC-compatible)MIDI OUT MIDI OUT MIDI IN MIDI IN MIDI IN-A 22 Connecting an MTR (multi-track recorder)Connecting two or more devices 23 3. Using the Style and Demonstration disk26 Chapter 1. BASIC CONCEPTS70 Chapter 2. SONG MODE70 Chapter 2. SONG MODE 71 SONG MODE OverviewTrack Configuration SONG MODE Overview 72 71Chapter 2. SONG MODETrack Output Channels SONG MODE Overview 72 Chapter 2. SONG MODE 73 1. SONG PLAY4. Track status 7. Fingered-chord switch 5. Style number, style name, section, pattern name 8. Keyboard image 6. Chord root and type 12. Click mode, click beat, and count Track name 10. Loop switch; locations 1, 2 9. Measure and beat 11. Tempo and meter 13. Transposition 3. Track numbers; keyboard-track setting (highlighted) 1.Song number and name 2. Pattern setup e 73Chapter 2. SONG MODE 74 1. Song number and name2. Pattern setup 75 3. Track numbers; keyboard-track settingTo deselect To select a track for SOLO play To release a mute To mute the track 4. Track status (data, MUTE, SOLO) 76 5. Style number, style name, section, and pattern name6. Chord root and type76 Chapter 2. SONG MODE To set an original bass To set an on-bass If you do not want to use fingered chording: If you want to use fingered chording: 77 7. Fingered-chord switch78 8. Keyboard image9. Measure and beat 79 10. Loop switch; locations 1 and 211. Tempo and meter 12. Click mode, click beat, and count 80 13. Transposition81 2. Play Effects83 Groove Quantizing91 Clock Shift, Gate Time, and Velocity95 TranspositionDrum-Table Edit s SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXITPlay-effects THRU setting 4. 19.Drum table 20.Transposition Data display1.Keyboard track 1.Track number and name 1.Track number 2.Measure and beat 3.Voice programSONG PLAY 1 Play Effects 3 Transpose 4 95Chapter 2. SONG MODE 96 19. Drum table97 20. Transposition98 Drum Table EditSHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 97Chapter 2. SONG MODEsSONG PLAY 1Play Effects 3Transpose 4Drum-Table Edit 98 Chapter 2. SONG MODE 99 21. Replacement List22. Velocity rate 100 1 (Clear)2 (Default)100 Chapter 2. SONG MODE 3. Track View 101 3. Track View104 4. Output Channels107 5. Song Recording109 Recording Standby113 Realtime Recording: Sequence Tracks (TR1,...,TR32)114 Realtime Recording: PATTERN Track116 Realtime Recording: CHORD Track118 Realtime Recording: TEMPO Track119 Punch Recording121 Step Recording: Sequence Tracks (TR1,...,TR32)120 Chapter 2. SONG MODE 121Chapter 2. SONG MODE Beat Graph 122 eqq exxe137 eqq exxe168 Chapter 3. VOICE MODE168 Chapter 3. VOICE MODE 169 About voice mode171 1. Mixer175 2. Tune177 3. Voice edit183 4. Drum Setup Edit11.Pitch coarse 16.EG attack / EG decay 1 / EG decay 2 15.Filter cutoff / Filter resonance 3.Note name 4.Drum kit 5.Reverb send 6.Chorus send 7.Variation send 8.Pan 9.Level 1.Data display10.Pitch fine 2.Location 12.Alternate group 13.Key assign 14.Receive note off vVoice Mode 1Mixer 2Tune 3Voice Edit 4Drum Setup 1 Edit 5Drum Setup 2 Edit 184 Chapter 3. VOICE MODE 185 3. Note name4. Drum kit 5. Reverb send 6. Chorus send 7. Variation send 8. Pan 9. Level 10. Pitch fine 186 11. Pitch coarse12. Alternate group 13. Key assign 14. Receive note off 15. Filter cutoff, Filter resonance 16. EG attack, EG decay 1, EG decay 2 188 Chapter 4. EFFECT MODE189 About effect mode188 Chapter 4. EFFECT MODE About effect mode 189Chapter 4. EFFECT MODE About effect modeAlthough this structure gives you more freedom, it is slightly more complex.thick line indicates a stereo signal part 32 CHORUS OUTPUT DRY LINE VARIATION 190 DRY LINEWhen Variation Mode = Insertionreverb return chorus return send chorus to reverb reverb pan chorus pan OUTPUT thick line indicates a stereo signal part 3 part 1 part 2 REVERB CHORUS Although some freedom is sacrificed, this structure is easier to understand. REVERBsend chorus to reverb send variation to chorus send variation to reverb thick line indicates a stereo signal part 2 part 3 When Variation Mode = System 191 1. Connection190 Chapter 4. EFFECT MODE 191Chapter 4. EFFECT MODE 192 2. Variation mode 3. Reverb type 4. Reverb return 5. Reverb pan 6. Chorus type192 Chapter 4. EFFECT MODE 193 7. Chorus return8. Chorus pan 9. Send chorus to reverb 10. Variation type 11. Variation return 12. Variation pan 13. Send variation to chorus 14. Send variation to reverb194 Chapter 4. EFFECT MODE 2. Reverb edit, Chorus edit, Variation edit 195 1. Effect type195Chapter 4. EFFECT MODE 2. Reverb edit, Chorus edit, Variation edit 196 2. Effect parameters3. Dry/Wet (only for Variation edit) 4. Control (only for Variation edit) 5. AC1 control (only for Variation edit) 198 Chapter 5. PATTERN MODE198 Chapter 5. PATTERN MODE 199 PATTERN MODE Overview201 1. PATCH210 Phrase Table4. Retrigger 7. Voice category, program number, and bank number 3. Phrase type SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 209Chapter 5. PATTERN MODE2. Length 1. Phrase number and name 5. Low and high limits 6. High key 8. Source chord 210 Chapter 5. PATTERN MODE 211 1. Phrase number and name2. Phrase length 3. Phrase type 4. Retrigger 5. Low and high limits211Chapter 5. PATTERN MODE 212 6. High key7. Voice category, program number, bank number, and voice name 8. Source chord 213 2. Play Effects215 Groove Quantizing11. Grid position 12. Clock shift SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXITSHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 11. Grid 12. Clock shift 13. Gate-time multiplier 14. Velocity offset 13. Gate-time multiplier 14. Velocity offset 216 215Chapter 5. PATTERN MODE217Chapter 5. PATTERN MODE 218 Clock Shift, Gate Time, and Velocity220 TranspositionSHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 220 Chapter 5. PATTERN MODE 221 19. Drum table20. Transposition 21. Inversion transposition221Chapter 5. PATTERN MODE 222 22. Open harmony222 Chapter 5. PATTERN MODE 223 Drum Table Edit226 3. Pattern Voice submode227Chapter 5. PATTERN MODE 228 MixerSHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT1Mixer 2Voice Edit 3Drum Setup-3 Edit pPATCH 2Voice 228 Chapter 5. PATTERN MODE 229 3. Track number4. Track status229Chapter 5. PATTERN MODETo set the track to SOLO To deselect SOLO 230 5. Voice select6. Voice category230 Chapter 5. PATTERN MODE 231 7. Program number8. Bank Number 9. Reverb send level 10. Chorus send level 11. Variation switch/variation send level 12. Pan 232 13. Volume232 Chapter 5. PATTERN MODE 233 Voice Edit236 Drum-Setup Edit1Mixer 2Voice Edit 3Drum Setup-3 Edit pPATCH 2Voice 236 Chapter 5. PATTERN MODE 237 3. Note237Chapter 5. PATTERN MODE 238 4. Drum kit5. Reverb send level 6. Chorus send level 7.Variation send level 8. Pan 9. Level 10. Pitch fine-tuning 11. Pitch coarse-tuning238 Chapter 5. PATTERN MODE 239 12. Filter cutoff, and filter resonance13. EG attack, EG decay-1, and EG decay-2239Chapter 5. PATTERN MODE 240 4. Pattern Effects240 Chapter 5. PATTERN MODEWhere variation mode = Insertion: 241 DRY LINEOffers much greater control, but more difficult to set up. CHORUS OUTPUT DRY LINE VARIATION OUTPUTchorus return send chorus to reverb reverb pan chorus pan Bold line indicates stereo transmission. part 3 part 1 part 2 REVERB CHORUSPAN Easy to set up, but less flexible than system type. Where variation mode = System: REVERBsend chorus to reverb send variation to chorus send variation to reverb Bold line indicates stereo transmission. part 2 part 3 242 Connection241Chapter 5. PATTERN MODE3Pattern Effects 1Effect Connection Setup 2Reverb Edit 3Chorus Edit 4Variation Edit pPATCH 242 Chapter 5. PATTERN MODE 243 2. Variation mode3. Reverb type 4. Reverb return 5. Reverb pan 6. Chorus Type 7. Chorus return 8. Chorus pan 245 Reverb Edit, Chorus Edit, and Variation Edit244 Chapter 5. PATTERN MODE 245Chapter 5. PATTERN MODE 246 2. Effect type3. Effect parameters 4. Dry/wet balance 5. Controllable parameter246 Chapter 5. PATTERN MODE 247 6. AC1 control depth247Chapter 5. PATTERN MODE 248 5. Phrase Recording248 Chapter 5. PATTERN MODE 249 Recording Standby253 Realtime Recording252 Chapter 5. PATTERN MODE 253Chapter 5. PATTERN MODE 254 Step Recording254 Chapter 5. PATTERN MODE 6. Phrase EditingSHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT 255 6. Phrase Editing260 Job 00 Undo/Redo259Chapter 5. PATTERN MODE 2. UNDO/REDO target 1. Undo/Redo indication 261 Job 01 Quantize260 Chapter 5. PATTERN MODE 3. Quantizing value 4. Strength 5. Sensitivity 6. Swing rate 7. Swing gate time 8. Swing velocity261Chapter 5. PATTERN MODE 262 Job 02 Modify Velocity262 Chapter 5. PATTERN MODE 263 Job 03 Modify Gate Time263Chapter 5. PATTERN MODE 264 Job 04 CrescendoJob 05 Transpose264 Chapter 5. PATTERN MODE 3. Transposition amount 265 Job 06 Shift Note2. Segment and notes (M) 3. Source pitch 4. Destination pitch265Chapter 5. PATTERN MODE 266 Job 07 Shift ClockJob 08 Chord Sort266 Chapter 5. PATTERN MODE 3. Type 267 Job 09 Chord Separate267Chapter 5. PATTERN MODE 4. Destination event 268 Job 10 Shift Event269 Job 11 Copy Event268 Chapter 5. PATTERN MODE 1. Style 2. Phrase 3. Source segment 4. Start point of destination 5. Copy iterations269Chapter 5. PATTERN MODE 270 Job 12 Erase EventJob 13 Extract Event1. Source phrase270 Chapter 5. PATTERN MODE 271 2. Source segment3. Spot clock 4. Destination phrase 5. Event 6. Argument range 272 Job 14 Thin Out271Chapter 5. PATTERN MODE 1. Phrase 3. Event272 Chapter 5. PATTERN MODE 273 Job 15 Time StretchJob 16 Copy Phrase 275 Job 17 Mix Phrase2. Source phrase (Phrase a) 4. Destination phrase (Phrase b)275Chapter 5. PATTERN MODE 5. Phrase Table source 276 Job 18 Append Phrase2. Source phrase (Phrase a)276 Chapter 5. PATTERN MODE 4. Destination style 5. Destination phrase 277 Job 19 Split Phrase3. Split point277Chapter 5. PATTERN MODE 4. Destination style 5. Destination phrase 278 Job 20 Get Phrase3. Segment> = 278 Chapter 5. PATTERN MODE 279 Job 21 Put Phrase5. Track location279Chapter 5. PATTERN MODE 280 Job 22 Clear PhraseJob 23 Phrase Name280 Chapter 5. PATTERN MODE 2. Phrase name 281 Job 24 Clear Track2. Data type281Chapter 5. PATTERN MODE 3. Data type 282 Job 25 Copy Pattern1. Source style, section, and track 2. Destination style, section, and track 283 Job 26 Append Pattern282 Chapter 5. PATTERN MODE 4. Pattern Voice selection 1. Source pattern (pattern a) 2. Destination pattern (pattern b) 3. Play Effect selection283Chapter 5. PATTERN MODE 3. Destination pattern 4. Play Effect and Pattern Voice copy 284 Job 27 Split Pattern1. Source pattern 2. Split point 285 Job 28 Clear Pattern284 Chapter 5. PATTERN MODE 1. Style and section Job 29 Pattern Name285Chapter 5. PATTERN MODE 1. Style name 2. Section 3. Pattern name 286 Job 30 Style Icon288 Chapter 6. UTILITY MODE302 Chapter 7. DISK MODE
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