Korg D8 manual NR Noise Reduction

DualDLY (Dual Delay)

This is a delay in which the L/R channel parameters can be set independently.

LT (L Time)	1ms...1s	L channel delay time
RT (R Time)	1ms...1s	R channel delay time
LFBack (L Feedback)	0...50	L channel feedback amount
RFBack (R Feedback) 0...50		R channel feedback amount
LHDamp (L HiDamp)	0...50	High frequency attenuation of the L
		channel feedback
RHDamp (R HiDamp)	0...50	High frequency attenuation of the R
		channel feedback
LLDamp (L Low-	0...50	Low frequency attenuation of the L
Damp)		channel feedback
RLDamp (R Low-	0...50	Low frequency attenuation of the R
Damp)		channel feedback
LMx (L Wet/Dry)	DRY,1,2,...,49,WET	Balance between the L channel
		effect sound and direct sound
RMx (R Wet/Dry)	DRY,1,2,..,49,WET	Balance between the R channel
		effect sound and direct sound

S.DLY (Stereo Delay)

This is a version of Mono Delay which allows 2-channel simulta- neous input and output.

The parameters are the same as for Mono Delay.

TmpoDLY (Tempo Delay)

This effect lets you specify the delay time in terms of a specified note value and tempo.

TEMPO (Tempo)	30...250	Tempo
NOTE (NoteLength)	4...64T	Note value length
Fback (Feedback)	0...50	Feedback amount
H.Damp (HighDamp)	0...50	High frequency attenuation of the
		feedback
L.Damp (LowDamp)	0...50	Low frequency attenuation of the
		feedback
MIX (Wet/Dry)	DRY,1,2,...,49,WET	Balance between the effect sound
		and the direct sound

X.DLY (Cross Delay)

This is a delay in which the feedback is alternated between the L/R channels. Delay time can be set independently for each channel.

LT (L Time)	1ms...1s	L channel delay time
RT (R Time)	1ms...1s	R channel delay time
Fback (Feedback)	0...50	Feedback amount
H.Damp (HighDamp)	0...50	High frequency attenuation of the
		feedback
L.Damp (LowDamp)	0...50	Low frequency attenuation of the
		feedback
MIX (Wet/Dry)	DRY,1,2,...,49,WET	Balance between the effect sound
		and the direct sound

DOPPLER (Doppler)

This simulates the Doppler effect.

SPD (Speed)	0.01...4.00(Hz)	Speed of movement
PITCH (Pitch)	0...50	Pitch difference of the Doppler effect
SPRED (Spread)	–50...+50	Left/right spread
DLY (Delay)	1ms...1s	Delay time
MIX (Wet/Dry)	DRY,1,2,...,49,WET	Balance between the effect sound
		and the direct sound

ENSEMBL (Ensemble)

This is an ensemble effect with multiple chorus blocks. It produces a sense of three-dimensional depth.

SPD (Speed)	0.01...16.0(Hz)	Modulation speed
DEPTH (Depth)	0...50	Modulation depth
H.Damp (HighDamp)	0...50	High frequency attenuation
L.Damp (LowDamp)	0...50	Low frequency attenuation
MIX (Wet/Dry)	DRY,1,2,...,49,WET	Balance between the effect sound
		and the direct sound

ER (Early Reflections)

Out of the various reflected components that make up reverbera- tion, this effect isolates only the early reflections. It gives the sound a sense of presence and reality.

CRV (Curv)	SHARP, LOOSE,	Select the attenuation curve of the
	MOD, REV	early reflections
T (ER Time)	10...400ms	Length of the early reflections
PDL (PreDelay)	0...200 ms	Time from the original sound until the
		first early reflection
H.Damp (HighDamp)	0...50	High frequency attenuation
MIX (Wet/Dry)	DRY,1,2,...,49,WET	Balance between the effect sound
		and the direct sound

EXCITER (Exciter)

This effect adds sparkle to the sound, giving it greater definition.

BLEND (Blend)	0...50	Depth of the exciter effect
EMPHA (Emphatic	0...100	The frequency that is emphasized
Point)

S.XCITE (Stereo Exciter)

This is a variation of EXCITER which allows simultaneous 2-chan- nel input/output. The parameters are the same as for Exciter.

FILTER (Filter)

This is a filter with resonance, whose frequency can be controlled by an envelope.

TYPE (Type)	LPF,BPF,HPF	Filter type
SENS (Sens)	0...50	Sensitivity
ATK (Attack)	FAST,1,2...49,SLOW	Strength of the attack
MANUAL (Manual)	0...50	Frequency at which the effect will
		apply
RES (Resonance)	0...50	Amount (strength) of resonance
PLTY (Polarity)	UP, DOWN	Polarity

GATE (Gate)

This effect mutes any signals which are lower than the specified level.

THR (Threshold)	–80...–1dB	Level at which the effect will begin to
		apply
ATK (Attack)	FAST, 1...49, SLOW	Attack length
REL (Release)	FAST, 1...49, SLOW	Release length

NR (Noise Reduction)

This effect reduces noise.

THR (Threshold)	–1 ... –40dB	Level at which the effect begins to
		apply

S.NR (Stereo NR)

This is a version of NR which allows 2-channel simultaneous input. The parameters are the same as for NR.

PAN (Pan)

This effect moves the sound between left and right. You can specify the location of the center position.

SPD (Speed)	0.01...16.0(Hz)	Modulation speed
DEPTH (Depth)	0...50	Modulation depth
BAL (LR Balance)	L50,L49..0,R1,..R50	Location of center position

PHASER (Phaser)

This effect moves the phase of the sound to create modulation.

SPD (Speed)	0.01...16.0(Hz)	Speed
DEPTH (Depth)	0...50	Modulation depth
MANUAL (Manual)	0...50	Frequency at which the effect is
		applied
RES (Resonance)	–50...+50	Amount of resonance
MIX (Wet/Dry)	DRY,1,2,...,49,	Balance between the effect sound
	WET	and the direct sound

S.PHASE (Stereo Phaser)

This is a version of PHASER which allows 2-channel simultaneous input. In addition to the parameters of PHASER, the following can also be adjusted.

PHASE (Phase)	0...180	Relative phase difference between
		channels

Chapter 4 Appendices

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