to access the “Snd✽” display (✽ is the channel number).
Snd1 :000
EFFECT
SEND
5Rotate the [VALUE] dial to adjust the amount of the input sound that will be sent to the effect.
Be careful that the effect (“E”) level meter does not light all the way to CLIP.
■Selecting the effect program
6Select the effect program as explained in “4. Applying an effect to the input sound as you record, ■ Selecting the effect program”.
■Adjusting the return level from the effect and the return balance
7Press the [EDIT] key, and then press the [EFFECT ASSIGN] key several times to access the “EffRet” (effect return level) display.
INPUT 1/2
EffRet:080 
MASTER
EDITEFFECT
ASSIGN
E
8Rotate the [VALUE] dial to adjust the return level from the effect.
9Press the [EFFECT ASSIGN] key to access the “Eff- Bal” (effect return balance) display.
INPUT 1/2
EffBal:CNT 
MASTER
EFFECT
ASSIGN
E
10Rotate the [VALUE] dial to adjust the return bal- ance from the effect.
■Saving the effect program
11Refer to “4. Applying an effect to the input sound as you record, ■ Editing the effect, ■ Saving the effect program”.
■Starting and stopping recording
12After pressing the [REC] key, press the [PLAY] key to begin recording, and press the [STOP] key to stop recording. (Refer to p.11, “■ Starting and stopping recording”)
■Checking the recorded material (Playback)
13Move the current time to a point earlier than where you began recording. Then set the [TRACK STA- TUS] to PLAY for the track that you recorded, press the [PLAY] key to playback, and press the [STOP] key to stop. (Refer to p.11, “■ Listening to the recorded performance (Playback)”)
6.Applying the dedicated delay to the input sound
In addition to the effect that was discussed in “4. Applying an effect to the input sound as you record” and “5. Applying an effect to the input sound and recording only the input sound”, the D8 provides a “monitor delay” that can be applied only to the input sound. When you are recording vocals or guitar, applying this delay will give the sound a sense of spaciousness. This delay will not be recorded. Since the monitor delay is not part of the internal effect, it lets you use the internal effect in other ways.
■Connecting the input device and adjusting the level
1Refer to “1. Recording (analog recording), ■ Connect- ing the input device and adjusting the level” to con- nect the input device and adjust the level.
It is not possible to use the effect or the monitor delay when recording digitally.
■Turning the monitor delay on/off
2 Press the [EFFECT ASSIGN] key | INPUT 1/2 |
several times to select INPUT 1/2 | MASTER |
(indicator lit). | EFFECT |
| ASSIGN |
| E |
3Press [EFFECT] several times to access the “MoniDly” display.
MoniDly:oú 
EFFECT
E
4Rotate the [VALUE] dial to turn the monitor delay on (o).
When [EFFECT ASSIGN] is set to INPUT 1/2 and [REC SELECT] is set to INPUT 1/2, turning the monitor delay on will only apply to tracks whose [TRACK STATUS] is REC (ANALOG), and the monitor delay will apply to the sound that is input from the INPUT 1/2 jacks.
■Editing the monitor delay
5Press the [
] key to select the monitor display parameter that you wish to edit. Press the [
] key to move to the next parameter, or press the [
] key to move to the previous parameter (refer to p.74).
T :200ms
6Rotate the [VALUE] dial to set the value.
Chapter 2 | Operation |
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|
Recording
15
