Korg manual D8 Specifications

9. D8 Specifications

■ Specifications < Recorder section >

Tracks	: 8 tracks (50 songs ⋅ 8 tracks)
	: 8 tracks simultaneous playback,
	2 tracks simultaneous recording,
	6 tracks playback + 2 tracks recording
Recording format	: 16 bit uncompressed, 44.1 kHz
Recording time	: 34 minutes of 8 tracks recording
	maximum (when using internal

1.4Gbyte hard disk)

Maximum recording capacity

:Internal + 4 Gbyte ⋅ 7 drives

Songs	: 50 songs (Auto Save function
	makes save/load operation unnec-
	essary when switching songs)
Locate points	: 3 points per song
Mark points	: 100 points per song
Metronome/Rhythm patterns
	: 131 patterns
MIDI synchronization	: Transmitted (MTC, MIDI Clock)
	: Received (MMC)
	: Tempo Map (10 events per song)
	: Sync Track (1 track per song)
Editing	: Track (Copy, Insert, Erase, Delete,
	Swap) (Tracks can be copied

between songs.)

: Song (Copy, Move, Delete, Recover)

: Undo, Redo

Counter/Locator format : Min/Sec/mSec, Meas/Beat/Tick, Min/Sec/Frame (30 NDF only)

< Mixer section >

Structure	: 12 channel 4 bus mixer (left and
	right master sends, internal effect
	send, external AUX send), 1 master
	stereo out
Signal processing	: 24 bit, 44.1 kHz
Equalizer	: High (10 kHz ±15 dB)
	: Low (100 Hz ±15 dB)
Scene memory	: 20 scenes per song

< Multi-effect section >

Structure	: 1in-2out or 2in-2out or 1in-1out ⋅ 2
Signal processing	: 24 bit 44.1 kHz
Programs	: 65 preset, 65 user
Chains	:	38 types
Effects	:	50 types

< General >

Display	: 4” x .9” custom LCD
Power supply	: AC 9 V AC/AC power supply
Power consumption	: 16 W (AC 9 V 2.0 A max.)
Dimensions	: 15.2” (W)⋅ 9.8” (D )⋅ 3.3” (H)
Weight	: 5.7 lbs.

■ Main formats

Frequency response	: 10 Hz – 21 kHz ±1 dB
	@+4 dBu, 10 k-ohm load
S/N	: 92 dB or better @IHF-A

Total harmonic distortion : less than 0.03% 20 Hz – 20 kHz

	@+16 dBu, 10 k-ohm load
A/D conversion	: 18 bit linear, uncompressed
D/A conversion	: 18 bit linear, uncompressed
Sampling frequency	: 44.1 kHz

■Analog/digital input/output formats

< LINE, MIC/GUITAR INPUT1 >

Connector	: 1/4” TRS phone jack
	(balanced) @LINE, MIC
	(unbalanced) @GUITAR
Input impedance	: 10 k-ohm @ LINE, MIC
	1 M-ohm @GUITAR
Nominal level	: –50 dBu @TRIM=max.
	+4 dBu @TRIM=min.
Maximum level	: –38 dBu @TRIM=max.
	+16 dBu @TRIM=min.
Source impedance	: 600 ohms

< LINE, MIC INPUT2 >

Connector	: 1/4” TRS phone jack (balanced)
Input impedance	: 10 k-ohms
Nominal level	: –50 dBu @TRIM=max.
	+4 dBu @TRIM=min.
Maximum level	: –38 dBu @TRIM=max.
	+16 dBu @TRIM=min.
Source impedance	: 600 ohms

< AUX INPUTS L/R >

Connector	: RCA phono jack
Input impedance	: 10 k-ohms
Nominal level	: –10 dBu
Maximum level	:	+2 dBu
Source impedance	:	600 ohms

< MASTER OUTPUTS L/R >

Connector	: RCA phono jack
Output impedance	: 150 ohms
Nominal level	: –10 dBu
Maximum level	:	+2 dBu
Load impedance	:	10 k-ohms or greater

< AUX OUTPUT >

Connector	: RCA phono jack
Output impedance	: 150 ohms
Nominal level	: –10 dBu
Maximum level	:	+2 dBu
Load impedance	:	10 k-ohms or greater

< PHONES OUTPUT >

Connector	: 1/4” stereo phone jack
Output impedance	: 100 ohms
Maximum level	: 50 mW @32 ohms

< DIGITAL INPUT/OUTPUT >

Connector	:	Optical
Format	:	S/P DIF (IEC958, EIAJ CP-1201)

< SCSI >

Connector: D-sub 25 pin female

< MIDI IN/OUT >

Connector: DIN 5 pin ⋅ 2

< FOOT SW >

Connector	: 1/4” phone jack
	(use an optional PS-1)

< AC 9V IN >

Connector : DIN 4 pin

■Accessories : AC/AC power supply

■ Options : PS-1 pedal switch

Specifications and appearance are subject to change without notice for product improvement.

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