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| INPUT A SELECT |
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| DIGITAL MULTITRACKER | |||
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| INPUT A |
| INPUT B |
| INPUT C | INPUT D |
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| BAL |
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| STEREO OUT |
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| UNBAL |
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| UNBAL | PHONES |
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21 | /GUITAR | INSERT | UNBAL |
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| DISTORTION | TRIM |
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| PHONES VOL |
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20 | MIN | MAX LINE | MIC | LINE | MIC | LINE | MIC | LINE | MIC | MIN | MAX |
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19 | GUITAR | PEAK |
| PEAK |
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| PEAK |
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18 |
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| TO STEREO BUSS |
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| POWER |
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DYNAMIC |
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| TUBE |
| MIC SIMULATION | EFFECT |
| RHYTHM | TIME BASE | CONTRAST |
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17 |
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| GUIDE | SELECT |
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| REVERB / DELAY TIME |
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| INPUT A |
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| 10 | |
16 | BRIT STACK |
| US METAL |
| 60'S COMBO |
| AMP SIMULATION |
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| 7/8 >WAV FILE |
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| NEW | STEREO |
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| MIN | MAX |
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| ROOM |
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| ABC1 | DEF2 | GHI3 |
| MENU / ENTER | |
15 |
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| EFFECT SEND |
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| POWERFUL | NATURAL | BRIGHT |
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0 | 10 | 0 | 10 | 0 | 10 | 0 | 10 |
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| PLATE |
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| PAN |
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| JKL4 | MNO5 | LOCATE |
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| REC SELECT |
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| MASTER |
| PQR6 | STU7 | VWX8 | YZ9 | DELETE | ||
MAX |
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| RECORD | STOP | PLAY | REWIND | F FWD | |
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| LOCATE REC END |
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| MIN |
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| MIN |
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| 13 | 12 |
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1. | [INPUT A] input connectors (XLR | 3. | [INPUT B] input connectors (XLR |
| connector and phone jack) |
| connector and phone jack) |
Both the [BAL] XLR connector and [UNBAL/ GUITAR] phone jack are provided. You can connect a guitar, microphone, keyboard, etc. If you connect sources to both the XLR con- nector and phone jack, the phone input takes priority. When using the [INPUT A] section, select the [INPUT A SEL] switch on the rear panel appropriately according to your us- age (see page 33).
You can connect a guitar, microphone, key- board, etc. to the [INPUT B] input.
Both the [BAL] XLR connector and [UNBAL] phone jack are provided so you can use the appropriate connector according to the sound source.
If you connect sources to both the XLR con- nector and phone jack, the phone input takes priority (see page 33).
2. | [INSERT] connector (TRS phone jack) | 4. | [INPUT C] input connectors (XLR | |||||||||||
| Connects an external effect processor (typi- |
| connector and phone jack) | |||||||||||
| cally, a compressor/limiter, etc.). |
| You can connect a guitar, microphone, key- | |||||||||||
| For connection between the |
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| board, etc. to the [INPUT C] input. | ||||||||||||
| effect processor, use a |
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| Both the [BAL] XLR connector and [UNBAL] | ||||||||||||
| low (see page 59). |
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| TIP: SEND | To the effect input. |
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| GND |
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| nector and phone jack, the phone input takes |
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| priority (see page 33). |
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| RING: RETURN | From the effect output. |
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18
