Sequencer P1

1–5f: Take

Specify the name of the “take” that you are about to record.

Press the text edit button, and the rename page will appear. (Basic Guide page 6). Up to 13 characters can be used here.

If you wish to append a number at the end of the take name to manage your takes, check “1–5g: Take Number.” When you stop recording, the number will be automatically incremented, and added to the take name (for the next record- ing).

When you begin recording, a sound will be

 

 

created and a name assigned to it. The sound

Take name

name will consist of the take name you specify

(for stereo)

 

 

 

here plus the incrementing number. When

Sound name = first 13 characters of Take name + 2 digit

number + 1 character L/R

 

recording in stereo, an L or R will be added.

 

 

 

 

The sound name will be displayed during the event edit or sound trim opera- tions performed in “5–3J: Audio Event Edit.”

If you re-assign the take name here, the incremented number will begin from 00. Also, if in “1–5g: Take Number” you change the number to a value other than 00, the count-up will begin from that number.

If you wish to change the sound name that was recorded, use the “Trimming an audio event” command (page 39 of this manual) that appears when you press the Trim button in “5–3J: Audio Event Edit.”

Introduction

Operation

1–5g: Take Number

If this is checked, the number shown at right will be automatically added to the take name (up to 13 characters) that was assigned in “1–5f: Take.”

This number will be incremented each time you record using the same take name.

If you re-assign the take name in “1–6f: Take,” the incremented number will begin from 00. Also, if you change the number to a value other than 00, the count-up will begin from that number.

If this is un-checked, an incremented number will not be added to the take name of the sound that you are about to record.

1–5h: Rehearsal

If this is checked, recording operations will be simulated (recording will not actually take place).

Monitoring during rehearsal will depend on the selection in “1–5m: Monitor Mode Select.” When Auto Input is ON, you will be able to monitor the external input between the punch-in and punch-out points, and at other times you will be able to monitor the previously-recorded sound. For example if you have set punch-in at 005 (measure 5) and punch-out at 008 (measure 8), you will be mon- itoring the previously-recorded sound for the first four measures, and will mon- itor the external input sound during measures 5 through 8.

1–5i: Input Select

[Analog, Digital]

 

 

Select either Analog or Digital as appropriate for the signal that is being input. When Digital is selected, please input a digital signal at a sampling frequency of

Parameters

Appendix

23

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Korg HDR-TRI manual 5f Take, 5g Take Number, 5h Rehearsal, 5i Input Select Analog, Digital