Appendices
Front panel knob/key control change assignments
Control changes can be assigned to each front panel knob/key of the MS2000/MS2000R so that the changes in sound as con- trolled by knob/key operations can be transmitted as performance data.
| Synth Parameter | Vocoder Parameter | Initial |
| Value (transmitted) |
|
|
|
|
| Value (received) |
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PITCH | Portamento | Portamento | CC#05 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||
| Wave | Wave | CC#77 | 0: Saw, 18: Pulse, 36: Tri, 54: Sin, 72: Vox Wave | 0... | 15: Saw, 16 31: Pulse, 32 47: Tri, 48 | 63: Sin, 64 79: Vox... | ||||||||
| 90: DWGS, 108: Noise, 126: Audio In |
|
| Wave, 80... | 95: DWGS, 96 111: Noise, 112...127: Audio In | ||||||||||
OSC 1 |
|
|
|
|
| ||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Control1 | Control1 | CC#14 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
|
|
|
| ||||
| Control2 | Control2 | CC#15 | 0... | 127 * OSC 1 Wave=DWGS; see p.66 |
|
| 0... | 127 * OSC 1 Wave=DWGS; see p.66 |
|
| ||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
| Wave | – – – – – – – – – – – | CC#78 | 0: Saw, 64: Squ, 127: Tri |
|
| 0... | 42: Saw, 43... | 85: Squ, 86 | ...127: Tri |
|
|
| ||
|
|
|
|
|
|
|
|
|
|
| |||||
| OSC Mod | – – – – – – – – – – – | CC#82 | 0: OFF, 43: Ring, 85: Sync, 127: RingSync |
| 0... | 31: OFF, 32... | 63: Ring, 64... | 95: Sync, 96... | 127: RingSync | |||||
|
|
|
|
|
|
|
|
|
|
|
|
| |||
OSC 2 | Semitone | HPF Level | CC#18 | Synth; see p.66 |
|
| Synth; see p.66 |
|
|
|
|
| |||
Audio in 2 |
|
|
| Vocoder; 0 127... |
|
| Vocoder; 0 127... |
|
|
|
| ||||
| Tune | Threshold | CC#19 | Synth; 0 / 1: | 127: | Synth; 0 / 1: | 127: | ||||||||
|
|
|
| +63 |
|
| +63 |
|
|
|
|
|
| ||
| OSC 1 Level | OSC 1 Level | CC#20 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MIXER | OSC 2 Level | Inst Level | CC#21 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Noise Level | Noise Level | CC#22 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||
| Type | Formant Shift | CC#83 | Synth; 0: 24LPF, 43: 12LPF, 85: 12BPF, 127: 12HPF | Synth; 0 31: 24LPF, 32 63: 12LPF, 64 95: 12BPF, 96 | 127: 12HPF | |||||||||
|
|
|
| Vocoder; 0: 0, 32: +1, 63: +2, 95: |
| Vocoder; 0... | ... ...25: 0, 26 51: +1, 52 76: +2, 77..102: | ||||||||
| Cutoff | Cutoff | CC#74 | Synth; 0 127... |
|
| Synth; 0... | 127 |
|
|
|
|
| ||
| Vocoder; 0 / 1: | 127: +63 | Vocoder; 0 / 1: | 127: +63 | |||||||||||
FILTER |
|
|
| ||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Resonance | Resonance | CC#71 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
| ||||||||
| EG 1 Int | Mod Int | CC#79 | 0 / 1: | 127: +63 | 0 / 1: | 127: +63 | ||||||||
|
|
|
|
|
|
|
| ||||||||
| KBD Track | E.F.Sense | CC#85 | Synth; 0 / 1: | 127: | Synth; 0 / 1: | 127: +63 | ||||||||
|
|
|
| +63 |
|
| Vocoder; 0 127... |
|
|
|
| ||||
| Level | Level | CC#07 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||
AMP | Panpot | Direct Level | CC#10 | Synth; 0 / 1: L63, 2: L62 63: L01, 64: CNT, 65: R01 | 127: R63 | Synth; 0 / 1: L63, 2: L62 63: L01, 64: CNT, 65: R01 | 127: R63 | ||||||||
|
|
| Vocoder; 0 127... |
|
| Vocoder; 0 127... |
|
|
|
| |||||
| EG2/GATE | – – – – – – – – – – – | CC#86 | 0: EG2, 127: GATE |
|
| 0... | 63: EG2, 64... | 127: GATE |
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
| Distortion | Distortion | CC#92 | 0: OFF, 127: ON |
|
| 0... | 63: OFF, 64... | 127: ON |
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Attack | Attack | CC#23 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EG 1 | Decay | Decay | CC#24 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Sustain | Sustain | CC#25 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Release | Release | CC#26 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Attack | Attack | CC#73 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EG 2 | Decay | Decay | CC#75 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Sustain | Sustain | CC#70 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Release | Release | CC#72 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
LFO 1 | Wave | Wave | CC#87 | 0: Saw, 43: Squ, 85: Tri, 127: S/H |
|
| 0... | 31: Saw, 32... | 63: Squ, 64... | 95: Tri, 96... | 127: S/H | ||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Frequency | Frequency | CC#27 | 0... | 127, Tempo Sync=ON; see p.66 |
|
| 0... | 127, Tempo Sync=ON; see p.66 |
|
|
| ||||
|
|
|
|
|
| ||||||||||
|
|
|
|
|
|
|
|
|
|
| |||||
LFO 2 | Wave | Wave | CC#88 | 0: Saw, 43: Squ(+), 85: Sin, 127: S/H |
|
| 0... | 31: Saw, 32... | 63: Squ(+), 64 95: Sin, 96 | 127: S/H | |||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Frequency | Frequency | CC#76 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
| ||||||||
PATCH 1 | Intensity | – – – – – – – – – – – | CC#28 | 0 / 1: | 127: +63 | 0 / 1: | 127: +63 | ||||||||
|
|
|
|
|
|
|
| ||||||||
PATCH 2 | Intensity | – – – – – – – – – – – | CC#29 | 0 / 1: | 127: +63 | 0 / 1: | 127: +63 | ||||||||
|
|
|
|
|
|
|
| ||||||||
PATCH 3 | Intensity | – – – – – – – – – – – | CC#30 | 0 / 1: | 127: +63 | 0 / 1: | 127: +63 | ||||||||
|
|
|
|
|
|
|
| ||||||||
PATCH 4 | Intensity | – – – – – – – – – – – | CC#31 | 0 / 1: | 127: +63 | 0 / 1: | 127: +63 | ||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
SEQ | ON/OFF | – – – – – – – – – – – | CC#89 | 0: OFF, 127: ON |
|
| 0... | 63: OFF, 64... | 127: ON |
|
|
|
| ||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
MOD FX | LFO Speed | LFO Speed | CC#12 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
Depth | Depth | CC#93 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
|
|
|
|
| |||
DELAY FX | Delay Time | Delay Time | CC#13 | 0... | 127, Tempo Sync=ON; see p.66 |
|
| 0... | 127, Tempo Sync=ON; see p.66 |
|
|
| |||
Depth | Depth | CC#94 | 0... | 127 |
|
| 0... | 127 |
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
| |||||||
Different parameters are assigned to synth parameters and vocoder parameters.
For programs whose voice mode is Split/Dual, this will apply only to the timbre selected by the TIMBRE SELECT [SELECT] key if the timbre MIDI channel (LCD Edit mode Page 03B: VOICE “MIDI ch”) is GLB.
Effect parameters are transmitted and received on the global MIDI channel, regardless of the timbre MIDI channel.
If you are using two MS2000/MS2000R units to transmit and receive these parameters, you must set the transmitting and receiving programs to the same settings.
65
