Creating/Editing Patches (Patch mode)
Parameter | Value | Explanation |
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VeloSens | Keyboard playing dynamics can be used |
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| CTRL (controller) | |||||
| +63 | to control the volume of the patch. If you |
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| want the volume to have more effect for |
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| KEY ASSIGN |
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| strongly played notes, set this parameter |
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| to a positive (+) value. If you want the vol- |
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| ume to have less effect for strongly played |
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| Parameter | Value |
| Explanation | |
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| notes, set this to a negative |
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| Mono/ | MONO, |
| Specifies whether the patch will play | ||
LevelMod- | Adjusts the volume of the patch by the |
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| Poly | POLY |
| monophonically or polyphonically. | ||
Depth | +63 | controller assigned by Controller (p. 31). |
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| The monophonic setting is effective | |
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| when playing a solo instrument patch | |
Pan |
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| such as sax or flute. | |
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| MONO: Only the | ||
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| sound. | |
Parameter | Value | Explanation |
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| POLY: Two or more notes can be | |
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| played simultaneously. | |
Pan | L64– | Specifies the pan of the patch. “L64” is far |
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| LegatoSw | OFF, ON |
| Legato is valid when the Mono/Poly | ||||
| left, “0” is center, and “63R” is far right. |
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| parameter is set to monophonic. This | |
PanKF | Use this parameter if you want key posi- |
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| setting specifies whether the Legato | ||||
(Pan Key | +200 | tion to affect panning. Positive (+) settings |
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| function will be used (ON) or not | ||||
Follow) |
| will cause notes higher than C5 key (cen- |
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| (OFF). | |||
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| ter C) to be panned increasingly further to- |
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| With the Legato Switch parameter | ||
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| ward the right, and negative |
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| “ON,” pressing a key while continuing | ||
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| will cause notes higher than C5 key (cen- |
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| to press a previous key causes the note | ||
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| ter C) to be panned toward the left. Larger |
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| to change pitch to the pitch of the most | ||
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| settings will produce greater change. |
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| recently pressed key, sounding all the | ||
PanMod- | Adjusts the pan of the patch by the con- |
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| while. This creates a smooth transition | ||||
Depth | +63 | troller assigned by Controller (p. 31). |
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| between notes, which is effective when | |
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| you wish to simulate the hammering- | |
Attack |
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| on and | |
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| guitarist. | ||
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Parameter | Value | Explanation |
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| PORTAMENTO |
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Time | Specifies the attack time of the envelope |
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| Portamento is an effect which smoothly changes the pitch | ||||
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| the envelope level reaches the maximum |
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| value). |
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| from the | ||||
VeloSens | This allows keyboard dynamics to affect |
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| portamento when the Mono/Poly parameter is monophonic, | |||||||
| +63 | the attack time of the envelope. If you |
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| want attack time to be speeded up for |
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| you can simulate slide performance techniques on a violin or | ||||
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| strongly played notes, set this parameter |
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| similar instrument. |
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| to a positive (+) value. If you want it to be |
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| slowed down, set this to a negative |
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| Parameter | Value |
| Explanation | ||
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| ue. |
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| PortaSw | OFF, |
| Specifies whether portamento will | ||
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| ON |
| be applied (ON) or not (OFF). | |
Release |
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| Mode | NORMAL, |
| Specifies the performance conditions | |
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| LEGATO |
| for which portamento will be ap- | |
Parameter | Value | Explanation |
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| plied. |
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| NORMAL: Portamento will always | |||
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Time | Specifies the release time of the envelope |
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| be applied. | |||
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| (the time from when you release a key un- |
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| LEGATO: Portamento will be ap- | |
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| til the envelope level reaches 0). |
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| plied only when you play legato (i.e., | |
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| when you press the next key before |
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| releasing the previous key). |
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| Type | RATE, |
| Specifies the type of portamento ef- | |
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| TIME |
| fect. | |
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| RATE: The time it takes will depend |
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| on the distance between the two |
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| pitches. |
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| TIME: The time it takes will be con- |
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| stant, regardless of how far apart in |
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| pitch the notes are. |
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