Roland VC-2 owner manual Reverse Delay, Band Pass Delay, Vocal Echo

						Effects List
13: Reverse Delay
			Parameter	Value	Description
Adds the reverse of the input sound as the delay sound.			Hi Damp	500–15000 Hz,	Adjusts the frequency above which
			Freq	THRU	sound fed back to the effect will be
Parameter	Value	Description			cut.
					High Damp, by attenuating the
Threshold	0–127	Specifies the input level at which
					higher frequencies first, makes the
		the delay will begin to apply.
					delay sound more natural.
Rvs Dly	0–650 ms, note	Specifies the delay time from the
			Echo Level	0–127	Volume of the echo sound
Time		original sound until the delay
			Ps Low Freq	50–4000 Hz	Frequency of the low range
		sound is heard.
			Ps Low Gain	-15– +15 dB	Gain of the low range
Rvs Feed-	-98– +98 %	Adjusts the proportion of the re-
back		verse delay sound that is fed back	Ps Hi Freq	2000–20000 Hz	Frequency of the high range
		into the effect. Negative (-) set-
			Ps Hi Gain	-15– +15 dB	Gain of the high range
		tings will invert the phase.
Low Damp	50–4000 Hz	Adjusts the frequency below	15: Band Pass Delay
Freq		which sound fed back to the effect
		will be cut.
		The Low Damp function damps	This is a delay with a band pass filter (a filter that outputs only
		the low frequency band of the de-	a specified frequency range) on each of five delays. A phaser is
		lay sound quicker than other
			included before the delay. Phaser is an effect that adds a
		bands, which makes for a clearer
			phase-shifted sound to the original sound to create time-
		delay effect.
Low Damp	-36–0 dB	Degree of Low Damp	varying change, modulating the sound.
Gain
			Parameter	Value		Description
Hi Damp	2000–20000 Hz	Adjusts the frequency above
			Phaser Man-	0–127		Specifies the center frequency at
Freq		which sound fed back to the effect
			ual			which the sound is modulated.
		will be cut.
		High Damp, by attenuating the	Phaser Rate	0.05–10.0 Hz,		Specifies the frequency of modu-
		higher frequencies first, makes		note		lation.
		the delay sound more natural.	Phaser	0–127		Specifies the depth of modula-
Hi Damp	-36–0 dB	Degree of High Damp	Depth			tion.
Gain			Phaser Reso-	0–127		Specifies the amount of feedback
Balance	DRY100:0WET–	Volume balance between the di-	nance			for the phaser.
	DRY0:100WET	rect sound (DRY) and the effect				Higher settings will give the
		sound (WET)				sound a stronger character.
Ps Low Freq	50–4000 Hz	Frequency of the low range	Phaser Mix	0–127		Specifies the volume of the
			Level			phase-shifted sound, relative to
Ps Low Gain	-15– +15 dB	Gain of the low range
						the direct sound.
Ps Hi Freq	2000–20000 Hz	Frequency of the high range
			Delay Time	0–1300 ms, note		Adjusts the delay time from the
Ps Hi Gain	-15– +15 dB	Gain of the high range
						direct sound until the each delay
						sound is heard.
14: Vocal Echo			Fbk Dly	0–1300 ms, note		Adjusts the delay time for the
			Time			feedback sound.
This effect simulates a karaoke echo.			Dly Time	0–1300 ms, note		Specifies the differences in delay
			Dev			time for each of the delay sounds.
Parameter	Value	Description	Delay Level	0–127		Adjusts the volume of each delay
Delay Time	0–650 ms, note	Adjusts the delay time from the di-				sound.
		rect sound until the delay sound is
			Delay Feed-	-98– +98 %		Adjusts the proportion of the de-
		heard.
			back			lay sound that is fed back into the
Pre LPF	500–15000 Hz,	Sets the filter’s cutoff frequency
						effect. Negative (-) settings will
Freq	THRU	(THRU: no filter is used)				invert the phase.
Mod Rate	0.05–10.0 Hz,	Specifies the modulation speed of
			Delay Pan	1–10		Specifies the pan of each delay
	note	the modulation effect.	Type			sound.
Mod Depth	0–127	Specifies the modulation depth of				Ten settings are provided as vari-
		the modulation effect.				ous panning combinations of the
						delay sounds (see below).
Diffusion	0–100	Specifies the spaciousness of the
			BPF 1–5 Freq	50–20000 Hz		Sets the center frequency for each
		delay sound.
						band pass filter (1–5).
Feedback	-98– +98 %	Adjusts the proportion of the delay
			BPF 1/2 Q	0.3–24.0		Specify the output bandwidth for
		sound that is fed back into the ef-
		fect. Negative (-) settings will in-	BPF 3/4/5 Q			each band pass filter (1–5).
		vert the phase.

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