Yamaha CVP-208, CVP-210 ‡Ôëò¸ ‚, ·Óóïô‡Ìâïâìú‡ Òú, Ê≇Íúëóïô‡Ìâïâìú‡ Òú, ÑËÍ΢ÂÒ͇fl Á‡ÔËÒ¸

ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator

ùÚ‡ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ ‚ÒÚ

DIGITAL

RECORDING

STYLE

POWER

METRONOME

MIC.

SIGNAL

OVER

VOICE EFFECT

START

STOP

VOCAL HARMONY

TALK

EFFECT

VH TYPE SELECT

MIC. SETTING

BACK

NEXT

REVERB

DSP

VARIATION

HARMONY

ECHO

MONO

LEFT HOLD

MENU

ON

OFF

SONG

DEMO

VOICE

EXTRA TRACKS

TRACK 2

TRACK 1

PIANO & HARPSI.

E. PIANO

ORGAN & ACCORDION

PERCUSSION

GUITAR

BASS

ORGAN FLUTES

MASTER VOLUME

STYLE

L

R

A

F

VOICE PART

TAP TEMPO

HELP

ON OFF

GUIDE

B

G

LAYER

BRASS

WOODWIND

STRINGS

CHOIR & PAD

SYNTH.

XG

USER

FADE IN

OUT

REC

TOP

START STOP

REW

FF

REPEAT

FUNCTION

C

H

LEFT

ENTER

MUSIC FINDER

ONE TOCTH SETTING

DIGITAL

MIN

MAX

TEMPO

TRANSPOSE

STUDIO

D

I

TAP TEMPO

SOUND

1

2

3

4

CREATOR

E

J

RESET

RESET

DIGITAL

STYLE

RECORDING

PIANO

DATA

ACMP

AUTO FILL IN

BREAK

INTRO

MAIN

ENDING rit.

SYNC.STOP SYNC.START START STOP

MIXING

BALANCE

ENTRY

FREEZE

1

2

3

4

5

6

7

8

MEMORY

CONSOLE

OTS LINK

PART

CHANNEL

ON OFF

PART

DIRECT ACCESS

1

2

3

4

5

6

7

8

EXIT

ACMP AUTO FILLIN BREAK INTRO MAIN ENDING / rit. SYNC.STOP SYNC.START START / STOP

A B C D

OTS LINK

é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

퇷Îˈ‡ ‚ ÔÊËÚ Ì‡Á‚‡ÌËfl ͇̇ÎÓ‚, ÍÓÚÓ

͇ʉÓÈ ˜‡ÒÚË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ÒÓÁ‰‡Ú¸ ÒÚËθ, ÔÓÒΉӂ‡ÚÂθÌÓ Á‡Ô˯ËÚ ÏÛÁ˚͇θÌ˚ Ù

■á‡ÔËÒ¸ ‚

ëÚËÎË ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ‚ ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡ÔËÒ‡Ú¸ ˜‡ÒÚË, ÍÓÚÓÓ Ì ӷflÁ‡ÚÂθÌÓ Á‡ÔËÒ˚‚‡Ú¸ Í‡Ê‰Û˛ ˜‡ÒÚ¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ. ÇÏÂÒÚÓ ˝ÚÓ„Ó ÏÓÊÌÓ ‚˚· ‚ÒÚÓÏÔ‡ÌÂÏÂÌÚ‡, Á‚Û˜‡ÌË ÍÓÚÓÓ Í Ú

‰Ó·‡‚ËÚ¸ ËÎË Á‡ÏÂÌËÚ¸ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ‚ ËÚÓ„Â Ó ÒÚËθ.

ï‡

• ñËÍ΢ÂÒ͇fl Á‡ÔËÒ¸

ó‡ÒÚ¸	͇̇Î
INTRO A - D
MAIN A - D	RHYTHM 1, RHYTHM 2,
	BASS, CHORD 1,
FILL IN A - D
	CHORD 2, PAD,
BREAK	PHRASE 1, PHRASE 2
ENDING A - D

èêàåÖóÄçàÖ

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÏ. ̇ ÒÚ

èÓÏÔ‡ÌÂÏÂÌÚ‡ Â„Ó ÙÓθÍÓ Ú‡ÍÚÓ‚) Á‡ˆËÍÎË‚‡˛ÚÒfl, ÚÓ ÂÒÚ¸ ÌÂÔÓÒ ÓÍÓ̘‡ÌËÂÏ Ù‡Í‡fl ÙÊ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ «ÔÂÚÎË». ç‡ÔıÚ‡ÍÚÓ‚ÓÈ ÙÚË ‰‚‡ Ú‡ÍÚ‡ Á‡ÔËÒ˚‚‡˛ÚÒfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡. ùÚÓ Á̇˜ËÚ, ˜ÚÓ Á‡ÔËÒ‡ÌÌ˚ ‚ ÔÚ˚ ‚ÓÒÔ‡ÍËÏ Ó·ÊÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚È Ï‡ÚÂı ÒÚ‡

•êÂÊËÏ Ì‡ÎÓÊÂÌËfl Á‡ÔËÒË

Ç ˝ÚÓÏ ÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚È Ï‡ÚÂÊÍÛ, ÛÊ ÒÓ‰Âʇ˘Û˛ Á‡ÔËÒ¸. èÚÓÏ ËÒıӉ̇fl Á‡ÔËÒ¸ ·Û‰ÂÚ ÒÓı‰‡ÎËÚ ı‰ÛÚ Ì‡ÎÓÊÂÌ˚ ÔÓ‚Âı ÌÂÂ. ç‡Ôı Ú‡ÍÚÓ‚ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ˝ÚË ‰‚‡ Ú‡ÍÚ‡ ÔÓ‚ÚÓ

ÒÌÓ‚‡. çÓÚ˚, Á‡ÔËÒ‡ÌÌ˚ Á‡ ͇ʉÓ ÔıÓʉÂÌË «ÔÂÚÎË» (ÔÓ‚ÚÓ ˆËÍÎÂ. ÇÒÂ, ˜ÚÓ ÚÚÓ ‰Ó·‡‚ÎflÚ¸ ÌÓ‚˚È Ï‡Ú Á‡ÔËÒ‡ÌÌ˚ Ù

■êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË – Step Recording (ÒÚ

èθÁÓ‚‡ÌËË ‰‡ÌÌÓ„Ó ÚËÔ‡ Á‡ÔËÒË ‚˚ ÒÏÓÊÂÚ ڇڸ Í‡Í ÍÓÏÔÓÁËÚÓÓÚÓÚ˚ ̇ ·Ûχ„Â. ä‡Ê‰‡fl ÌÓÚ‡ ‚‚Ó‰ËÚÒfl ÔÓ ÓÚ‰ÂθÌÓÒÚË Ò Û͇Á‡ÌËÂÏ ‰ÎËÚÂθÌÓÒÚË. ùÚÓ Ë‰Â‡Î¸Ì˚È Ó„‰‡ ‚‡Ê̇ ÚÓ˜ÌÓÒÚ¸, ËÎË ‰Îfl Á‡ÔËÒË ÒÎÓÊÌ˚ı Ô‡

■ë·ÓÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ

ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ «ÒÓÒÚ‡‚Ì˚» ÒÚËÎË, ÒÓ˜ÂÚ‡fl

Ù

ÓθÌ˚È ÒÚËθ, ‚˚ ÏÓÊÂÚ ‚ÁflÚ¸

ËÁ ÒÚËÎfl «8 Beat 1», ·‡Ò – ËÁ ÒÚËÎfl «8 Beat 2», ‡ ‡ÍÍÓ ÚÂθÌÓÒÚ¸ – ËÁ ÒÚËÎfl «60’s 8 Beat». éÒÚ‡ÂÚÒfl Î˯¸ ÒÓ·

■ꉇÍÚËÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ

ëÚËÎË, ÒÓÁ‰‡ÌÌ˚ β·˚Ï ËÁ ‚˚¯ÂÔÂÒ͇˛Ú

8 Beat 1

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

8 Beat 2

Rhythm 1 Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

60’s 8 Beat

Rhythm 1

Rhythm 2

Bass

Chord 1

Chord 2

Pad

Phrase 1

Phrase 2

CVP-210/208 113