Contents
USER’S Manual
Graphics
Programming
Manual
Sound Designers
Introduction to version 2.5 of the Moog Modular V manual
Table of Contents
Low frequency oscillators LFO
140
Whats NEW in Moog Modular V
Birth of Modular Moog Systems
Introduction
R.A. Moog Company at Trumansburg, NY
Switched-On Bach by W. Carlos
Construction and testing of a modular Moog
Better Emulation Thanks to TAE
Modular SYNTHESIZER, WHY?
Better reproduction of analog wave forms
Aliasing-free oscillators
Better reproduction of analog filters
MiniMoog
Implementation of soft clipping
Soft-clipping transfer function
Windows Installation XP, Vista
Installation
Choosing the protocols
Installation MAC OS
Registration
Authorization
Arturia Moog Modular V 2.6 USER’S Manual
License Download
Enter the activation code
License is installed and activated
Synthesis section
4 Sections of the Moog Modular
Other three sections
Reduced view of the keyboard and the real time controllers
Using Presets
Setting of filter1 cut-off frequency
First connections
Modular Synthesizer
Connection between oscillator 2 and filter
Connection of the VCA2 audio input
Attack a settings for the output VCS envelopes
Oscillators
Description of the synthesis section modules
White and pink noise generator
Auxiliary Adsr modulation envelopes
Filters
LFOs
Dual trigger delay
Mixers and amplifiers
VCAs
Sequencer
Other Sections
Validation of a sequence line on the Driver oscil lator
Also set the length of the notes with the length knob
Effects
Fixed filter bank
Filter bank output gain
Dual delay
Delay effect
Chorus
Keyboard
Virtual Keyboard and ITS Real Time Controllers
Keyboard controllers
Play modes
Envelope control sliders
Sound design controllers
2D Pads
Filter cutoff frequency controller
Using the 2D controller
Three filter cutoff frequency controllers
Choice of bank, sub-bank, preset
Using the Presets
Creation of a bank, sub-bank, preset
Import / Export of a preset bank
Saving a user preset
Complete view
Work Pages
Reduced usage
Using Controllers
Knobs
Mouse control linear
Mouse control circular
Mouse control higher linear precision
Joysticks
Selectors
Learn menu
Midi control
Plug-in parameter Assignedname or not Control number
Assigning Midi controls
Minimum and maximum ranges
Manage configurations
Tricks
Multiple assigned parameters
Audio and modulation connections
Using Cables
Modulation input connectors
Modifying a connection
Modulation level setting
Cable display options
Cable display filter
Spreading the cables
Cable tension
Trigger connections
Key follow or sequencer connections
Synchronization connections
Arturia Moog Modular V 2.6 USER’S Manual
LFO
Key follow
Description
Programming Section
Oscillators
Controller Oscillators
State
Frequency
Impulse width
FM Inputs
Setting of the oscillator range. low, 32, 16, 8, 4
Right click fine setting
Synchronization interrupter Soft/Hard
Menu to select the synchronization oscillator
Sawtooth
Resonance
Filters
Audio Output
Audio Input
Low-pass 24 dB/octave filter
Type
Type Frequency Audio Output FM Inputs
Mod. Width input
Gain
Gain Audio Output FM Inputs
ModRes Input
Low-pass 12 dB/octave
Input Trigg
Modulation envelopes
Decay D Release R Sustain S Output
Output amplifiers VCA
Frequency Delay Fade Outputs
Mode FM Input Width PWM Input
Low frequency oscillators LFO
Controlled amplifiers / Mixers Audio Input
Trigger delay
Independent mode Parallel mode
Low Pass Input High Pass Input
Noise generator
Low Pass Frequency
Sample and hold
Follow Comparator Time choice Threshold Follow out
Envelope follower
Ring modulator
Signal Out
RM Input
Formant filter
GM Input
Vowel
Second Section
Resonant filter bank
Gain Output gain Reset
Resonance Connection
Time Stereo Rate Dry
Chorus
Depth Stereo Width Wet
VCA1-VCA2
Phaser
Connection of the delay to the output of VCA1 or VCA2
Stereo Delay
Feedback to right
On / Off Input Triggers
Sequence generator
Midi Synchronization Off Fw / Rw Length Next Trigger
Sequencer column
Smooth1 Smooth2 Smooth3 Smooth4
On Line Forcing Trigger Input Mode Output
Fourth Section
Third Section
Slope
Keyboard follow management
Pivot
Threshold
General settings
Oscillator or VCO
Three Main Modules
Square waveform
Triangle waveform
Filter or VCF
Low-pass filter
Band-reject filter
Low-shell filter
Complimentary Modules
Amplifier or VCA
Low frequency oscillator
Envelope generator
VCA modulated by a LFO
Simple patch #1
Modular Sound Synthesis
Simple patch #2
Patch #2 complete
Click on the link button to create a link between the 2 VCA
Complex patch #1
Connection of LFO to filter1
Complete patch
Connection towards the second filter
LFO1 to the filters link
Complex patch #2
White noise module connected to the band pass filter
Mixing
Sequence #1
Sequencer
Selection of Sequencer trigger
Sequence #2
Select the function L1-2
Force the triggering of a step
Sequence #3
Creative use of key follows
Bonus Features
Click several times on the key follow display
Creative use of triggers and trigger delays
Click on the trigg in plug on the envelope
Stereo without the effects
Using the NEW Moog Modular V 2.0 Modules
More stereo width
Electronic percussion sequence
BodeSeq patch
Trig by an external audio source
Create your LFO form
Preset Pads / EnvFollow
Sample and hold module
139
10.1.2.1Configuring Audio and Midi
Configuration of an instrument the tool bar
STAND-ALONE
Launching the application
Saving preset
Using Your PLUG-IN in a Host
Midi connection
Automation
Cubase
Check plug-in setup
Insert an Instrument Track
143
Ableton Live
Opening the instrument
Sonar
Three buttons
Logic Studio
Audio Unit
You are now ready to create a new instrument track
Digital Performer
Connection to a Midi track
Rtas and Htdm standards
Installation
TDM System Rtas and Htdm
To open you instrument click on the same Insert area
Software Ownership
Moog Modular END User License Agreement
License module eLicenser Key and/or Soft-eLicenser
Assignment of Rights
