7.1.5Output amplifiers (VCA)
| Slope Time |
|
|
| |
| Input Trigg |
|
|
| |
| Soft Clip |
|
|
|
|
| AM Input |
|
|
| Output envelope |
Attack | Sets the attack time | |
Decay | Sets the decay time | |
Release | Sets the release time (release) | |
Sustain | Sets the sustain level | |
Slope Time | Sets the intermediate decay time | |
Slope Level | Sets the intermediate decay level | |
Input Trigg | Input trigger signal connection jack | |
Envelope out | Envelope out connection jack | |
Audio Input | VCA input connection jack | |
Panoramic | Sets the position in stereo space | |
Soft Clip | Use of gentle saturation | |
AM Input | Audio modulation Input jack | |
Attack
Decay
Release
Sustain
Slope Level
Mod Output
Panoramic
Audio Input
Gain
There are 2 output amplifiers, each possessing its own envelope. These amplifiers are internally linked to a panoramic manager, which allows, through the “panoramic” knob, to position the output in stereo space.
These amplifiers are the last step in the generation of a sound. The associated envelope sculpts the temporal form of the signal at the end of the sequence after the application of all of the other modulations. Unlike the modulation envelopes, it has an extra period between the “attack” and “decay” sequences, called “slope”. The time and level can be set for this period and allows the envelope to move from the high point after attack to slope before moving to the decay:
78 | ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL |
