USER’S Manual
Manual
Programming
Graphics
Sound Designers
Introduction to version 2.5 of the Moog Modular V manual
Table of Contents
Low frequency oscillators LFO
140
Whats NEW in Moog Modular V
Introduction
Birth of Modular Moog Systems
R.A. Moog Company at Trumansburg, NY
Switched-On Bach by W. Carlos
Construction and testing of a modular Moog
Modular SYNTHESIZER, WHY?
Better Emulation Thanks to TAE
Aliasing-free oscillators
Better reproduction of analog wave forms
Better reproduction of analog filters
Implementation of soft clipping
MiniMoog
Soft-clipping transfer function
Installation
Windows Installation XP, Vista
Choosing the protocols
Installation MAC OS
Authorization
Registration
Arturia Moog Modular V 2.6 USER’S Manual
License Download
Enter the activation code
License is installed and activated
4 Sections of the Moog Modular
Synthesis section
Other three sections
Using Presets
Reduced view of the keyboard and the real time controllers
Setting of filter1 cut-off frequency
Modular Synthesizer
First connections
Connection between oscillator 2 and filter
Connection of the VCA2 audio input
Attack a settings for the output VCS envelopes
Description of the synthesis section modules
Oscillators
White and pink noise generator
Filters
Auxiliary Adsr modulation envelopes
Dual trigger delay
LFOs
VCAs
Mixers and amplifiers
Other Sections
Sequencer
Validation of a sequence line on the Driver oscil lator
Also set the length of the notes with the length knob
Effects
Fixed filter bank
Dual delay
Filter bank output gain
Delay effect
Chorus
Virtual Keyboard and ITS Real Time Controllers
Keyboard
Keyboard controllers
Play modes
Sound design controllers
Envelope control sliders
2D Pads
Using the 2D controller
Filter cutoff frequency controller
Three filter cutoff frequency controllers
Using the Presets
Choice of bank, sub-bank, preset
Creation of a bank, sub-bank, preset
Saving a user preset
Import / Export of a preset bank
Work Pages
Complete view
Knobs
Using Controllers
Reduced usage
Mouse control linear
Joysticks
Mouse control higher linear precision
Mouse control circular
Selectors
Midi control
Learn menu
Assigning Midi controls
Plug-in parameter Assignedname or not Control number
Manage configurations
Minimum and maximum ranges
Multiple assigned parameters
Tricks
Using Cables
Audio and modulation connections
Modulation input connectors
Cable display options
Modulation level setting
Modifying a connection
Cable display filter
Cable tension
Spreading the cables
Trigger connections
Synchronization connections
Key follow or sequencer connections
Arturia Moog Modular V 2.6 USER’S Manual
Key follow
LFO
Oscillators
Programming Section
Description
Controller Oscillators
Impulse width
Frequency
State
FM Inputs
Synchronization interrupter Soft/Hard
Right click fine setting
Setting of the oscillator range. low, 32, 16, 8, 4
Menu to select the synchronization oscillator
Sawtooth
Audio Output
Filters
Resonance
Audio Input
Low-pass 24 dB/octave filter
Type Frequency Audio Output FM Inputs
Type
Mod. Width input
Gain Audio Output FM Inputs
Gain
ModRes Input
Low-pass 12 dB/octave
Modulation envelopes
Input Trigg
Decay D Release R Sustain S Output
Output amplifiers VCA
Mode FM Input Width PWM Input
Frequency Delay Fade Outputs
Low frequency oscillators LFO
Controlled amplifiers / Mixers Audio Input
Trigger delay
Independent mode Parallel mode
Noise generator
Low Pass Input High Pass Input
Low Pass Frequency
Sample and hold
Envelope follower
Follow Comparator Time choice Threshold Follow out
Signal Out
Ring modulator
GM Input
Formant filter
RM Input
Vowel
Second Section
Gain Output gain Reset
Resonant filter bank
Resonance Connection
Depth Stereo Width Wet
Chorus
Time Stereo Rate Dry
VCA1-VCA2
Phaser
Stereo Delay
Connection of the delay to the output of VCA1 or VCA2
Feedback to right
Sequence generator
On / Off Input Triggers
Midi Synchronization Off Fw / Rw Length Next Trigger
Sequencer column
On Line Forcing Trigger Input Mode Output
Smooth1 Smooth2 Smooth3 Smooth4
Third Section
Fourth Section
Pivot
Keyboard follow management
Slope
Threshold
General settings
Three Main Modules
Oscillator or VCO
Square waveform
Triangle waveform
Filter or VCF
Low-pass filter
Band-reject filter
Low-shell filter
Amplifier or VCA
Complimentary Modules
Envelope generator
Low frequency oscillator
VCA modulated by a LFO
Modular Sound Synthesis
Simple patch #1
Simple patch #2
Patch #2 complete
Click on the link button to create a link between the 2 VCA
Connection of LFO to filter1
Complex patch #1
Complete patch
Connection towards the second filter
LFO1 to the filters link
Complex patch #2
White noise module connected to the band pass filter
Mixing
Sequencer
Sequence #1
Selection of Sequencer trigger
Sequence #2
Select the function L1-2
Force the triggering of a step
Sequence #3
Bonus Features
Creative use of key follows
Click several times on the key follow display
Creative use of triggers and trigger delays
Click on the trigg in plug on the envelope
Stereo without the effects
Using the NEW Moog Modular V 2.0 Modules
More stereo width
Electronic percussion sequence
BodeSeq patch
Trig by an external audio source
Create your LFO form
Preset Pads / EnvFollow
Sample and hold module
139
STAND-ALONE
Configuration of an instrument the tool bar
10.1.2.1Configuring Audio and Midi
Launching the application
Midi connection
Using Your PLUG-IN in a Host
Saving preset
Automation
Check plug-in setup
Cubase
Insert an Instrument Track
143
Opening the instrument
Ableton Live
Three buttons
Sonar
Audio Unit
Logic Studio
You are now ready to create a new instrument track
Digital Performer
Connection to a Midi track
Installation
Rtas and Htdm standards
TDM System Rtas and Htdm
To open you instrument click on the same Insert area
Moog Modular END User License Agreement
Software Ownership
License module eLicenser Key and/or Soft-eLicenser
Assignment of Rights