For this example, we recommend that you start over with the patch #2 base.
Successively connect the outputs of the waveforms 
of oscillators 3 and 4 to the VCA inputs 3 and 4 of the mixer.
Set the “Range” of oscillator 3 to 16. It will play 1 octave upper than the 3 others
Connect the white noise output to the third filter and choose the third type of filter on this (the Filter Coupler). It will be very useful in creating a resonance particular to white noise. For this set it to Band Pass mode.
Connect the audio output of this filter to the audio input of the fifth mixer VCA.
Connect envelope1 to one of the filter3 modulation inputs and set the modulation level to your liking.
Increase the attack time of the envelope to 2 o’clock in order to make the sound progressively appear in the global sound.
Now let’s make another modulation appear given by the 
of LFO2 which will be provoked by the aftertouch. For this, connect the “Tri” output of this LFO to the sixth audio input of the mixer.
Connect the “Aftertouch” output to the “Mod” input of this same slice, and direct its output to the second “Mod” input of filters1 & 2, without forgetting to increase the 2 modulation levels.
The white noise module connected to the band pass filter
Set the third filter output towards the fifth slice of the mixer and link slices 3, 4 and 5 to direct them towards the first and second filters.
118 | ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL |
