Programming, Graphics, Manual, Sound Designers | Arturia 2.6

Programming:

Robert Bocquier

Nicolas Bronnec

Pierre-Jean Camilieri

Thomas Diligent

Sylvain Gubian

Xavier Oudin

Gilles Pommereuil

Cedric Rossi

Graphics:

Yannick Bonnefoy

Thomas & Wolfgang Merkle [Bitplant]

Manual:

Antoine Back (V2.5)

Silvère Letellier (V2.5)

Jean-Michel Blanchet

Tomoya Fukuchi

Tom Healy

Sadahiro Nakano

Xavier Oudin

Gilles Pommereuil

Cedric Rossi

Takashi Uesugi

Yuji Sano

Sound Designers:

Wally Badarou

Jean-Michel Blanchet

Celmar Engel

Michel Geiss

Christoff Harbonier

Mateo Lupo

Hideki Matsutake

Scot Solida

Katsunori Ujiie

Very special thanks to:

Robert A. Moog and Isao Tomita

Thanks to:

Michael Adams, Bruno Begani, Ned Bouhalassa, Geoff Downes, Clay Duncan, Pavle Kovacevic, Roger Luther, Sadahiro Nakano, Fabrice Paumier, Ben Turl, Peter Willems, and the numerous beta testers.

©ARTURIA SA – 1999-2011 – All rights reserved. 4, Chemin de Malacher

38240 Meylan

FRANCE http://www.arturia.com

Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non- disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A.

Other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners.

2	ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL

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Arturia 2.6 manual Programming, Graphics, Manual, Sound Designers, Very special thanks to, Thanks to

Contents

USER’S Manual Manual ProgrammingGraphics Sound Designers Introduction to version 2.5 of the Moog Modular V manual Table of Contents Low frequency oscillators LFO 140 Whats NEW in Moog Modular V Introduction Birth of Modular Moog Systems R.A. Moog Company at Trumansburg, NY Switched-On Bach by W. Carlos Construction and testing of a modular Moog Modular SYNTHESIZER, WHY? Better Emulation Thanks to TAE Aliasing-free oscillators Better reproduction of analog wave forms Better reproduction of analog filters Implementation of soft clipping MiniMoog Soft-clipping transfer function Installation Windows Installation XP, Vista Choosing the protocols Installation MAC OS Authorization Registration Arturia Moog Modular V 2.6 USER’S Manual License Download Enter the activation code License is installed and activated 4 Sections of the Moog Modular Synthesis section Other three sections Using Presets Reduced view of the keyboard and the real time controllers Setting of filter1 cut-off frequency Modular Synthesizer First connections Connection between oscillator 2 and filter Connection of the VCA2 audio input Attack a settings for the output VCS envelopes White and pink noise generator Description of the synthesis section modulesOscillators Filters Auxiliary Adsr modulation envelopes Dual trigger delay LFOs VCAs Mixers and amplifiers Other Sections Sequencer Validation of a sequence line on the Driver oscil lator Also set the length of the notes with the length knob Effects Fixed filter bank Dual delay Filter bank output gain Delay effect Chorus Virtual Keyboard and ITS Real Time Controllers Keyboard Keyboard controllers Play modes 2D Pads Sound design controllersEnvelope control sliders Using the 2D controller Filter cutoff frequency controller Three filter cutoff frequency controllers Using the Presets Choice of bank, sub-bank, preset Creation of a bank, sub-bank, preset Saving a user preset Import / Export of a preset bank Work Pages Complete view Knobs Using ControllersReduced usage Mouse control linear Joysticks Mouse control higher linear precisionMouse control circular Selectors Midi control Learn menu Assigning Midi controls Plug-in parameter Assignedname or not Control number Manage configurations Minimum and maximum ranges Multiple assigned parameters Tricks Using Cables Audio and modulation connections Modulation input connectors Cable display options Modulation level settingModifying a connection Cable display filter Trigger connections Cable tensionSpreading the cables Synchronization connections Key follow or sequencer connections Arturia Moog Modular V 2.6 USER’S Manual Key follow LFO Oscillators Programming SectionDescription Controller Oscillators Impulse width FrequencyState FM Inputs Synchronization interrupter Soft/Hard Right click fine settingSetting of the oscillator range. low, 32, 16, 8, 4 Menu to select the synchronization oscillator Sawtooth Audio Output FiltersResonance Audio Input Low-pass 24 dB/octave filter Mod. Width input Type Frequency Audio Output FM InputsType ModRes Input Gain Audio Output FM InputsGain Low-pass 12 dB/octave Decay D Release R Sustain S Output Modulation envelopesInput Trigg Output amplifiers VCA Low frequency oscillators LFO Mode FM Input Width PWM InputFrequency Delay Fade Outputs Controlled amplifiers / Mixers Audio Input Trigger delay Independent mode Parallel mode Low Pass Frequency Noise generatorLow Pass Input High Pass Input Sample and hold Envelope follower Follow Comparator Time choice Threshold Follow out Signal Out Ring modulator GM Input Formant filterRM Input Vowel Second Section Resonance Connection Gain Output gain ResetResonant filter bank Depth Stereo Width Wet ChorusTime Stereo Rate Dry VCA1-VCA2 Phaser Feedback to right Stereo DelayConnection of the delay to the output of VCA1 or VCA2 Midi Synchronization Off Fw / Rw Length Next Trigger Sequence generatorOn / Off Input Triggers Sequencer column On Line Forcing Trigger Input Mode Output Smooth1 Smooth2 Smooth3 Smooth4 Third Section Fourth Section Pivot Keyboard follow managementSlope Threshold General settings Three Main Modules Oscillator or VCO Square waveform Triangle waveform Filter or VCF Low-pass filter Band-reject filter Low-shell filter Amplifier or VCA Complimentary Modules Envelope generator Low frequency oscillator VCA modulated by a LFO Modular Sound Synthesis Simple patch #1 Simple patch #2 Patch #2 complete Click on the link button to create a link between the 2 VCA Connection of LFO to filter1 Complex patch #1 Complete patch Connection towards the second filter LFO1 to the filters link Complex patch #2 White noise module connected to the band pass filter Mixing Sequencer Sequence #1 Selection of Sequencer trigger Sequence #2 Select the function L1-2 Force the triggering of a step Sequence #3 Bonus Features Creative use of key follows Click several times on the key follow display Creative use of triggers and trigger delays Click on the trigg in plug on the envelope Stereo without the effects Using the NEW Moog Modular V 2.0 Modules More stereo width Electronic percussion sequence BodeSeq patch Trig by an external audio source Create your LFO form Preset Pads / EnvFollow Sample and hold module 139 STAND-ALONE Configuration of an instrument the tool bar10.1.2.1Configuring Audio and Midi Launching the application Midi connection Using Your PLUG-IN in a HostSaving preset Automation Insert an Instrument Track Check plug-in setupCubase 143 Opening the instrument Ableton Live Three buttons Sonar Audio Unit Logic Studio You are now ready to create a new instrument track Digital Performer Connection to a Midi track TDM System Rtas and Htdm InstallationRtas and Htdm standards To open you instrument click on the same Insert area Moog Modular END User License Agreement Software Ownership License module eLicenser Key and/or Soft-eLicenser Assignment of Rights