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Arturia 2.6 Programming, Graphics, Manual, Sound Designers, Very special thanks to, Thanks to

Models: 2.6

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Programming:

Robert Bocquier

Nicolas Bronnec

Pierre-Jean Camilieri

Thomas Diligent

Sylvain Gubian

Xavier Oudin

Gilles Pommereuil

Cedric Rossi

Graphics:

Yannick Bonnefoy

Thomas & Wolfgang Merkle [Bitplant]

Manual:

Antoine Back (V2.5)

Silvère Letellier (V2.5)

Jean-Michel Blanchet

Tomoya Fukuchi

Tom Healy

Sadahiro Nakano

Xavier Oudin

Gilles Pommereuil

Cedric Rossi

Takashi Uesugi

Yuji Sano

Sound Designers:

Wally Badarou

Jean-Michel Blanchet

Celmar Engel

Michel Geiss

Christoff Harbonier

Mateo Lupo

Hideki Matsutake

Scot Solida

Katsunori Ujiie

Very special thanks to:

Robert A. Moog and Isao Tomita

Thanks to:

Michael Adams, Bruno Begani, Ned Bouhalassa, Geoff Downes, Clay Duncan, Pavle Kovacevic, Roger Luther, Sadahiro Nakano, Fabrice Paumier, Ben Turl, Peter Willems, and the numerous beta testers.

©ARTURIA SA – 1999-2011 – All rights reserved. 4, Chemin de Malacher

38240 Meylan

FRANCE http://www.arturia.com

Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non- disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be produced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A.

Other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners.

2	ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL

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Arturia 2.6 manual Programming, Graphics, Manual, Sound Designers, Very special thanks to, Thanks to

Contents

USER’S Manual Manual ProgrammingGraphics Sound DesignersIntroduction to version 2.5 of the Moog Modular V manual Table of Contents Low frequency oscillators LFO 140 Whats NEW in Moog Modular V Introduction Birth of Modular Moog SystemsR.A. Moog Company at Trumansburg, NY Switched-On Bach by W. Carlos Construction and testing of a modular Moog Modular SYNTHESIZER, WHY? Better Emulation Thanks to TAEAliasing-free oscillators Better reproduction of analog wave formsBetter reproduction of analog filters Implementation of soft clipping MiniMoogSoft-clipping transfer function Installation Windows Installation XP, VistaChoosing the protocols Installation MAC OS Authorization RegistrationArturia Moog Modular V 2.6 USER’S Manual License Download Enter the activation code License is installed and activated 4 Sections of the Moog Modular Synthesis sectionOther three sections Using Presets Reduced view of the keyboard and the real time controllersSetting of filter1 cut-off frequency Modular Synthesizer First connectionsConnection between oscillator 2 and filter Connection of the VCA2 audio input Attack a settings for the output VCS envelopes White and pink noise generator Description of the synthesis section modulesOscillators Filters Auxiliary Adsr modulation envelopesDual trigger delay LFOsVCAs Mixers and amplifiersOther Sections SequencerValidation of a sequence line on the Driver oscil lator Also set the length of the notes with the length knob Effects Fixed filter bank Dual delay Filter bank output gainDelay effect Chorus Virtual Keyboard and ITS Real Time Controllers KeyboardKeyboard controllers Play modes 2D Pads Sound design controllersEnvelope control sliders Using the 2D controller Filter cutoff frequency controllerThree filter cutoff frequency controllers Using the Presets Choice of bank, sub-bank, presetCreation of a bank, sub-bank, preset Saving a user preset Import / Export of a preset bankWork Pages Complete viewKnobs Using ControllersReduced usage Mouse control linearJoysticks Mouse control higher linear precisionMouse control circular SelectorsMidi control Learn menuAssigning Midi controls Plug-in parameter Assignedname or not Control numberManage configurations Minimum and maximum rangesMultiple assigned parameters TricksUsing Cables Audio and modulation connectionsModulation input connectors Cable display options Modulation level settingModifying a connection Cable display filterTrigger connections Cable tensionSpreading the cables Synchronization connections Key follow or sequencer connectionsArturia Moog Modular V 2.6 USER’S Manual Key follow LFOOscillators Programming SectionDescription Controller OscillatorsImpulse width FrequencyState FM InputsSynchronization interrupter Soft/Hard Right click fine settingSetting of the oscillator range. low, 32, 16, 8, 4 Menu to select the synchronization oscillatorSawtooth Audio Output FiltersResonance Audio InputLow-pass 24 dB/octave filter Mod. Width input Type Frequency Audio Output FM InputsType ModRes Input Gain Audio Output FM InputsGain Low-pass 12 dB/octave Decay D Release R Sustain S Output Modulation envelopesInput Trigg Output amplifiers VCA Low frequency oscillators LFO Mode FM Input Width PWM InputFrequency Delay Fade Outputs Controlled amplifiers / Mixers Audio Input Trigger delay Independent mode Parallel mode Low Pass Frequency Noise generatorLow Pass Input High Pass Input Sample and hold Envelope follower Follow Comparator Time choice Threshold Follow outSignal Out Ring modulatorGM Input Formant filterRM Input VowelSecond Section Resonance Connection Gain Output gain ResetResonant filter bank Depth Stereo Width Wet ChorusTime Stereo Rate Dry VCA1-VCA2Phaser Feedback to right Stereo DelayConnection of the delay to the output of VCA1 or VCA2 Midi Synchronization Off Fw / Rw Length Next Trigger Sequence generatorOn / Off Input Triggers Sequencer column On Line Forcing Trigger Input Mode Output Smooth1 Smooth2 Smooth3 Smooth4Third Section Fourth SectionPivot Keyboard follow managementSlope ThresholdGeneral settings Three Main Modules Oscillator or VCOSquare waveform Triangle waveform Filter or VCF Low-pass filter Band-reject filter Low-shell filter Amplifier or VCA Complimentary ModulesEnvelope generator Low frequency oscillatorVCA modulated by a LFO Modular Sound Synthesis Simple patch #1Simple patch #2 Patch #2 complete Click on the link button to create a link between the 2 VCA Connection of LFO to filter1 Complex patch #1Complete patch Connection towards the second filter LFO1 to the filters link Complex patch #2 White noise module connected to the band pass filter Mixing Sequencer Sequence #1Selection of Sequencer trigger Sequence #2 Select the function L1-2 Force the triggering of a step Sequence #3 Bonus Features Creative use of key followsClick several times on the key follow display Creative use of triggers and trigger delays Click on the trigg in plug on the envelope Stereo without the effects Using the NEW Moog Modular V 2.0 Modules More stereo width Electronic percussion sequence BodeSeq patch Trig by an external audio source Create your LFO form Preset Pads / EnvFollow Sample and hold module 139 STAND-ALONE Configuration of an instrument the tool bar10.1.2.1Configuring Audio and Midi Launching the applicationMidi connection Using Your PLUG-IN in a HostSaving preset AutomationInsert an Instrument Track Check plug-in setupCubase 143 Opening the instrument Ableton LiveThree buttons SonarAudio Unit Logic StudioYou are now ready to create a new instrument track Digital Performer Connection to a Midi track TDM System Rtas and Htdm InstallationRtas and Htdm standards To open you instrument click on the same Insert area Moog Modular END User License Agreement Software OwnershipLicense module eLicenser Key and/or Soft-eLicenser Assignment of Rights