The first two frequency modulation inputs work in an exponential mode, while the third, “Lin” works in a linear mode.

Connected directly to a generator (envelope, oscillator, sequencer…), the maximum amplitude of the modulation is of +/- 4 octaves. When it is necessary to have a stronger modulation, an amplifier module must amplify the signal of the generator.

A certain number of internal connections simplify the use of the keyboard follow, sequencer, portamento and pitch bend.

To avoid having to manage the tuning of the keyboard follow with the amplitude of the modulation input, with a visualizer we can choose which keyboard follow (from 1 to 4) is to be used. This keyboard follow is directly configured to tune the oscillator in function to the note played.

The functioning is the same for the sequencer outputs (1 to 4) controlling the tuning of this group of oscillators. In the “no” follow position, the oscillator is set to the note C3, irrespective of the keyboard notes. In the same manner, when set to the “no” sequencer position, this group of oscillators is disconnected from the sequencer output.

A keyboard follow can of course be connected to modulation input. In that way, the pitch of each notes can be adjust very fine. We can then simulate the non-linearity of analog keyboard.

The “LFO” position of the display indicates that the oscillator group is no longer dependant of the keyboard. That is to say, it permanently functions on a monophonic voice. This function is especially useful when we want to use this oscillator group as source of low frequency modulation.

Furthermore, each of the keyboard follows can activate the response of oscillators and filters to portamento and pitch bend.

7.1.2.2Slave oscillator 921B

Frequency

Range

 

Synchronization

 

 

 

 

 

 

 

 

 

 

 

 

Audio outputs of the

 

 

Synchro input

 

4 wave forms

 

 

 

 

 

 

 

 

 

 

 

 

FM Inputs

 

 

 

 

 

 

Oscillator 921B

 

 

Frequency

Sets the frequency of the oscillator. By left click, setting by semi-tone, by

 

 

right click fine setting.

 

 

Range

Setting of the oscillator range. (low, 32, 16, 8, 4, 2)

Synchronization

Synchronization interrupter Soft/Hard

 

 

Synchro input

Menu to select the synchronization oscillator

FM Inputs

Frequency modulation input connection jacks

Outputs

Connection jacks for the four oscillator outputs

 

 

 

 

 

 

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ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL

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Arturia 2.6 manual Right click fine setting, Setting of the oscillator range. low, 32, 16, 8, 4