Finally, set the 2 output VCA envelopes as you wish, while trying to keep the same values on the 2 envelopes.
If you apply several modulations provoked by the different LFOs and on different destinations (filter “Cutoff”, FM, PWM etc…), try to vary the different levels of modulation in order to create as many different variations in the evolution of the final sound. This is one of the strongest points of modular synthesizer.
9.2THE SEQUENCER
9.2.1Sequence #1
Now let’s take a more detailed look at the use of the sequencer. We’ll start by creating a simple sequence of notes with an oscillator. Take, for example, patch #1 from this chapter as the starting point.
At the bottom of the first “Driver” oscillator, click once on the sequence display (situated next to the one for the key follows): the display indicates “S1”. This activates the connection towards the first line of sequence on the sequencer.
Connection of the “driver” oscillator to the first sequence line
Select the “Seq Trig” output by clicking on the “Trig” input of VCA1.
120 | ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL |
