￿To give more life to your sound, click on the “frequency” knob on the first oscillator with the right click of the mouse (“Fine tune” position) then lightly turn towards the right (to increase the height of its tone) or the left (to decrease it). You will thus progressively hear a beating resulting from the light difference in tuning of the 2 oscillators. This beat will create a chorus effect, which will give more life and “warmth”.

Detuning of oscillator1

￿Hone this sound by applying light cyclic variations on the filter cut-off frequency. Choose, for example, the “Sin” output of LFO1 and direct it to the first modulation input (“Mod In”) of filter1. Click again on this jack and lightly turn it towards the right (to 2 o’clock for example). This will dose the modulation input to the cut-off. Finally, lower the cut-off frequency to hear the oscillation of the sound.

Connection of LFO to filter1

Turn the resonance button to the right to create a supplementary “brilliance” that is very “electronic” in your sound. By increasing the oscillation speed of LFO1 (“frequency” button), you will thus obtain a typical 70’s “wah-wah” effect.

9.1.3Complex patch #1

Let’s continue with a more complex sound using:

￿3 oscillators

￿the mixer

￿2 low pass filters

￿2 VCA

￿2 envelopes (1 on each filter)

￿2 LFO

ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL

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Arturia 2.6 manual Connection of LFO to filter1, Complex patch #1