Stereo without the effects | Arturia 2.6 manual

Sequencer startup through a MIDI keyboard

9.3.3Stereo without the effects

Obtaining a stereo sound comes down to treating 2 independent channels. Each of the output VCA is positioned in stereo space using the “pan” knob.

Set the VCA1 “pan” to the left, and the VCA2 to the right to create 2 independent channels needed for convincing stereo.

Setting the output VCA panoramic

Connecting a different oscillator to each of the VCA allows you to obtain a very wide space. To make it evolve, apply a light detuning to one of the oscillators using a LFO or an envelope. The sound will seem like it’s turning in space, or in the second case, passing from one point to another.

To keep the stereo space very wide, it is essential to keep the 2 channels independent. Il It is thus necessary to use a filter for each of them. These filters can then be modulated in an identical manner, or differently without interfering with the stereo space.

For a right to left movement, you can also modulate the output VCA with an auxiliary envelope, once connected, set the modulation level to a positive value for one and negative for the other.

130	ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL

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Arturia 2.6 manual Stereo without the effects

Contents

USER’S Manual Manual ProgrammingGraphics Sound Designers Introduction to version 2.5 of the Moog Modular V manual Table of Contents Low frequency oscillators LFO 140 Whats NEW in Moog Modular V Introduction Birth of Modular Moog Systems R.A. Moog Company at Trumansburg, NY Switched-On Bach by W. Carlos Construction and testing of a modular Moog Modular SYNTHESIZER, WHY? Better Emulation Thanks to TAE Aliasing-free oscillators Better reproduction of analog wave forms Better reproduction of analog filters Implementation of soft clipping MiniMoog Soft-clipping transfer function Installation Windows Installation XP, Vista Choosing the protocols Installation MAC OS Authorization Registration Arturia Moog Modular V 2.6 USER’S Manual License Download Enter the activation code License is installed and activated 4 Sections of the Moog Modular Synthesis section Other three sections Using Presets Reduced view of the keyboard and the real time controllers Setting of filter1 cut-off frequency Modular Synthesizer First connections Connection between oscillator 2 and filter Connection of the VCA2 audio input Attack a settings for the output VCS envelopes Oscillators Description of the synthesis section modulesWhite and pink noise generator Filters Auxiliary Adsr modulation envelopes Dual trigger delay LFOs VCAs Mixers and amplifiers Other Sections Sequencer Validation of a sequence line on the Driver oscil lator Also set the length of the notes with the length knob Effects Fixed filter bank Dual delay Filter bank output gain Delay effect Chorus Virtual Keyboard and ITS Real Time Controllers Keyboard Keyboard controllers Play modes Envelope control sliders Sound design controllers2D Pads Using the 2D controller Filter cutoff frequency controller Three filter cutoff frequency controllers Using the Presets Choice of bank, sub-bank, preset Creation of a bank, sub-bank, preset Saving a user preset Import / Export of a preset bank Work Pages Complete view Knobs Using ControllersReduced usage Mouse control linear Joysticks Mouse control higher linear precisionMouse control circular Selectors Midi control Learn menu Assigning Midi controls Plug-in parameter Assignedname or not Control number Manage configurations Minimum and maximum ranges Multiple assigned parameters Tricks Using Cables Audio and modulation connections Modulation input connectors Cable display options Modulation level settingModifying a connection Cable display filter Spreading the cables Cable tensionTrigger connections Synchronization connections Key follow or sequencer connections Arturia Moog Modular V 2.6 USER’S Manual Key follow LFO Oscillators Programming SectionDescription Controller Oscillators Impulse width FrequencyState FM Inputs Synchronization interrupter Soft/Hard Right click fine settingSetting of the oscillator range. low, 32, 16, 8, 4 Menu to select the synchronization oscillator Sawtooth Audio Output FiltersResonance Audio Input Low-pass 24 dB/octave filter Type Type Frequency Audio Output FM InputsMod. Width input Gain Gain Audio Output FM InputsModRes Input Low-pass 12 dB/octave Input Trigg Modulation envelopesDecay D Release R Sustain S Output Output amplifiers VCA Frequency Delay Fade Outputs Mode FM Input Width PWM InputLow frequency oscillators LFO Controlled amplifiers / Mixers Audio Input Trigger delay Independent mode Parallel mode Low Pass Input High Pass Input Noise generatorLow Pass Frequency Sample and hold Envelope follower Follow Comparator Time choice Threshold Follow out Signal Out Ring modulator GM Input Formant filterRM Input Vowel Second Section Resonant filter bank Gain Output gain ResetResonance Connection Depth Stereo Width Wet ChorusTime Stereo Rate Dry VCA1-VCA2 Phaser Connection of the delay to the output of VCA1 or VCA2 Stereo DelayFeedback to right On / Off Input Triggers Sequence generatorMidi Synchronization Off Fw / Rw Length Next Trigger Sequencer column On Line Forcing Trigger Input Mode Output Smooth1 Smooth2 Smooth3 Smooth4 Third Section Fourth Section Pivot Keyboard follow managementSlope Threshold General settings Three Main Modules Oscillator or VCO Square waveform Triangle waveform Filter or VCF Low-pass filter Band-reject filter Low-shell filter Amplifier or VCA Complimentary Modules Envelope generator Low frequency oscillator VCA modulated by a LFO Modular Sound Synthesis Simple patch #1 Simple patch #2 Patch #2 complete Click on the link button to create a link between the 2 VCA Connection of LFO to filter1 Complex patch #1 Complete patch Connection towards the second filter LFO1 to the filters link Complex patch #2 White noise module connected to the band pass filter Mixing Sequencer Sequence #1 Selection of Sequencer trigger Sequence #2 Select the function L1-2 Force the triggering of a step Sequence #3 Bonus Features Creative use of key follows Click several times on the key follow display Creative use of triggers and trigger delays Click on the trigg in plug on the envelope Stereo without the effects Using the NEW Moog Modular V 2.0 Modules More stereo width Electronic percussion sequence BodeSeq patch Trig by an external audio source Create your LFO form Preset Pads / EnvFollow Sample and hold module 139 STAND-ALONE Configuration of an instrument the tool bar10.1.2.1Configuring Audio and Midi Launching the application Midi connection Using Your PLUG-IN in a HostSaving preset Automation Cubase Check plug-in setupInsert an Instrument Track 143 Opening the instrument Ableton Live Three buttons Sonar Audio Unit Logic Studio You are now ready to create a new instrument track Digital Performer Connection to a Midi track Rtas and Htdm standards InstallationTDM System Rtas and Htdm To open you instrument click on the same Insert area Moog Modular END User License Agreement Software Ownership License module eLicenser Key and/or Soft-eLicenser Assignment of Rights