￿Now connect the L4 sequencer output (at the bottom of the section) to the first modulation input of filter2. You can also try a positive or negative value.

￿Select the “Seq Trig” output by clicking on the “Trig” input of VCA2 and separate the knobs of the 2 VCA in order to create an evolving stereo sequence.

￿Move to the second section, click on the sequencer “on” button and set the 2 knobs lines corresponding to filter1 and VCO4. Finally, choose the type of sequence chaining with the fourth column.

￿If you wish to add a little “portamento” to a melodic line, turn the “Smooth” knob corresponding to your sequence line.

Turn the “Smooth” knob

￿to complete the evolution of the sound in stereo, you can apply modulations to the cut-off frequencies of the 2 filters using a LFO. To make this effect more apparent, turn the level of the modulation input of filter1 to the left (negative value) and of filter2 to the right (positive value). By applying a slow rotation speed to the LFO, you will get the linking of the 2 sequences in stereo space, brought about by the opening of the 2 cut-off frequencies.

9.3BONUS FEATURES

9.3.1Creative use of key follows

The Moog Modular V provides you with settings for 4 independent key follows. These key follows are mainly used to tune the oscillators in relation to the keyboard range but can also be used for different applications.

￿Try, on a filter1 cut-off frequency, opening (click several times on the key follow display situated at the bottom of the filter to select the “K2” key follow). It will become increasingly brilliant when the height is increased of the follow slope is positive and the contrary if it is negative.

126

ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL

Page 126
Image 126
Arturia 2.6 manual Bonus Features, Creative use of key follows