Arturia 2.6 manual Low frequency oscillators LFO

	6.4.7 Key follow or sequencer connections			65
7	The modules			68
	7.1	Programming section		68
	7.1.1		Description	68
	7.1.2		Oscillators	68
	7.1.3		Filters	72
	7.1.4		Modulation envelopes	77
	7.1.5		Output amplifiers (VCA)	78
	7.1.6 Low frequency oscillators (LFO)			79
	7.1.7		Controlled amplifiers / Mixers	80
	7.1.8		Trigger delay	81
	7.1.9		Noise generator	83
	7.1.10		Sample and hold	84
	7.1.11		Envelope follower	85
	7.1.12		Ring modulator	86
	7.1.13		Formant filter	87
	7.1.14		Bode Frequency Shifter	87
	7.2	Second section		88
	7.2.1		Description	88
	7.2.2		Resonant filter bank	89
	7.2.3		Chorus	90
	7.2.4		Phaser	91
	7.2.5		Stereo Delay	92
	7.2.6		Sequence generator	93
	7.3	Third Section		96
	7.4	Fourth section		96
	7.4.1		Keyboard follow management	97
	7.4.2		General settings	98
8	The basics of subtractive synthesis			99
	8.1	The three main modules		99
	8.1.1 The oscillator or VCO			99
	8.1.2 The filter or VCF			102
	8.1.3 The amplifier or VCA			106
	8.2	Complimentary modules		106
	8.2.1		The keyboard	106
	8.2.2		The envelope generator	107
	8.2.3 The low frequency oscillator			107
9	A few elements of sound design			109
	9.1	Modular sound synthesis		109
	9.1.1		Simple patch #1	109
	9.1.2		Simple patch #2	110
	9.1.3		Complex patch #1	113
	9.1.4		Complex patch #2	117
	9.2	The sequencer		120
	9.2.1		Sequence #1	120
	9.2.2		Sequence #2	122
	9.2.3		Sequence #3	125
	9.3	Bonus features		126
	9.3.1 Creative use of key follows			126
	9.3.2 Creative use of triggers and trigger delays			128
	9.3.3 Stereo without the effects			130
	9.4	using the new Moog Modular V 2.0 modules		131
	9.4.1 The Bode Frequency Shifter			131
	9.4.2		The Envelope Follower	134
	9.4.3 The sample and hold			137

ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL 5