Complete patch | Arturia 2.6 guide

This sound will be polyphonic and constitute a good example of accompaniments with subtle stereo evolutions.

The complete patch

For the conception of this sound, you can complete the previous patch.

Start by clicking on the “link” button between the second and third mixer VCA to create the link between these 3 VCA.

Then, on this third slice, connect the audio output of the square waveform of the third oscillator.

Notice that filter1 is still connected to the audio output of the first slice of the mixer. As a result, it now receives the signals coming from the 3 oscillators.

Again, drag a cable from this same slice towards filter2. This of course was not possible on the original synthesizer, but here, we can have several connections from the same output.

114	ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL

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Arturia 2.6 manual Complete patch

Contents

USER’S Manual Manual ProgrammingGraphics Sound Designers Introduction to version 2.5 of the Moog Modular V manual Table of Contents Low frequency oscillators LFO 140 Whats NEW in Moog Modular V Introduction Birth of Modular Moog Systems R.A. Moog Company at Trumansburg, NY Switched-On Bach by W. Carlos Construction and testing of a modular Moog Modular SYNTHESIZER, WHY? Better Emulation Thanks to TAE Aliasing-free oscillators Better reproduction of analog wave forms Better reproduction of analog filters Implementation of soft clipping MiniMoog Soft-clipping transfer function Installation Windows Installation XP, Vista Choosing the protocols Installation MAC OS Authorization Registration Arturia Moog Modular V 2.6 USER’S Manual License Download Enter the activation code License is installed and activated 4 Sections of the Moog Modular Synthesis section Other three sections Using Presets Reduced view of the keyboard and the real time controllers Setting of filter1 cut-off frequency Modular Synthesizer First connections Connection between oscillator 2 and filter Connection of the VCA2 audio input Attack a settings for the output VCS envelopes Description of the synthesis section modules OscillatorsWhite and pink noise generator Filters Auxiliary Adsr modulation envelopes Dual trigger delay LFOs VCAs Mixers and amplifiers Other Sections Sequencer Validation of a sequence line on the Driver oscil lator Also set the length of the notes with the length knob Effects Fixed filter bank Dual delay Filter bank output gain Delay effect Chorus Virtual Keyboard and ITS Real Time Controllers Keyboard Keyboard controllers Play modes Sound design controllers Envelope control sliders2D Pads Using the 2D controller Filter cutoff frequency controller Three filter cutoff frequency controllers Using the Presets Choice of bank, sub-bank, preset Creation of a bank, sub-bank, preset Saving a user preset Import / Export of a preset bank Work Pages Complete view Knobs Using ControllersReduced usage Mouse control linear Joysticks Mouse control higher linear precisionMouse control circular Selectors Midi control Learn menu Assigning Midi controls Plug-in parameter Assignedname or not Control number Manage configurations Minimum and maximum ranges Multiple assigned parameters Tricks Using Cables Audio and modulation connections Modulation input connectors Cable display options Modulation level settingModifying a connection Cable display filter Cable tension Spreading the cablesTrigger connections Synchronization connections Key follow or sequencer connections Arturia Moog Modular V 2.6 USER’S Manual Key follow LFO Oscillators Programming SectionDescription Controller Oscillators Impulse width FrequencyState FM Inputs Synchronization interrupter Soft/Hard Right click fine settingSetting of the oscillator range. low, 32, 16, 8, 4 Menu to select the synchronization oscillator Sawtooth Audio Output FiltersResonance Audio Input Low-pass 24 dB/octave filter Type Frequency Audio Output FM Inputs TypeMod. Width input Gain Audio Output FM Inputs GainModRes Input Low-pass 12 dB/octave Modulation envelopes Input TriggDecay D Release R Sustain S Output Output amplifiers VCA Mode FM Input Width PWM Input Frequency Delay Fade OutputsLow frequency oscillators LFO Controlled amplifiers / Mixers Audio Input Trigger delay Independent mode Parallel mode Noise generator Low Pass Input High Pass InputLow Pass Frequency Sample and hold Envelope follower Follow Comparator Time choice Threshold Follow out Signal Out Ring modulator GM Input Formant filterRM Input Vowel Second Section Gain Output gain Reset Resonant filter bankResonance Connection Depth Stereo Width Wet ChorusTime Stereo Rate Dry VCA1-VCA2 Phaser Stereo Delay Connection of the delay to the output of VCA1 or VCA2Feedback to right Sequence generator On / Off Input TriggersMidi Synchronization Off Fw / Rw Length Next Trigger Sequencer column On Line Forcing Trigger Input Mode Output Smooth1 Smooth2 Smooth3 Smooth4 Third Section Fourth Section Pivot Keyboard follow managementSlope Threshold General settings Three Main Modules Oscillator or VCO Square waveform Triangle waveform Filter or VCF Low-pass filter Band-reject filter Low-shell filter Amplifier or VCA Complimentary Modules Envelope generator Low frequency oscillator VCA modulated by a LFO Modular Sound Synthesis Simple patch #1 Simple patch #2 Patch #2 complete Click on the link button to create a link between the 2 VCA Connection of LFO to filter1 Complex patch #1 Complete patch Connection towards the second filter LFO1 to the filters link Complex patch #2 White noise module connected to the band pass filter Mixing Sequencer Sequence #1 Selection of Sequencer trigger Sequence #2 Select the function L1-2 Force the triggering of a step Sequence #3 Bonus Features Creative use of key follows Click several times on the key follow display Creative use of triggers and trigger delays Click on the trigg in plug on the envelope Stereo without the effects Using the NEW Moog Modular V 2.0 Modules More stereo width Electronic percussion sequence BodeSeq patch Trig by an external audio source Create your LFO form Preset Pads / EnvFollow Sample and hold module 139 STAND-ALONE Configuration of an instrument the tool bar10.1.2.1Configuring Audio and Midi Launching the application Midi connection Using Your PLUG-IN in a HostSaving preset Automation Check plug-in setup CubaseInsert an Instrument Track 143 Opening the instrument Ableton Live Three buttons Sonar Audio Unit Logic Studio You are now ready to create a new instrument track Digital Performer Connection to a Midi track Installation Rtas and Htdm standardsTDM System Rtas and Htdm To open you instrument click on the same Insert area Moog Modular END User License Agreement Software Ownership License module eLicenser Key and/or Soft-eLicenser Assignment of Rights