Effect parameters
Tube2 (TUBE2)
This amp has a mild tone with
*The parameters are the same as “SOLID1.”
Hi-Gain1 (HI-GAIN1)
This is an overdriven amp with a heavy low end boost.
1.
2. | BOOST | [1...10]: Adjusts the amount of boost. |
3. | PRESENCE | |
4. | quency range. | |
5. |
If the sound is distorted, slightly lower the BOOST and PRESENCE settings.
Hi-Gain1 (HI-GAIN2)
This is an overdriven amp suitable for hard rock styles.
*The parameters are the same as
4.MIC SIMULATOR
When recording sound that is output from an acoustic instru- ment or a speaker, it is best to use a mic that takes advantage of the characteristics of the source.
When using the
VntgDy (VINTAGE DYNAMIC)
This simulates the warm and rich sound of a vintage dynamic mic, and is ideal for vocals.
1. | SETTING | [1...4]: Switches the location of the mic. (1: |
|
| Close, 2: On, 3: Off, 4: Far) |
2. | TRIM | [0...10]: Input trim |
3. | ||
4. | ||
5. |
When you select the “Close” or “On” setting, the proximity effect will produce a boosted low range, so you will need to use “TRIM” to adjust the overall level.
MultiCn (MULTI CONDENSER)
This simulates a
*The parameters are the same as “VINTAGE DYNAMIC.”
Perc.Cn (PERCUSSION CONDENSER)
This simulates a small condenser mic designed for instru- ments, which has a distinctive high range and is ideal as an overhead mic for drums or for use with acoustic guitar.
*The parameters are the same as “VINTAGE DYNAMIC.”
Whale.Dy (WHALE DYNAMIC)
This simulates a mic characterized by clarity and a sense of volume, and is ideal for drum sounds.
*The parameters are the same as “VINTAGE DYNAMIC.”
Vocal.Cn (VOCAL CONDENSER)
This simulates a
*The parameters are the same as “VINTAGE DYNAMIC.”
Vocal.Tb (VOCAL TUBE)
This simulates a vintage tube mic, and is ideal for vocals.
*The parameters are the same as “VINTAGE DYNAMIC.”
BDrum.Dy (B DRUM DYNAMIC)
This simulates a fairly large dynamic mic, and is suitable when you want to capture the sense of air movement felt with a
*The parameters are the same as “VINTAGE DYNAMIC.”
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