3.The wave view has a new mode in which the sample is drawn as if the amplitude envelope has already been applied to it. This mode is toggled by a small button near the zoom and unzoom buttons.

4.Giga 4 supports a unique audition sample for each instrument in a .GIG file (not just a single audition sample for the whole file). Right-click on a sample for options.

5.Right-clicking in the parameter value list (lower right) brings up a new “Copy to all instances” menu option. The value of the selected parameter is copied to all subregions throughout the file that are mapped to the same sample as the current one. For example, if a sample is found to benefit from a fine tuning change, this feature can quickly copy the new tuning to any other splits to which the same sample is asssigned.

6.The right-click menu in the sample list has a new option, “Replace all samples in all folders.” This is an expansion of the existing “Replace all samples in folder” command. The editor searches a specified root directory and its subdirectories, replacing any sample if a .wav or .dxl file with a matching name is found. (There is a more selective option for cases where the samples on disk are arranged in subdirectories that mirror the folders in the .gig file. When this option is in effect, samples in a given folder will be replaced only by files found in a subdirectory of the same name as the folder.)

7.The maximum number of layers (splits in a layer dimension) has been increased from 8 to 128.

8.While in the past it’s been easy to change the controller assigned to a dimension, velocity has been an exception: once a velocity dimension, always a velocity dimension. Giga Editor 4.0 will now allow a velocity dimension to be changed to any other controller. Note that when this is done, the dimension will move from the dedicated velocity window to one of the unused small dimension windows.

9.An instrument can now cause up to two MIDI controllers to be initialized to specified values whenever it is loaded. The controllers and their desired values are specified in the Instrument Properties. This is for instruments using features like the Dynamic Expression Filter, which might sound best when the controlling CC value is set to something other than the default.

10.A new variant of the “Round Robin” dimension controller has been added. The new controller is called “Round Robin across keyboard”, and advances the dimension globally when a key is struck anywhere on the keyboard. The older “Round Robin” (which is still available) advances the dimension only for the region in which the note is played. In the case where the number of splits in this dimension varies across the keyboard, the new rule uses a modulo addressing technique.

Launching the Instrument Editor

There are several ways to open the Instrument Editor depending on your situation.

Opening the Instrument Editor from GigaStudio

To open the Instrument Editor from GigaStudio, click on the Launch Giga editor toolbar button.

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TASCAM GigaEditor 4 Manual

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Tascam 4 user manual Launching the Instrument Editor, Opening the Instrument Editor from GigaStudio
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4 specifications

The Tascam 4, also known as the Tascam Portacapture X8, is an advanced portable audio recorder that brings a range of professional features, technologies, and characteristics designed for musicians, filmmakers, and content creators. This versatile device is equipped to capture high-quality audio in various settings, whether for music production, field recording, or podcasting.

One of the standout features of the Tascam 4 is its dual XY and AB microphone configuration. This allows users to choose between different stereo recording techniques, providing flexibility and creativity in sound capture. The XY arrangement is perfect for capturing live performances or ambient sounds, while the AB configuration is great for recording wider soundscapes. Additionally, the built-in microphones are of high quality, ensuring that recordings maintain clarity and fidelity.

The Tascam 4 offers up to eight tracks of simultaneous recording, giving users the ability to capture multiple audio sources at the same time. This is particularly useful for music recording sessions, where different instruments and vocals can be isolated on separate tracks. It supports various file formats, including WAV and MP3, with sample rates up to 24-bit/192kHz, ensuring professional-level audio quality.

For more advanced users, the Tascam 4 includes features such as multi-track overdubbing and built-in effects like reverb, which allow for creative sound manipulation. The user-friendly touchscreen interface makes navigating through settings and functions straightforward, while the customizable faders and buttons give users quick access to frequently used controls.

Another significant technological aspect of the Tascam 4 is its USB audio interface capability. This feature lets users connect the device to a computer, making it an effective solution for home studios. It can be used for live streaming or as a high-quality microphone input for podcasts and other applications.

Furthermore, the Tascam 4 is designed with durability and portability in mind. Its compact form factor and robust build make it easy to carry on location, while its battery life ensures long recording sessions without frequent recharging. Whether you're a seasoned audio professional or an aspiring creator, the Tascam 4 provides an impressive array of tools and features that make it a reliable choice for high-quality audio recording in any situation.
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