Yamaha 02R96 128 , Comp Library

128 Chapter 13—Libraries

02R96—Owner’s Manual

Comp Library

Comp settings can be stored in the Comp library, which contains 36 preset memories and

92 user memories. See page 97 for information on the Comps.

1Use the DYNAMICS [DISPLAY] button to select the Comp Library page.

2Use the LAYER buttons to select Layers, and the [SEL] buttons to select chan-

nels.

When storing, the Comp settings of the currently selected channel, indicated in the

upper-right corner, are stored to the selected memory. When recalling, the Comp settings

in the selected memory are applied to the currently selected channel.

CURRENT TYPE: This indicates the current Comp type of the currently selected channel.

CURRENT CURVE: This is the Comp curve of the currently selected channel.

GR meters: These meters indicate the amount of gain reduction being applied by the

Comp, and the levels of the currently selected channel and its adjacent channel. If Pair mode

for the currently selected channel is set to Vertical, the level of its counterpart on the adja-

cent Layer is displayed.

The type (Comp, Expand, Comp Soft, Comp Hard) and curve of the currently selected

memory is displayed to the right of the memory list.

For details on the Store, Recall, Title Edit, and Clear functions, see “General Library Oper-

ation” on page 122.

Contents

Main IMPORTANT FCC INFORMATION (U.S.A.) NEDERLAND THE NETHERLANDS Explanation of Graphical Symbols CAUTION Important Information Cautions Warnings ii Interference Operating Notes Page Page Contents vi 7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 8 Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 vii 9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 10 Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 Page ix 16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 18 Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . 169 17 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 x 19 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . 260 Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . 202 20 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . 196 Page 1 Welcome I/O Architecture Channel Architecture Sonic Spec Page Surround Sound Control Surface MIDI Remote Control 2 Control Surface & Rear Panel Control Surface 24 21 22 Page 6 Page 8 Page 10 SELECTED CHANNEL Section ROUTING 5 A B 12 PAN/SURROUND A 8 234567 B C 14 G 4 65 H EQUALIZER Page 16 Page 18 Page 20 Page 22 Page 24 AD Input Section 2 A B B C D E F 26 OMNI OUTs, Digital I/O & Control Section N PO A B H I J K L 28 3 Operating Basics Connecting the Power Cord Turning On & Off the 02R96 About the Display 30 Selecting Display Pages Display Parameter Boxes Parameter Windows 32 Conrmation Messages Title Edit Window Selecting Layers 34 Selecting Channels Stereo Out [SEL] Button Auto Channel Select & Touch Sense Select Selecting Fader Modes 36 Selecting Encoder Modes Assigning Parameters to the ENCODER MODE Assign Buttons 38 Assignable Encoder Mode Parameter List 4 Analog I/O & the AD Input Section AD Input Section AD Input Connectors (AD 116) AD Input Connectors (AD 1724) Phantom Power (AD 116) 40 AD Inserts (AD 116) Stereo Out Control Room Monitor Out Studio Monitor Out 5 Digital I/O & Cascading Wordclocks Wordclock Connections 42 Selecting the Wordclock Source Terminating External Wordclocks Star Distribution Daisy Chain Distribution 2TR Digital Outs 44 2TR Digital Ins 2TR In Sampling Rate Conversion Slot I/O Available Cards Card Combination Restrictions 46 Installing I/O Cards Setting the Transfer Format for Higher Sampling Rates 48 Dithering Digital Outputs Monitoring Digital Input Channel Status Cascading Consoles Linked Functions 50 Cascade Hookup Examples 02R 02R96 #1/2 02R96 #3 02R96 #1 02R96 #2/3 02R96 #4 02R96 #1 02R96 #2 Attenuating Cascade Inputs Turning On & Off Cascade Outputs 52 6 Input & Output Patching Input Patching Patching Input Channels Patching Input Channel Insert Ins Patching Effects Inputs 54 Output Patching Patching Slot Outputs Patching Omni Outs Output Channel Inserts Ins 56 Patching Direct Outs Patching the 2TR Digital Outputs Naming Input & Output Ports Patch Select Window 58 Patching with the Encoders 7 Input Channels 60 Gating Input Channels Preset Gates & Types Using the SELECTED CHANNEL DYNAMICS Controls Gate Edit Page Attenuating Input Channels EQing Input Channels 62 Grouping Input Channel EQs Input Channel Inserts Compressing Input Channels Grouping Input Channel Compressors Delaying Input Channels Muting Input Channels (ON/OFF) 64 Grouping Input Channel Mutes (ON/OFF) Setting Input Channel Levels Grouping Input Channel Faders 66 Routing Input Channels Using the SELECTED CHANNEL ROUTING Controls Routing Pages Panning Input Channels Using the Encoders Using the SELECTED CHANNEL PAN/SURROUND Controls 68 Pan Pages Using Surround Pan Selecting Surround Pan Modes 70 Using the Joystick Selected Channel Surround Edit Page Input Channel Surround Pages Page 8 Stereo Out Page Balancing the Stereo Out Delaying the Stereo Out Viewing Stereo Out Settings Naming the Stereo Out 9 Bus Outs Muting Bus Outs (ON/OFF) Grouping Master Mutes (ON/OFF) Setting Bus Out Levels Grouping Master Faders Delaying Bus Outs 78 Sending Bus Outs to the Stereo Out Viewing Bus Out Settings Naming Bus Outs 10 Aux Sends Patching Aux Send Masters to Outputs Setting the Aux Send Mode Pre-Fader or Post-Fader Aux Sends 80 Setting Aux Send Levels Using the Faders Using the Encoders Aux Send Pages Fixed Mode 82 Viewing Aux Send Settings Level Parameters Pre/Post Parameters 84 Panning Aux Sends Page 86 Settings Aux Send Master Levels Grouping Master Faders Delaying Aux Send Masters Soloing Aux Sends 11 Common Channel Functions Metering Setting the Metering Position Metering Input Channels 88 Page 90 Attenuating Signals Using EQ 91 Using EQ Preset EQs The following table lists the preset EQs. See page 251 for detailed parameter information. 92 Using the SELECTED CHANNEL EQUALIZER Controls EQ Edit Pages 94 Grouping Output Channel EQs Using Inserts 96 Compressing Channels 97 Compressing Channels Preset Comps & Types 98 Using the SELECTED CHANNEL DYNAMICS Controls Comp Edit Page Page 100 Grouping Output Channel Compressors Delaying Channel Signals 102 Soloing Channels Conguring Solo Page 104 Pairing Channels Pairing Channels by Using the [SEL] Buttons Pairing Channels by Using the Pair Pages Page 106 Grouping Output Channel Faders Grouping Output Channel Mutes (ON/OFF) 108 Viewing Channel Parameter Settings Output Channels Viewing Channel Fader Settings 110 Bus Outs Aux Sends Stereo Out 112 Naming Channels Output Channels Page 114 12 Monitoring & Talkback Control Room Monitoring Control Room Setup Studio Monitoring 116 Surround Monitoring Conguring Surround Monitoring 118 Page 120 Patching Slot Inputs to Surround Channels Using Talkback Talkback Setup 122 13 Libraries About the Libraries General Library Operation Channel Library 124 Input Patch Library Output Patch Library Effects Library 126 Bus to Stereo Library Gate Library 128 Comp Library EQ Library 130 Automix Library Surround Monitor Library 14 Internal Effects & Plug-Ins About the Effects Delays Patching Effects Processors Preset Effects & Types 132 Modulation-based Effects Guitar Effects Dynamic Effects Combination Effects Others Editing Effects 134 About Plug-Ins Conguring Plug-Ins 136 Editing Plug-Ins Page 138 15 Scene Memories About Scene Memories 02 02 Whats Stored in a Scene? Edit Buffer & Edit Indicator Auto Scene Memory Update 140 Storing & Recalling Scenes with the SCENE MEMORY Buttons Storing Scenes Recalling Scenes Using the Scene Memory Page 142 Fading Scenes Recalling Scenes Safely 144 Sorting Scenes 16 Automix About Automix Whats Recorded in an Automix? 146 Automix Main Page Automix Main Page 147 148 Channel Strip [AUTO] Buttons Page Fader Edit Pages 152 Selecting the Timecode Source & Frame Rate Creating a Time Signature Map 154 Recording an Automix Rerecording Events Parameter Recording 155 Parameter Recording 156 Punching In & Out Individual Parameters Playing Back an Automix 158 Editing Events Ofine Event Copy Page Page 160 Event Edit Page 162 17 MIDI MIDI & the 02R96 MIDI I/O 164 MIDI Port Setup MIDI Channel Setup 166 Assigning Scenes to Program Changes Assigning Parameters to Control Changes Controlling Parameters by Using Parameter Changes 168 Using Bulk Dump 18 Pro Tools Remote Layer Conguring Windows Computers Conguring Macintosh Computers Conguring the 02R96 170 Conguring Pro Tools Control Surface Operation with the Pro Tools Remote Layer Display F2 (INSERT), F3 (CHANNEL), F4 (METER) buttons TARGET COUNTER 172 INSERT ASSIGN/EDIT Display Mode INSERT/PARAM Display Encoder Display Channel Display Mode Channel Strips Encoders & Push-Switches [AUTO] buttons [SEL] buttons [SOLO] buttons 174 Faders AUX SELECT Section ENCODER MODE Section [PAN] (PAN) button EFFECTS/PLUG-INS Section 176 USER DEFINED KEYS Section MACHINE CONTROL Section 178 Data Entry Section Selecting Channels Setting Channel Levels Muting Channels Panning Channels Soloing Channels 180 Viewing Send Destinations Conguring Sends as Pre or Post Setting Send Levels Muting Sends Flip Mode 182 Assigning Inserts/Plug-ins Editing Plug-ins 184 Bypassing Plug-ins Resetting Faders, Sends, & Panpots Navigating the Edit Window Zooming Making Fine Adjustments to the Selected Region 186 Scrub & Shuttle Automation Viewing the Automation Mode Setting the Automation Mode 188 Trim Mode Arming Parameters for Automation 19 Remote Control About the Remote Layer Assigning a Target to the Remote Layer 190 Conguring the User Dened Remote Layer Using the User Dened Remote Layer 192 About Machine Control Conguring Machines Transport Buttons Using Shuttle & Scrub 194 Using the Locator LOCATE MEMORY [18] buttons [SET] button Setting the Locate Memories GPI (General Purpose Interface) 196 20 Other Functions Using the User Dened Keys Setting Preferences Preferences 1 198 Preferences 2 Preferences 3 200 Using the Oscillator Checking the Battery Initializing the 02R96 202 Appendix A: Parameter Lists USER DEFINED KEYS USER DEFINED KEYS 203 204 USER DEFINED KEYS Initial Assignments Input Patch Parameters Input Patch Parameters 205 206 Initial Input Patch Settings 207 Initial Input Patch Settings Input channel Inputs Effects Processors Inputs 208 Output Patch Parameters Output Patch Table 1 Output Patch Parameters 209 210 Output Patch Parameters 211 Output Patch Table 2 212 Initial Output Patch Settings 213 Initial Output Patch Settings Slot Outputs Direct Outs Omni Outs 214 Initial Input Channel Names Initial Output Channel Names Initial Input Port Names 215 Initial Input Port Names 216 Initial Output Port Names GPI Trigger Source List 217 GPI Trigger Source List 218 User Defined Remote Layer Initial Bank Settings 219 User Dened Remote Layer Initial Bank Settings Bank 1 (GM Vol & Pan) 220 Bank 2 (GM Vol & Effect 1) User Defined Remote Layer Initial Bank Settings 221 Bank 3 (XG Vol & Pan) Short Long 12345678910111213141516 222 Bank 4 (Nuendo VST Mixer) Effects Parameters 223 Effects Parameters REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output early reections. One input, two output hall, room, stage, and plate reverb simulations, all with gates. EARLY REF. 224 GATE REVERB, REVERSE GATE One input, one output basic repeat delay. One input, two output early reections with gate, and early reections with reverse gate. MONO DELAY STEREO DELAY Two input, two output basic stereo delay. One input, two output basic repeat delay with modulation. MOD. DELAY 226 DELAY LCR One input, two output 3-tap delay (left, center, right). Effects Parameters 227 ECHO Two input, two output stereo delay with crossed feedback loop. Two input, two output chorus effect. CHORUS 228 FLANGE Two input, two output symphonic effect. Two input, two output ange effect. SYMPHONIC PHASER Two input, two output 16-stage phaser. Two input, two output autopanner. AUTOPAN 230 TREMOLO One input, two output high-quality pitch shifter. Two input, two output tremolo effect HQ. PITCH DUAL PITCH Two input, two output pitch shifter. One input, two output rotary speaker simulator. ROTARY 232 RING MOD. One input, two output distortion effect. Two input, two output ring modulator. MOD. FILTER AMP SIMULATE One input, two output guitar amp simulator. Two input, two output dynamically controlled lter. DYNA. FILTER 234 DYNA. FLANGE Two input, two output dynamically controlled phaser. Two input, two output dynamically controlled anger. DYNA. PHASER REV+CHORUS One input, two output reverb and chorus effects in parallel. One input, two output reverb and chorus effects in series. REV->CHORUS 236 REV+FLANGE One input, two output reverb and anger effects in series. One input, two output reverb and anger effects in parallel. REV->FLANGE REV+SYMPHO. One input, two output reverb and symphonic effects in parallel. One input, two output reverb and symphonic effects in series. REV->SYMPHO. 238 REV->PAN One input, two output reverb and autopan effects in parallel. Effects Parameters 239 DELAY+ER. One input, two output delay and early reections effects in parallel. 240 DELAY->ER. One input, two output delay and early reections effects in series. Effects Parameters 241 DELAY+REV One input, two output delay and reverb effects in parallel. 242 DELAY->REV One input, two output delay and reverb effects in series. Effects Parameters 243 DIST->DELAY One input, two output distortion and delay effects in series. Two input, two output 3-band multi-lter (24 dB/octave). MULTI FILTER 244 FREEZE Two input, two output stereo reverb. One input, one output basic sampler. ST REVERB REVERB 5.1 One input, six output reverb for 5.1 surround, with surround panning. Eight input, eight output reverb. OCTA REVERB 246 AUTO PAN 5.1 Six input, six output chorus for 5.1 surround. CHORUS 5.1 Effects Parameters 247 FLANGE 5.1 Six input, six output anger for 5.1 surround. Six input, six output symphonic effect for 5.1 surround. SYMPHO 5.1 248 M. BAND DYNA. Effects Parameters 249 COMP 5.1 250 COMPAND 5.1 Preset EQ Parameters 251 Preset EQ Parameters 252 Preset EQ Parameters 253 254 Preset Gate Parameters (fs = 44.1 kHz) 255 Preset Gate Parameters Preset Compressor Parameters 256 Preset Compressor Parameters (fs = 44.1 kHz) 257 258 Preset Compressor Parameters (fs = 44.1 kHz) 259 260 Appendix B: Specications Input Gain=Min. General Spec Rs=150 Input Gain=Max. Input Pad =0 dB General Spec 261 262 General Spec 263 EQ Parameters 264 Gate Parameters Comp Parameters Controls 265 Controls Analog Section Digital Section 266 , Indicators 267 Indicators Analog Section Digital Section Libraries 268 Analog Input Spec Analog Output Spec Digital Input Spec 269 Digital Input Spec Digital Output Spec 270 I/O Slot Spec (14) Control I/O Spec Each I/O SLOT accepts a digital interface card. Only SLOT #1 has a serial interface. Connector Pin Assignments 271 Connector Pin Assignments CASCADE IN CASCADE OUT CONTROL Port 272 Dimensions 125 1.00 4.00 10.0 PAD 1920 21 22 23 24 Appendix C: MIDI Scene Memory to Program Change Table 274 Initial Parameter to Control Change Table MIDI Data Format 275 MIDI Data Format 1. CHANNEL MESSAGE 2. SYSTEM COMMON MESSAGE 3. SYSTEM REALTIME MESSAGE 4. EXCLUSIVE MESSAGE 4.1 Real Time System Exclusive 4.2 System Exclusive Message 276 If [TABLE] is selected If [NRPN] is selected 4. PROGRAM CHANGE (Cn) 5. SONG POSITION POINTER (F2) 6. TIMING CLOCK (F8) Format Details 277 12.2.1 Scene memory bulk dump format 12.2.2 Scene memory bulk dump request format 12.2.3 Setup memory bulk dump format 12.2.4 Setup memory bulk dump request format 278 12.2.6 User dene layer bulk dump request format 12.2.7 User dene plug-in bulk dump format 12.2.8 User dene plug-in bulk dump request format 12.2.9 User Dene Key bulk dump format Format Details 279 12.2.11 Control change table bulk dump format 12.2.13 Program change table bulk dump format 12.2.12 Control change table bulk dump request 12.2.14 Program change table bulk dump request 280 12.2.17 Compressor library bulk dump format 12.2.18 Compressor library bulk dump request format 12.2.19 Gate library bulk dump format 12.2.20 Gate library bulk dump request format Format Details 281 12.2.22 Effect library bulk dump request format 12.2.25 Channel library bulk dump format 12.2.26 Channel library bulk dump request format 12.2.27 Input patch library bulk dump format 282 12.2.29 Output patch library bulk dump format 12.2.30 Output patch library bulk dump request format 12.2.31 Bus to Stereo library bulk dump format 12.2.32 Bus to Stereo library bulk dump request format Format Details 283 12.2.34 Surround Monitor library bulk dump request 12.3.3 Parameter request basic format 12.2.35 Plug-in effect card bulk dump format 12.2.36 Plug-in effect card bulk dump request format 284 12.3.4 Parameter request basic format (Universal format) 12.3.5 Parameter Address 12.3.6 Parameter change (Edit buffer) 12.3.7 Parameter request (Edit buffer) Format Details 285 12.3.12 Parameter change (Backup memory) 12.3.13 Parameter request (Backup memory) 12.3.14 Parameter change (Function call Library: store/recall) 12.3.15 Parameter change (Function call: title) Reception 286 12.3.17 Parameter change (Function call: Scene/Library Clear) 12.3.18 Parameter change (Function call: pair, copy) 12.3.19 Parameter change (Function call Event: Effect) 12.3.20 Parameter change (Key remote) Format Details 287 12.3.22 Parameter request (Remote Meter) 12.3.23 Parameter change (Remote Time Counter) 12.3.24 Parameter request (Remote Time Counter) 12.3.25 Parameter change (Automix Status) Appendix D: Options MB02R96 Peak Meter Bridge Page Page 291 Index Symbols Numerics A B 292 C D 293 E F G 294 H I J K 295 N O P 296 Q R S 297 T 298 U V W X 02R96 Block Diagram Mono in x 56 AD IN 17( ..24) x 8 INPUT 1(...56) 02R96 Level Diagram dBu Max. [60dBu] Nominal Output MIDI Implementation Chart