Yamaha 02R96 owner manual 244

244 Appendix A: Parameter Lists
02R96—Owner’s Manual
FREEZE
One input, one output basic sampler.
ST REVERB
Two input, two output stereo reverb.
Parameter Range Description
REC MODE MANUAL, INPUT
In MANUAL mode, recording is started by pressing the REC
and PLAY buttons. In INPUT mode, Record-Ready mode is
engaged by pressing the REC button, and actual recording is
triggered by the input signal.
REC DLY –1000 to +1000 ms
Recording delay. For plus values, recording starts after the
trigger is received. For minus values, recording starts before
the trigger is received.
TRG LVL –60 to 0 dB Input trigger level (i.e., the signal level required to trigger
recording or playback)
TRG MASK 0–1000 ms Once playback has been triggered, subsequent triggers are
ignored for the duration of the TRG MASK time.
PLAY
MODE
MOMENT, CONT.,
INPUT
In MOMENT mode, the sample plays only while the that the
PLAY button is pressed. In CONT mode, playback continues
once the PLAY button has been pressed. The number of
times the sample plays is set using the LOOP NUM parame-
ter. In INPUT mode, playback is triggered by the input signal.
START 1
1. 0.0–5941.0 ms (fs=44.1 kHz), 0.0 ms–5458.3 ms (fs=48 kHz), 0.0–2970.5 ms (fs=88.2 kHz),
0.0 ms–2729.1 ms (fs=96 kHz)
Playback start point in milliseconds
END 1Playback end point in milliseconds
LOOP 1Loop start point in milliseconds
LOOP NUM 0–100 Number of times the sample plays
START
[SAMPLE] 0–262000 Playback start point in samples
END
[SAMPLE] 0–262000 Playback end point in samples
LOOP
[SAMPLE] 0–262000 Loop start point in samples
PITCH –12 to +12 semitones Playback pitch shift
FINE –50 to +50 cents Playback pitch shift fine
MIDI TRG OFF, C1–C6, ALL PLAY button can be triggered by using MIDI Note on/off
messages.
Parameter Range Description
REV TIME 0.3–99.0 s Reverb time
REV TYPE Hall, Room, Stage, Plate Reverb type
INI. DLY 0.0–100.0 ms Initial delay before reverb begins
HI. RATIO 0.1–1.0 High-frequency reverb time ratio
LO. RATIO 0.1–2.4 Low-frequency reverb time ratio
DIFF. 0.0–1.0 Reverb diffusion (left–right reverb spread)
DENSITY 0–100% Reverb density
HPF THRU, 21.2 Hz–8.00
kHz High-pass filter cutoff frequency
LPF 50.0 Hz–16.0 kHz,
THRU Low-pass filter cutoff frequency
E/R BAL. 0–100% Balance of early reflections and reverb
(0% = all reverb, 100% = all early reflections)