2f-2. Monitor

Here you can select the audio signals that will be output from the monitor output (MONITOR L/R jacks) and headphone output (PHONES jack).

1

2

3

4

1.Master LR

Sends the master LR bus to the monitor output. Normally you will select this.

2.Solo

When you select a signal to be soloed in the “Solo” tab page, this will be selected automatically, and it will not be possible to select “Master LR” or “Cue.” To select these items, you must first turn “Off” all soloed signals.

3.Cue

Sends the signal specified by the “Cue Level” (see the section that follows) level and pan settings to the monitor output. If you select this when recording, you will be able to adjust the monitor volume and pan for comfortable playing, without affecting the recording level of the sig- nal.

4.Drums

The audio from the Session Drums will be sent directly to the monitor output. You can use this when you want to listen to the Session Drums through headphones as the rest of the audio tracks are output from the MASTER L/R jacks, for example during a live performance. Normally you will keep this turned off.

The drum sound will not be output unless the Session Drums channel key is on.

If you turn Drums on here, the SESSION DRUMS “DrmsMixer” tab page “Assign” setting will change to “Monitor.” If you turn Drums off, the SESSION DRUMS “DrmsMixer” tab page “Assign” setting will change to

“Master.”

2f-3. Cue Level

When “Cue” is turned on in the “Monitor” tab page, use the settings here to adjust the audio level and pan of each mixer channel.

During playback, the audio will be sent regardless of the channel on/off setting. During recording, audio will be sent only for channels whose CH ON keys are set to on.

Use the 1–16 key and 17–32 key to switch the display be- tween sixteen-channel groups.

The audio that is set to Cue will be the playback signal if a track is playing, or the signal being recorded if the track is recording.

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2

3

1. Pan

[L63…C…R63]

Adjusts the panning of each channel’s cue signal. You can click a knob icon and use the Knob Matrix to make settings for a group of sixteen channels.

2. Level

[0…100]

Adjust the level of each channel’s cue signal.

You can click a knob icon and use the Knob Matrix to make settings for a group of sixteen channels.

Unity level is 100.

3.Level meter

This bar graph indicates the cue mix output volume.

2g. MIXER SETUP

Here you can save the current mixer settings, or recall previ- ously-saved mixer settings.

This allows you to store mixer settings that you use frequent- ly, and then recall them when creating a new song. You can also use this method to copy mixer settings to a different song.

A mixer setup contains the following parameters.

Channel Assign, Sub Mixer, REC/ PLAY, and MASTER

TRACK STATUS

Pair, Group

Fader, Pan, Play/Rec EQ

ATT, CH ON, Phase, AUX/EFF Send, Rec Send

Effect (all settings including the parameters being edited)

Master Fader, Master EQ, Send Out level, Send Select

All

Solo, Monitor, Cue, drum pattern output assignment, drum pattern volume

2

3

1

1.Mixer setup list

Click the screen to select the mixer setup program you want to use. The list shows the program numbers and program names.

When the D3200 is shipped from the factory, mixer setup pro- grams 1 through 20 are stored as “NoData.” Recalling one of these programs will set the mixer to the same settings as when it is initialized (i.e., when you create a New Song).

 

Counter

Rename

 

METER

 

 

 

 

 

 

 

 

 

 

MIXER

 

 

 

 

 

CH

VIEW

 

 

EFFECT

 

 

 

 

 

 

SEND

 

 

 

 

EQ

 

 

 

 

 

 

PAN

 

 

 

 

 

 

SONG

 

 

 

 

 

 

SYSTEM

/MIDI

 

 

 

TRACK

 

 

 

 

CD

 

 

 

 

 

 

 

 

Reference

 

 

 

 

 

UNDO

 

 

 

 

TUNER

 

 

 

 

 

 

SESSION

DRUMS

 

 

 

STORE

SCENE

 

 

MARK

 

 

 

 

SCRUB

 

 

 

 

 

 

1/IN ...

4/END

 

 

 

LOC

LOC

 

REC/PLAY

MODE

 

 

Transport

keys

 

111

Page 121
Image 121
Korg D3200 owner manual 2g. Mixer Setup, 111, 2f-2. Monitor, 2f-3. Cue Level, Track Status