Korg V2 manual Other new functions

Disk mode

1. “Advanced Conversion Load” for loading AKAI Programs (☞p.48)

In addition to previously supported keymap-related param- eters, version 2.0 also supports parameters such as key groups, key group zones, velocity-switching, oscillators, pitch, filter, amp/pan, and EG. These parameters will be preserved when convert-loading an AKAI program into a TRITON STUDIO program (or programs and combination). This allows AKAI Program files to be reproduced with a more accurately, and to be instantly playable.

2. Edit WAVE function (☞p.45)

WAVE files saved on the internal hard drive (or an external drive), can now be edited on the TRITON STUDIO. WAVE files copied from a sample CD, ripped from an audio CD, or sampled on the TRITON STUDIO can be edited directly without the need for loading into RAM.

In addition to basic editing commands such as “Cut,” you can use a variety of operations such as “Time Stretch” and “Transfer WAVE To Track” (placing the data on one of the sequencer’s audio tracks).

3. KARMA Music Workstation and TRITON Le

.PCG/.SNG files compatibility (☞p.54)

Sound data (.PCG files) and song data (.SNG files) from the KARMA Music Workstation (versions 1.0 and 2.0) and TRI- TON Le can now be loaded into the TRITON STUDIO.

4. “Load PCG (RAM) and Samples” page menu command (☞p.49)

This new command loads only the programs and drum kits that use RAM samples, and the songs and combinations that use those programs. This allows you to merge sample-based sounds from various .PCG files to a single bank. This also provides an efficient way to load KORG TRITON format sample data from CD libraries available from third party vendors.

5. “Collect Audio Track File” page menu command (☞p.52)

This command moves or copies the WAVE file created by the HD Audio Track function to the same folder level as the

.SNG file (song data). This makes it easy to manage data when backing up to external media such as CD.

6. “Optimize Media” page menu command (☞p.51)

This command creates improves the performance and access time of HD Audio recording, by creating large continuous open areas of free space on MS-DOS formatted media.

Global mode

1. “SCSI Mode” parameter (☞p.56)

A “SCSI Mode” parameter has been added.

You can now assign a SCSI ID to the TRITON STUDIO’s internal hard disk so that it can be recognized by an external computer. This makes it easy to exchange data with an external computer.

2. Foot Switch Assign (☞p.57)

You can now use a foot switch to control the tap tempo func- tion; and in Song Play mode to Start and Stop SMF play- back.

Other new functions

1. Tap tempo control (☞p.70)

The front panel [ENTER] key can be used to control tap tempo. By lightly pressing the key at the desired tempo, you can control the arpeggiator, sequencer, or SMF playback tempo in realtime. You can also use a foot switch connected to the rear panel ASSIGNABLE FOOT SWITCH jack to con- trol tap tempo.

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