Korg V2 manual In-Track Sampling, Performing in-track sampling, Listen to the sampled data

If “Convert to Program” is not checked, you can listen to the sample by selecting and playing it in Sampling mode.

3. In-Track Sampling

The In-Track Sampling function samples an external audio signal from AUDIO INPUT etc. into sample memory (RAM) in synchronization with song playback, and also automati- cally creates note data in a MIDI track. The sampled audio data can easily be played from the MIDI track or edited. (☞BG p.115)

The “In-Track Sampling” radio button automatically makes the appropriate settings for this function.

Use INDIV. 1/2 OUT to monitor the audio signal being recorded. Connect the AUDIO OUTPUT MAIN L, R, INDIV1, and 2 jacks to your mixer so that you can mon- itor the output.

■Setup

1Select “Auto Sampling/HD Audio Setup” to open the dialog box.

2Use the radio buttons to select In-Track Sampling.

3In “Source Audio,” select the external audio input source.

Analog: Selects the analog audio signal from a musical instrument or other device connected to the AUDIO INPUT 1 and AUDIO INPUT 2 jacks.

S/P DIF: Selects the digital audio signal from an instru- ment or DAT deck etc. connected to the S/P DIF jack. mLAN: Selects the digital audio signal from an instru- ment etc. connected to the mLAN connector (if the optional EXB-mLAN is installed). (☞PG p.4, PG p.56 “Input”)

If “Source Audio” is set to S/P DIF or mLAN, set “Sys- tem Clock” (Global P0: 0–2a☞PG p.138) to the appro- priate system clock setting.

4Use “Mono-1/Mono-2/Stereo”to specify the mono/ste- reo status of the input source. (☞PG p.4, PG p.56) Mono-1:Use Input 1.

Mono-2:Use Input 2.

Stereo: Use Input 1 and 2 in stereo.

5Use “To” to select the MIDI track that will be used for in- track sampling. Note data will automatically be created in the MIDI track you select.

6Use “Program” to specify the program that will be cre- ated. After sampling, a new multisample will automati- cally be created, and the sampled data will be converted into a program.

7Press the OK button to execute “Auto Sampling/HD Audio Setup.” If you decide to cancel, press the Cancel button. (For the automatically-set parameters and their values, refer to p.32. For an example of using the auto- matically-set parameters ☞BG p.115)

■Performing in-track sampling

8Use “Location” to specify the playback location of the song.

9Press the SAMPLING [REC] key. (Sampling-standby)

0Press the SEQUENCER [START/STOP] key.

AAt the moment you want to start sampling, press the SAMPLING [START/STOP] key.

BPlay the instrument or other source you connected to the AUDIO INPUT jack selected in “Source Audio.”

CWhen you are finished playing, press the SAMPLING [START/STOP] key. (Only sampling will stop.) Alterna- tively, press the SEQUENCER [START/STOP] key. (Song playback and sampling will both stop.)

If you want to continue sampling while the song plays, turn the Global P0: Input/Sampling “Auto Optimize RAM” setting Off. (☞PG p.140)

If you set “Save to” to RAM (Convert to Program) and continue sampling without changing the settings, the samples will be automatically assigned to C#2, D2, ...

■Listen to the sampled data

•Move the “Location” back, and press the SEQUENCER [START/STOP] key to play back the song.

•Use “Track Select” (0–1a ☞PG p.50) to select the track specified in “To” (step 5), and play the C2 note of the keyboard.

If you want to apply an insert effect to the input source, go to the Sequencer P0: Play/REC Sampling/HD Audio page and set Input 1, 2 “Bus (IFX/Indiv.) Select” to IFX1–IFX5. Set the “BUS Select” following that insert effect to 1/2.

If you set “Trigger” (0–7b ☞PG p.56) to Threshold, sampling will begin when the input level exceeds the specified value. (☞BG p.115)

Use the page menu command “Select Bank & Smpl No.” (0–7A ☞PG p.56) to select the sampling-destina- tion sample memory (RAM).

Sequencer

29