Korg V2 manual Recording exclusive messages received from the TRITON-Rack

2.Recording exclusive messages received from the TRITON-Rack

Here’s how you can connect the TRITON STUDIO and a TRITON-Rack via MIDI, and use the TRITON STUDIO to record exclusive messages received from the TRITON-Rack.

1Connect the TRITON-Rack’s MIDI connectors (IN/OUT) to the TRITON STUDIO’s MIDI connectors (OUT/IN). On each TRITON, go to the Global mode MIDI Filter set- tings and check the Exclusive parameter. TRITON-Rack: GLOBAL 2.1: MIDI, MIDI Filter (☞PG p.112)

TRITON STUDIO: Global P1: MIDI, MIDI Filter (☞PG p.144)

2On the TRITON-Rack, enter Program mode and select program A000: Noisy Stabber.

3On the TRITON STUDIO, enter Sequencer mode. In “Song Select,” create a new song. (☞PG p.50)

4In “Track Select,” choose Track 01 and begin recording.

5On the TRITON-Rack, edit the “PROG P1.1 Arp.Play: Pattern” parameters.

6Stop recording.

7On the TRITON STUDIO, select the Sequencer P5: Track Edit page menu command “Event Edit.” In the Set Event Filters dialog box, check Exclusive and press the OK button.

Event indication

Location

Each exclusive message is recorded at the location in the song where it began being received.

8When you play back on the TRITON STUDIO, the changes you made in step 5 will be reproduced on the TRITON-Rack.

Exclusive messages that can be realtime-recorded

The following exclusive messages can be realtime recorded.

•Exclusive messages received from an external MIDI device

•Parameter changes in Sequencer mode (see table below)

•Master Volume universal exclusive messages assigned to the foot pedal or a knob

Sequencer

Parameter change messages that you can realtime-record in Sequencer mode

Front panel/Page		Parameter
Front panel	ARPEGGIATOR	[ON/OFF] key, [GATE] knob, [VELOCITY] knob
	REALTIME CONTROLS	[REALTIME CONTROLS] key
	Prog. 1-8/9-16	*1
		“Category,” “Program Select,” “PLAY/MUTE/REC,” “SOLO ON/OFF”
P0: Play/REC	Mixer 1-8/9-16	“Pan,” “Volume”
	Sampling/HDAudio	“Pan,” “Volume,” “BUS,” “Send1,” “Send2,” “PLAY/MUTE,” “SOLO ON/OFF”
	OSC 1-8/9-16	“Force OSC Mode,” “OSC Select,” “Portamento”
P2: Trk Param	Pitch 1-8/9-16	“Transpose,” “Detune,” “Bend Range”
	Other 1-8/9-16	“Delay,” “Use Program’s Scale,” “Type,” “Key,” “Random”
P4: Zone/Ctrl	Controller	“SW1,” “SW1 Mode,” “SW2,” “SW2 Mode,” “Knob 1-B”...“Knob 4-B”
	MOSS 1-8/9-16	“Voice Allocation Reserve,” “Reference Track”
	Tone1.2 1-8/9-16
P5: Track Edit	Tone3.4 1-8/9-16	“Destination,” “Value”
	Tone5.6 1-8/9-16
	Setup 1-8/9-16	“Arpeggiator Assign,” “Arpeggiator Run A, B”
P7: Arpeggiator	Arpegg. A/B	“Pattern,” “Octave,” “Resolution,” “Gate,” “Velocity,” “Swing,” “Sort,” “Latch,” “Key Sync.,”	“Keyboard”
	Scan Zone	“Top Key,” “Bottom Key,” “Top Velocity,” “Bottom Velocity”
	Routing 1-8/9-16	“BUS Select,” “Send1,” “Send2”
P8: Insert Effect	Insert FX	“IFX1”...“IFX5,” “IFX1 On/Off”...“IFX5 On/Off,” “Chain,” “Pan,” “BUS Sel.,” “Send1,” “Send2”
	IFX 1/2/3/4/5	All effect parameters
	Master FX	“MFX 1,” “MFX 2,” “MFX1 On/Off,” “MFX2 On/Off,” “Chain,” “Chain Direction,” “Chain Signal,”	“Chain
		Level,” “Return 1, “Return 2,” “Low,” “Mid,” “High”
P9: Master Effect
	MFX 1/2	All effect parameters
	Master EQ	“Low Cutoff,” “Mid Cutoff,” “Q,” “High Cutoff,” “Gain,” “Low Gain Mod-Src,” “High Gain Mod-Src,” “Ctrl
		Ch”

*1: “SOLO ON/OFF” is always controlled by events in the track, regardless of the play/mute status of that track.

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