AKG Acoustics WMS 400 user manual Setting Up, Transmitter Battery, Side by Side, To a Mixer

Page 28

3 Setting Up

Important! Prior to setting up your WMS 400, check that the transmitter and receiver are tuned to the same frequency, referring to sections 3.8 and 3.9.

3.1Inserting the 1. Open the battery compartment cover (1).

Transmitter Battery 2.

Insert the supplied battery (2) into the battery compartment, aligning the battery with the polarity sym-

Refer to fig. 5 on pages iii and iv.

bols.

 

 

If you insert the battery the wrong way, the transmitter will not be powered.

3.

Close the battery compartment cover (1).

 

 

 

Note:

 

Alternatively to the supplied dry battery, you may use a commercial 1.2 V AA size, 2100 mAh

 

 

rechargeable battery.

 

 

 

3.2Positioning the Receiver Reflections off metal parts, walls, ceilings, etc. or the shadow effects of musicians and other people may weaken or cancel the direct transmitter signal.

For best results, place the receiver or remote antennas as follows:

1.Place the receiver/antennas near the performance area (stage). Make sure, though, that the transmit- ter will never get any closer to the receiver than 10 ft (3 m). Optimum separation is 16 ft. (5 m).

2.Check that you can see the receiver from where you will be using the transmitter.

3.Place the receiver at least 5 ft. (1.5 m) away from any big metal objects, walls, scaffolding, ceilings, etc.

Note: You can either use the receiver freestanding or mount it in a 19" rack using the supplied RMU 400 rack mounting kit.

3.3Rack Mounting If you install one or ore receivers into a 19" rack, either mount the supplied antennas on the receiver front panel(s) or use remote antennas. This is the only way to ensure optimum reception quality.

3.3.1Single Receiver 1. Unscrew the four rubber feet (1) from the receiver bottom panel.

Refer to fig. 6 on page v. 2. Unscrew the two fixing screws (2) from each side panel.

3.Use the fixing screws (2) to screw the short bracket 3 to one side panel and the long bracket (4) to the other side panel. The brackets are contained in the supplied rack mounting kit.

4.Install the receiver in your rack.

3.3.2Two Receivers 1. Unscrew the four rubber feet (1) from each receiver's bottom panel and remove the screws (5) from

Side by Side

the rubber feet (1).

Refer to fig. 7 on page v.

2. Unscrew the two fixing screws (2) from the right-hand side panel of one receiver and from the left-

 

hand side panel of the other receiver.

3.Remove the plastic covers 3 from the side panels with the fixing screws (2) still on.

4.Insert one connecting strip (4) into each free slot in the side panel of the first receiver, making sure to align the hole in each connecting strip 4 with the appropriate threaded hole in the receiver bottom panel.

5.Fix the connecting strips (4) on the first receiver using the screws (5) you removed from the rubber feet.

6.To join the two receivers, slide the connecting strips (4) on the first receiver through the free slots in the side panel of the second receiver. Make sure to align the hole in each connecting strip (4) with the appropriate threaded hole in the bottom panel of the second receiver.

7.Fix the connecting strips (4) on the second receiver using the screws (5) you removed from the rub- ber feet (1).

8.Screw a short bracket (6) to the outer side panel of each receiver using for each bracket two of the screws (2) you removed from the receiver side panels.

9.Install the receivers in your rack.

Note: Be sure to keep the remaining screws (5) for later use.

3.4Connecting the Receiver Connect the audio output to the desired input:

to a Mixer

-

BALANCED socket (1)

- XLR cable - microphone input: set output level switch (2) to "-30 dB".

Refer to fig. 8 on page ii.

-

BALANCED socket (1)

- XLR cable - line input: set output level switch (2) to "0 dB".

-UNBALANCED jack (3) - 1/4" jack cable - unbalanced 1/4" microphone or line input jack.

3.5Connecting the Receiver 1. Check that the AC mains voltage stated on the included power supply is identical to the AC

to Power mains voltage available where you will use your system. Using the power supply with a differ-

Refer to fig. 9 on page ii. ent AC voltage may cause damage to the unit.

2.Plug the feeder cable (1) on the included power supply into the DC IN socket (2) on the receiver rear panel and screw down the DC connector (3).

3.Plug the power cable on the power supply into a convenient power outlet.

3.6Powering Up the Receiver In the display illustrations in the following sections, flashing characters are identified by angle symbols Note: ">" and "<". Characters between quotation marks are examples of possible settings.

The following symbols are used in Diagrams 1-14:

press and hold

press

briefly

press

or

briefly

Refer to fig. 1 on page ii. 1. Press the front panel POWER switch to switch power to the receiver ON.

Pressing POWER automatically places the receiver in Lock mode, and the display will indicate the cur- rently active frequency and the "LOCK" label as shown in the screenshot on the next page.

22

WMS 400 V 1.10

Image 28
Contents WMS WMS Iii WMS WMS 400 V ≈10cm Vii Sicherheit und Umwelt InhaltsverzeichnisWichtiger Hinweis Beschreibung OderMKG/L MK PSNur im SETUP-Modus Im LOCK-ModusInbetriebnahme Mischpult anschließen Auto NamePRG Rehear Extra Auto GroupFreq ChannelPRG IR Save N FreqName Diane Jiane Save Y Save N DeleteTRA Name Extra Joanie DianeTxgain TXG HI 2Eingangsempfindlichkeit des HandsendersPRG IR IR OK IR ERR Txband Retry Rhsl Rehear Rhsl StartRecord Rhsl MIN RFBetriebshinweise Extra X-TRA Name BENExtra TRA BAT.ON X-TRA AF.ON X-TRA RF.ON X-TRAPV 1.0 Preset-Version SQL InfoFrequenzband Wenn Sie von on auf MUTE/PRG geschaltet habenReinigung Fehlerbehebung ERR.SYSERR.PRE ERR.USRNur Sender Fehlermeldungen Mögliche Ursache Behebung Technische DatenChArGE Table of Contents Safety and Environment DescriptionRMU 400 19 rack mounting kit ID Set MKG L instrument cableOptional Accessories CU 400 charger Lock modeSetup mode only SRA 2 B RA 4000 BRear Panel Audio OutputsBottom Panel HT 400 Handheld Transmitter PT 400 BodypackSetting Up Transmitter BatterySide by Side To a MixerSetting Up the Receiver Setup Mode PRG Rehear Extra Auto GroupAT 3.0 750.000 Name Group Channel Save Y Freq PRG IR Save N FreqMHz Screen 750.000 Freq MHz Sec 750.000 MHzName Joanie Name DianeRhsl Record Rehear RhslList of results TRA Save Y Save N Extra Setting the Squelch ThresholdMultichannel Systems Operating Notes Auto Channel NameChannel Scan Exit Auto ChannelExtra Functions V1.1 firmware version PV 1.0 Preset versionMuting the Microphone Cleaning Troubleshooting Error MessagesProblem Remedy OnlySpecifications THDPrésent mode d’emploi, il se Table des matièresSécurité et environnement Remarque importanteUHF MKG LEn mode Setup seulement En mode LockOK vert -40 à +3 dB Panneau inférieur Émetteur à main HT 400 Voir la de la Mise en serviceÉmetteur de poche PT 400 Voir la de la De mixage Remarque possiblesMode Lock Réglage du récepteur Mode Setup RemarqueDiagramme 2 assignation des 1 Sélection d’une gamme de fréquences Auto Group SetupPreset 3Réglage de la fréquence Menu MHz 2Réglage de la fréquence menu Preset AT 3.0Save Y Save N Tionnée et le symbole « Prg IR ». Le Modification duNom du récepteur Save N ne pas sauvegarder’émetteur à main Sensibilité d’entrée dePlacez le commutateur ON-MUTE Liste des résultats Record Rhsl MIN RF10.2 Réglage du squelch atténuation des Bruits de fond Conseils d’utilisation Fonctions avancées NOMExit TRA Si vous avez commuté de «ON» à « MUTE/PRG »Nettoyage ON-MUTE-OFF/PRGDéfauts et remèdes Défaut Pas de sonErr.RF Cause possible RemèdeCaractéristiques techniques Emetteur seulement Messages d’erreurs Panne RemèdeSicurezza ed ambiente IndiceAvvertenza importante Descrizione Sicurezza ed ambienbteOppure Solo nel modo Setup Elementi di comando Lato anterioreUscite audio Vedi a pagina Lato inferiore Nel modo LockMessa in esercizio Ricevitori uno accanto all’altro Modo Setup Come regolare il gruppo delle frequenze Auto Group SetupModo Lock NomeGroup Channel Delete cancellare Come cambiare il nome del ricevitore AvvertenzaCome regolare il trasmettitore Avvertenza Per programmare il trasmettitore sullaInserite il ricevitore Lista dei risultati MIN RF Ovfl RhslCome regolare lo squelch Diagramma 11 Come scegliere i menù AT 3.0 Modo SetupIstruzioni per luso Diagramma 12 Come immettere un nuovo nome per il ricevitore Funzioni specialiPV 1.0 Versione preset Versione firmware50Gamma delle frequenze Se siete passati da OFF a MUTE/PRGPulizia Eliminazione di difetti Errori RimediERR.IR Solo trasmettitore Annunci errori Errori Rimedi Dati tecniciSeguridad y medio ambiente ¡Nota importanteDescripción RMU Juego ID Pila tamañoBien Clavija termi- nal Elementos incluidos en el suministroSólo en el modo Setup En el modo LockPuesta en servicio Transmisor manual HT 400 Véase en la páginaNota Ubicación del receptorPupitre de mezclas Regular el receptor Regular el grupo deFrecuencias Retry repetir Save Y guardar Save N no guardar2Regular la frecuencia menú Preset AT 3.0 Preset 3Ajustar la frecuencia menú MHzName Group Save Y guardar Save N no guardarPRG-OFF Sensibilidad de entrada TxgainDel transmisor manual PRG-OFF 19 en MUTE/PRG. ElLista de resultados Regular el silenciador squelchInstrucciones de manejo Retry ExitSave Y guardar Save N no guardar Delete borrar Versión de firmware PV 1.0 versión de preajusteMicrófono en mudo Si ha conmutado de OFF a MUTE/PRG Si ha conmutado de on a MUTE/PRGLimpieza Solución de errores Transmisor Mensajes de error Error Solución Datos técnicosSegurança e meio ambiente ÍndiceAviso importante Apresentação RMU Set IDSet de código de cores Acessórios opcionaisNo modo Lock Só no modo SetupOK verde -40 a +3 dB Operação Emissor de mão HT 400 Veja na páginaEmissor de bolso PT 400 Veja na página Importante Colocar a pila/o acumula- dor no emissorMesa de mixagem Ajustar o receptor modo Setup Aviso Ajustar o grupo deFreqüências Save Y armazenarPreset 3Ajustar a freqüência menu MHz Alterar o nome Do receptorSave N não armazenar Delete eliminar2Sensibilidade de entrada do emissor de mão Ajustar o squelch Instruções para o uso No submenu Name pode atribuir um Nome ao receptor se não tiver armazeNado um nome anteriormente Delete eliminar 3 Funções especiaisVersão firmware PV 1.0 versão presetSe tiver comutado de on para MUTE/PRG Limpeza ON-MUTE-OFFResolução de problemas Problema Não tem somCausa possível Como resolver o problema Problema Resolver o problemaEspecificações AKG ACOUSTICS, U.S
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WMS 400 specifications

AKG Acoustics has long been recognized as a premier brand in the professional audio industry, particularly in the realm of wireless microphone systems. Among its celebrated offerings, the WMS 4000, WMS 400, and WMS 40 series stand out for their advanced technology and robust performance, catering to a range of applications from live performances to studio recordings.

Starting with the WMS 4000, this system is engineered for versatility and reliability. It features a sophisticated transmission diversity system that minimizes dropouts and ensures clear audio quality. The WMS 4000 offers an extensive frequency range, accommodating diverse environments and frequencies. A standout feature is its digital pilot tone, which automatically mutes the transmitter when it is switched off, effectively preventing unwanted noise during transitions. With a range of up to 300 meters, the WMS 4000 is ideal for large venues, allowing performers ample space to move without compromising sound quality.

Next, the WMS 400 series maintains the high standards set by its predecessor while providing a more accessible option for mid-level performers. It combines ease of use with quality audio performance, boasting a user-friendly interface that simplifies setup and operation. The WMS 400 employs an efficient frequency management system, which automatically scans the environment to select the best frequencies available, ensuring optimal performance with minimal interference. The system also features a rugged metal chassis, enhancing durability for live applications.

The WMS 40 series serves as an entry-level solution, perfect for beginners and small venues. It is lightweight and features a straightforward design, making it easy to operate for users without extensive technical knowledge. One of its most notable characteristics is its plug-and-play functionality, allowing for quick setup without complicated configurations. The WMS 40 series also offers excellent sound quality through its crystal-clear audio transmission and robust reception, making it a popular choice for schools, theaters, and small events.

All of these systems benefit from AKG's heritage in sound engineering, incorporating advanced audio processing technologies that ensure superior sound fidelity. They also come with a variety of microphone options, including handheld, lavalier, and headworn microphones, providing flexibility to meet different performance needs. Whether for a professional stage or an intimate setting, the AKG WMS series delivers outstanding performance, reliability, and user-friendly features that cater to a wide range of audio applications.