Monitor: Parameters and settings

Here you can select the audio signals that will be output from the monitor output ([MONITOR OUT L/R] jacks) and headphone output ([PHONES] jack).

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1. MasterLR ..........................................................

Sends the master LR bus to the monitor output. Normally you will select this.

On: Send the signal to monitor output.

Off: Don’t send the signal to monitor output.

2. Solo .................................................................

If even one signal is turned “On” in the “Solo” tab page, this will be selected automatically. It will not be possible to select “MasterLR” or “Cue.” If you want to select these, you must first turn “Off” all soloed signals in the “Solo” tab page.

On: Send the signal to monitor output.

Off: Don’t send the signal to monitor output.

3. Rhythm.............................................................

Selects the bus to which the rhythm sound will be sent. On: Send the rhythm to the monitor LR bus. Choose this setting when you want to output the track audio from the [MASTER OUT L/R] jacks, and listen to the rhythm only through headphones, such as during a live performance.

Off: Send the rhythm to the master LR bus. If you choose this “Off” setting during bounce record- ing, the rhythm will be recorded.

If you turn the “Rhythm” setting “Off” in the [RHYTHM] “SetUp” tab page, the rhythm sound will not be sent to any bus, regardless of this setting.

4. Cue ..................................................................

Sends the channels specified by the “Level” settings to the monitor output. During recording, you can use this to adjust the monitor volume and pan for comfortable listening without affecting the recording level.

On: Send the signal to monitor output.

Off: Don’t send the signal to monitor out- put.

5. Level (Cue Level)................................................

Adjusts the level and pan for each mixer channel when “Cue” is turned “On.”

Press the “Level” button to open the “Cue settings” dialog box and make settings.

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5a. Pan(Ch1D6)/Balance(Ch7D12).....................[L63...CNT...R63]

Adjusts the pan or balance at which the cue signal from each channel will be sent to the monitor output.

5b. Cue ...........................................

[000...100]

Adjusts the volume at which the cue signal from each channel will be sent to the monitor output.

6. AutoIn .................................................

[On, Off]

Specifies whether mixer channels whose [TRACK STA- TUS] is REC will monitor the external source assigned in the “Input” tab page, or the playback of the track.

On: Mixer channels whose [TRACK STATUS] is REC will monitor the external input assigned in the “Input” tab page when the track is recording or stopped, and will monitor the playback of the track when the track is playing.

Off: Mixer channels whose [TRACK STATUS] is REC will always monitor the external input.

Phase: Specify the phase of the mixer channels

Here you can invert the phase of each channel. This applies to playback tracks. If audio equipment whose hot and cold pins were reversed have been recorded in stereo, you may experience problems such as an unstable stereo image or cancellation. You can correct such situations by inverting the phase of the signal.

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1. Phase .......................................................

[N, R]

N (Normal Phase): The phase of this channel will not be inverted. Normally you will use the “N” setting.

R (Reverse Phase): The phase of this channel will be inverted.

2. Pair ..................................................................

Specifies pairing for adjacent mixer channels. (→ p.38, 86)

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