Operation

• Select the “EditCntrl Icon” button, and press the

[ENTER] key to open the “ControlDevice” dialogModeling mode box.

•Select “Param,” and turn the [VALUE] dial to select the parameter that you want to control.

•Turn the [VALUE] dial to set “Max” to the maximum value and “Min” to the minimum value.

•When you have finished making settings, press the [YES/OK] key.

•In the “Effect Algorithm” dialog box, press the [YES/ OK] key.

If you want to save these settings, save them as described on p.44.

6Now you can operate the expression pedal or external MIDI controller to control the effect.

The D1200 provides a Modeling mode that makes it easy for you to record using Korg’s ToneWorks REMS effects. Dedicated knobs allow you to control the modeling effects as easily as if you were using hardware devices. Refer to “What is REMS?” (→ p.6)

In Modeling mode, tracks 1 and 2 are automatically selected and their [TRACK STATUS] is set to REC (lit red). You can begin recording immediately, simply by pressing the [REC] key and then the [PLAY] key.

When you overdub, be sure to record to different tracks so you don’t erase anything you had already recorded. Set the [TRACK STATUS] keys of the overdub tracks to REC (red).

If you want to record in monaural, set only one track to a [TRACK STATUS] of REC (red).

The D1200 remembers the last state of Modeling mode even when the power is turned off, and will be available when you turn the power on again.

A modeling effect you edit cannot be saved as an effect program as it is. Edited Modeling effects must be saved as an insert effect user program. (→ p.46)

6. Using an external effect

You can take the Send signal from the [AUX OUT] jack and run it through an external effect processor. The output of the external effect can then be connected to the [INPUT 1]–[IN- PUT 4] jacks, and returned to the mixer channels or to the master LR bus.

Sending the playback sound to an external effect, and using [INPUT 3] and [INPUT 4] jacks to return it to the master LR bus

1Connect the D1200’s [AUX OUT] jack to the INPUT jack of the external effect, and connect the OUTPUT jacks of the external effect to the D1200’s [INPUT 3] jack and [INPUT 4] jack.

2Set the send levels for each channel.

•Access the [MASTER EFFECT/AUX SEND] “Aux- Send” tab page.

•Select “Aux” for the channel(s) that you want to send to the external effect, and use the [VALUE] dial to adjust the send level.

3Return the audio signal from the external effect unit.

•Access the [INPUT/OUTPUT/SOLO] “Ch1–6” or “Ch7–12” tab page.

•Select the “SubIn” button, and press the [ENTER] key to open the dialog box. Use the “In3–4” “Fader”

to adjust the return level, and “Balance” to adjust the return balance. (→ p.67, 98)

1. Applying a modeling effect to your guitar

The D1200 provides various modeling effects for use with a guitar, including simulations of distortion-type effect devic- es, amp heads, and speaker cabinets.

1Press the [MODELING] key, move the cursor to “Gui- tar” in the left of the screen, and press the [ENTER] key or the [YES/OK] key to enter the guitar modeling effect screen.

2

3

5

4

2Select a distortion-type effect.

Of the three knobs located below the display, turn the left knob “DRIVE” to select one of the ten distortion- type modeling effects.

3Select a pre-amp tone.

Turn the center knob (TONE) to adjust the tone of the vacuum tube premp model. Vacuum tubes add a unique non linear distortion that modifies the overtone struc- ture of the sound.

4Select the cabinet.

Turn the right knob (CABINET) to choose one of eleven cabinet types.

5Edit the effect parameters.

Move the cursor to “DRIVE,” “TONE,” or “CABINET” in the display, and press the [ENTER] key to access a screen where you can edit the parameters of the corre- sponding effect.

45