Korg D1200 Treml, Delay, S.Dly, Pitch, MicSim

Effect Parameter List

Mix (Wet/Dry) ...–Wet...–1:99, Dry, 1:99...Wet Sets the balance between the effect and dry sounds

:Output Mode

When this is set to “Invert,” the phase will be inverted for the right channel of the chorus/ﬂanger to create a simulated stereo effect, producing a more spacious feeling.

Treml (Tremolo)

LFO (LFO Waveform)	........ TRI, SIN, Vintage,	Selects LFO Waveform
	Up, Down
Shape (LFO Shape) ....................	–100...+100	Determines how much the LFO wave-
		form is changed
*Speed (LFO Frequency [Hz]).... 0.02...20.0Hz		Sets the LFO speed
*Depth (Depth) ......................................	0...100	Sets the depth of LFO modulation
Mix (Wet/Dry) ................	Dry, 1:99...99:1, Wet	Sets the balance between the effect and
		dry sounds

Phaser

LFO (LFO Waveform) .......................	TRI, SIN		Selects LFO Waveform
*Speed (LFO Frequency [Hz])....	0.02...20.0Hz		Sets the LFO speed
Manual (Manual)..................................	0...	100	Sets the frequency to which the effect is
			applied
*Depth (Depth) ......................................	0...	100	Sets the depth of LFO modulation
Reso (Resonance) ......................	–100...	+100	Sets the resonance amount
Mix (Wet/Dry) ...–Wet...–1:99, Dry, 1:99...		Wet	Sets the phaser effect balance

Delay

This effect generates a time-delayed copy of the input signal. This effect is mono-in/stereo-out.

DTime (Delay Time)........................	1...680ms		Sets the delay time
Fdback (FeedBack) .....................	–100...	+100	Sets the feedback amount
HiDamp (High Damp) ..........................	0...	100	Sets the high-frequency attenuation of
			the feedback
LoDamp (Low Damp) ..........................	0...	100	Sets the low-frequency attenuation of the
			feedback
Mix (Wet/Dry) ................	Dry, 1:99...99:1, Wet		Sets the balance between the effect and
			dry sounds

S.Dly (Stereo Delay)

This is a variation of “Delay” that allows two channels of simultaneous input. The parameters are the same as for “Delay.”

Pitch (Pitch shifter)

This effect shifts the pitch of the input signal. You can choose from three types: fast response, minimum tonal change, and a setting between these two. Since a delay with feedback is also provided, you can create special effects in which the pitch progressively steps upward (or downward).

Mode (Mode) ...................	Slow, Medium, Fast					Switches Pitch Shifter mode
*Pitch (Pitch Shift [1/2tone]) ..............			–24...		+24	Sets the pitch shift amount in steps of a
						semitone
Fine (Fine [cent]) .......................		–100...		+100c		Sets the pitch shift amount in steps of
						one cent
DTime (Delay Time [msec]) ............			0...	500ms		Sets the delay time
FbSel (Feedback Position Select) ...			Pre, Post			Switches the feedback connection
Fdback (Feedback)......................		–100...			+100	Sets the feedback amount
HiDamp (High Damp [%])....................				0...	100	Sets the damping amount in the high
						range
Mix (Wet/Dry) ................	Dry, 1:99...		99:1, Wet			Sets the balance between the effect and
						dry sounds

: Mode, Fine

If Cntrl is controlling Pitch and you change Modes or the Fine tun- ing, you must once again use Cntrl to readjust the Max and Min parameters.

: Feedback Position Select, : Feedback

When “Feedback Position Select” is set to “Pre,” the output of the pitch shifter will be once again sent back to the pitch shifter. This means that if “Feedback” is raised, the pitch will continue stepping up (or down) each time feedback is repeated.

If “Feedback Position Select” is set to “Post,” the feedback will not pass through the pitch shifter, so that raising “Feedback” will cause the pitch-shifted sound to be repeated without further pitch change.

MicSim (Mic Simulator)

The mic simulator is a modeling effect that can transform a sound recorded on a conventional dynamic mic, giving it the character of a sound that was recorded on an expensive condenser mic, special studio mic, or vintage mic.

InMic (Input Mic Type) .......	Vo.Dy, Mlt.Dy, Line	Selects the mic that was used for record-
		ing
OutMic (Output Mic Type) ......	Vnt.Dy, Mlt.Cn,	Selects the mic to be simulated
	Pc.Cn, Whale,
	Vo.Cn, Vo.Tb,
	BDr.Dy
Set (Setting) .....................	Close, On, Off, Far	Mic setting
Trim (Trim)...........................................	0...100	Sets the adjustment level

: Input Mic Type

Vo.Dy A dynamic mic frequently used for vocals that brings the sound to the forefront and is also resistant to popping and feedback. Mlt.Dy A dynamic mic usable for a wide range of applications including most instruments and vocals, with a crisp and well deﬁned character.

: Output Mic Type

Vnt.Dy A simulation of a vintage mic known for its warm and rich tone, and is ideal for vocals.

Mlt.Cn A simulation of a general-purpose studio condenser mic with a wide range from low to high that is ideal for most instru- ments.

Pc.Cn A simulation of a small condenser mic for instruments. It has a distinctive high range, and is ideal for drum overdubs and for acoustic guitar.

Whale A simulation of a dynamic mic with clarity and a sense of power. Ideal for drum sounds.

Vo.Cn A simulation of a standard studio condenser mic that is ideal for vocals, acoustic instruments, and narrations.

Vo.Tb A simulation of a vintage tube mic that is ideal for vocals. BDr.Dy A simulation of a fairly large dynamic mic that is ideal for bass drum sounds etc. that include the sense of air pressure characteristic of a close-mic recording.

: Set

This switches the location of the mic. “Close” or “On” settings will simulate the proximity effect that boosts the low range, so you will need to use “Trim” to adjust the overall level.

Insert (2in2outx2)/	Master/Final Effect


(2in2outx2),	Final
Insert


Insert I )(1in2outx2)


Insert (1in1outx4)


Insert (1in1outx8)


Effect Control


effects

: Mode

This switches the operating mode of the pitch shifter. “Slow” will produce the least tonal change. “Fast” will provide the fastest response. “Medium” is between these two. It is best to use “Fast” when only a small amount of pitch shift is needed, and “Slow” when you wish to shift the pitch by a large amount.

Modeling

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