Effect Parameter List
With “indivi”, the left and right channels control the Limiter indi- vidually.
: Ratio, : Threshold [dB], : Gain Adjust [dB]
This parameter sets the signal compression “Ratio”. Compression is applied only when the signal level exceeds the “Threshold” value. In the case of the limiter, applying compression will lower the overall level, so you should use “Gain Adjust” to make adjustments.
: Attack, : Release
These parameters set the attack time and release time. A higher attack time will cause the compression to be applied more slowly.
:Side PEQ Insert, : Side PEQ Cutoff [Hz], : Q, : Gain [dB]
These parameters are used to set the EQ applied to the trigger sig- nal.
The Limiter determines whether the compression is applied or not, based on the
:Trigger Monitor
: Polarity
This parameter reverses the Gate on/off operation. With a negative value, the gate is closed when the input signal level exceeds the Threshold.
: Attack, : Release
The Attack and Release parameters set the Gate attack time and release time.
: Delay Time
This parameter sets the delay time of the Gate input. If the sound has a very fast attack, increase the delay time so that the signal will be input after the Gate is opened.
25: DY5: St.Exciter/Enhancer
(Stereo Exciter/Enhancer)
This effect is a combination of the Exciter, which adds a punch to the sound and the Enhancer, which adds spread and pres- ence.
Setting this parameter “On” will cause the trigger signal to be out- put, instead of the effect sound. Use this parameter to check the trigger signal with EQ applied.
Usually, set this to “Off.”
23: DY3: Multiband Limiter
This effect applies the Limiter to the low range, mid range, and high range of the input signal. You can control dynamics for each range to adjust the sound pressure of the low range, mid range, and high range in a different way from the EQ.
Ratio (Ratio) ..................... | 1.0:1...50.0:1, Inf:1 | Sets the signal compression ratio | |
Thrshl (Threshold [dB])................... | 0dB | Sets the level above which the compres- | |
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Attack (Attack) ..................................... | 1... | 100 | Sets the attack time |
Relse (Release)................................... | 1... | 100 | Sets the release time |
Blend (Exciter Blend) .................. | +100 | |||
Empha (Emphatic Point) ..................... |
| 0... | 140 | |
LDly (Enhancer Dly L [msec]) .... | 0.0 | ...50.0ms | ||
RDly (Enhancer Dly R [msec]) ... | 0.0 | ...50.0ms | ||
*Depth (Enhancer Depth) ..................... |
| 0... | 100 | |
EQTrim (EQ Trim)................................ |
| 0... | 100 | |
LEQG (Pre LEQ Gain | +15.0dB | |||
HEQG (Pre HEQ Gain | +15.0dB | |||
Mix (Wet/Dry) ................. | Dry, 1:99...99:1, Wet | |||
Sets the intensity (depth) of the Exciter effect
Sets the frequency to be emphasized
Sets the delay time for the Enhancer left channel
Sets the delay time for the Enhancer right channel
Sets the determines to what degree the Enhancer effect is applied
Sets the
Sets the balance between the effect and dry sounds
LoOfst (Low Offset [dB]) | ................. | 0dB | Sets the low range gain of trigger signal |
MdOfst (Mid Offset [dB]) | ................. | 0dB | Sets the mid range gain of trigger signal |
HiOfst (High Offset [dB]) | ................. | 0dB | Sets the high range gain of trigger signal |
GLevel (Gain Adjust [dB])... | Sets the output gain | ||
Mix (Wet/Dry) ................ | Dry, 1:99...99:1, Wet | Sets the balance between the effect and | |
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:Low Offset [dB], : Mid Offset [dB], : High Offset [dB]
These parameters set the gain of the trigger signal.
For example, if you do not want to apply compression to the high range, reduce the “High Offset” value down below the “Threshold” level. In this way, the high range limiter will not respond, and com- pression will not be applied.
: Exciter Blend
This parameter sets the depth (intensity) of the Exciter effect. Positive values give a frequency pattern (to be emphasized) different from negative values.
: Emphatic Point
This parameter sets the frequency to be emphasized. Higher values will emphasize lower frequencies.
: Enhancer Dly L [msec], : Enhancer Dly R [msec]
These parameters set the delay time for the Enhancer left and right channel. Specifying a slightly different delay time for the left and right channel will add a stereo image, depth, and width to the sound.
24:DY4: St.Gate (Stereo Gate)
This effect mutes the input signal if its level is lower than the specified level. It also reverses the on and off operation of the gate, and uses Note On and Off messages to turn the gate on and off.
Envelp (Envelope Select) ...... | L/RMix, L Only, | Selects from Control via the modulation | ||
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| R Only | source, mixing the left and right signals, | |
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| Only left, and Only right |
Polrty (Polarity) ......................................... |
| +, – | Switches between | |
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| reversed Gate on/off |
Thrshl (Threshold) ............................... | 0 | ...100 | Sets the level to which the Gate is | |
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Attack (Attack) ..................................... | 1 | ...100 | Sets the attack time | |
Relse (Release)................................... | 1 | ...100 | Sets the release time | |
DTime (Delay Time [msec]) ............ | 0...100ms | Sets the delay time of the gate input | ||
Mix (Wet/Dry) ................ | Dry, 1:99...99:1, Wet | Sets the balance between the effect and | ||
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With “Envelope Select” = “L/R Mix,” the left and right channel signal mixture will trigger the gate on/off. When “L Only” or “R Only” is selected, the gate is controlled by either of the channel sig- nals.
26:DY6: St.Decimator (Stereo Decimator)
This effect creates a rough sound like a cheap sampler by lowering the sampling frequency and data bit length. You can also simulate noise unique to a sampler (aliasing).
LPF (Pre LPF)..................................... | Off, On | Selects whether the harmonic noise | ||
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| quency is generated or not |
Fs (Sampling Frequency [Hz]) | .....1.0k... | 44.1k | Sets the sampling frequency | |
Bit (Resolution) ..................................... |
| 4...24 | Sets the data bit length | |
Speed (LFO Frequency [Hz]).... | 0.02...20.0Hz | Sets the LFO speed | ||
*Depth (Depth)...................................... | 0 | ...100 | Sets the depth of the sampling frequency | |
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HiDamp (High Damp [%]) ................... | 0... | 100 | Sets the ratio of cut of the high range | |
Level (Output Level)............................ | 0... | 100 | Sets the output level | |
Mix (Wet/Dry) ................. | Dry, 1:99...99:1, Wet | Sets the balance between the effect and | ||
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: Pre LPF
If a sampler with a very low sampling frequency receives very high- pitched sound that could not be heard during playback, it could generate pitch noise that is unrelated to the original sound. Set “Pre LPF” to “On” to prevent this noise from being generated.
If you set the “Sampling Frequency” to about “3kHz” and set “Pre LPF” to “Off,” you can create a sound like a ring modulator.
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