P4EQ (Parametric 4band EQ)

Fc1 (Band1 Cutoff [Hz])

............... 20...

1.0kHz

Sets the center frequency of Band 1

Q1

(Q) .............................................

0.5...

10.0

Sets the bandwidth of Band 1

G1

(Gain [dB]).............................

–18...

+18dB

Sets the gain of Band 1

Fc2 (Band2 Cutoff [Hz])

............... 50...

5.0kHz

Sets the center frequency of Band 2

Q2

(Q) .............................................

0.5...

10.0

Sets the bandwidth of Band 2

G2

(Gain [dB]).............................

–18...

+18dB

Sets the gain of Band 2

Fc3 (Band3 Cutoff [Hz])

........... 300...

10.0kHz

Sets the center frequency of Band 3

Q3

(Q) .............................................

0.5...

10.0

Sets the bandwidth of Band 3

G3

(Gain [dB]).............................

–18...

+18dB

Sets the gain of Band 3

Fc4 (Band4 Cutoff [Hz])

........... 500...

20.0kHz

Sets the center frequency of Band 4

Q4

(Q) .............................................

0.5...

10.0

Sets the bandwidth of Band 4

G4

(Gain [dB]).............................

–18...

+18dB

Sets the gain of Band 4

Trim .....................................................

0...

100

Sets the parametric EQ input level

 

 

 

 

 

 

Exctr (Exciter)

Blend (Exciter Blend) ..................

–100

...

+100

Sets the intensity (depth) of the Exciter

 

 

 

 

effect

Empha (Emphatic Point) .....................

0...

140

Sets the frequency range to be empha-

 

 

 

 

sized

EQ Trim ...............................................

0...

100

Sets the EQ input level

LEQG (Pre LEQ Gain [dB]).........

–15...

+15dB

Sets the gain of Low EQ

HEQG (Pre HEQ Gain [dB])........

–15...

+15dB

Sets the gain of High EQ

Wah

This produces a wah effect. It can be controlled using an expression pedal.

FcBtm (Frequency Bottom).................

0...

100

Sets the lower limit of the wah center fre-

 

 

 

quency

FcTop (Frequency Top) .......................

0...

100

Sets the upper limit of the wah center

 

 

 

frequency

*Mode (Sweep Mode)....................

Auto, Pedal

Switches between auto-wah/pedal con-

 

 

 

trol

LFOlvl (LFO Level) .............................

0...

100

Sets the LFO level that is added to con-

 

 

 

trol

*Speed (LFO Frequency [Hz]) ....

0.02...20.0Hz

Sets the LFO speed

Reso (Resonance) ..............................

0...

100

Sets the resonance amount

LPF (LPF) ...........................................

Off, On

Switches the wah low pass filter on and

 

 

 

off

:Mode

If you wish to use an expression pedal to control the Wah, select “Pedal” (→ p.141).

Filter

This is a filter with resonance, whose frequency can be moved by an envelope.

Type (Filter Type).....................

LPF, BPF, HPF

Selects the filter type

Sens (Sensitivity) ................................

0...

100

Sets the sensitivity

Attack (Attack).....................................

1...

100

Sets the attack level

Manual (Manual) .................................

0...

100

Sets the frequency to which the effect is

 

 

 

applied

Reso (Resonance) ..............................

0...

100

Sets the resonance amount

Polrty (Polarity) ........................................

+, –

Sets the polarity

AmpSim (AmpSimulator)

This effect simulates the acoustical characteristics of a guitar amp. Even if you are recording your instrument via a direct line, you can produce a realistic sound as though a guitar amp were actually being used.

Type (Amplifier Type).......................

AMP1...5 Selects the type of guitar amplifier

CabRes (CabinetResonator)

This effect simulates the acoustical characteristics and cabinet resonances of a guitar amp speaker cabinet.

The “AmpSimulator” is ideal for direct recording.

Type (Cabinet Type)

.................. 1

8,

1

10, Selects the type of cabinet

 

1

 

12,

2

12,

 

 

4

10, 4

12

 

Depth...................................................

 

 

0...

100

Sets the depth of the effect

 

 

 

 

 

 

 

Tone

This effect simulates the tone control section of a guitar amp. It allows you to adjust the character of the vacuum tubes.

Bass (Bass) .........................................

0...

100

Sets the low-frequency level

Middle (Middle)....................................

0...

100

Sets the middle-frequency level

Treble (Treble)......................................

0...

100

Sets the high-frequency level

Tube (Tube Type) ...................

SS, 1-99, Burn!

Character of the vacuum tubes in the

 

 

 

power amp section of the guitar amp

 

 

 

 

Cabinet

This effect models the speaker cabinet of a guitar amp.

Type (CabinetType)

.................................... *1

Cabinet type

Air ..........................................................

0-100

Models the effect of the air

Level ......................................................

0-100

Output level

Presnc (Presence)...............................

0...100

High-frequency level

*1: 1x8TW(Tweed), 1x12T(Tweed), 1x12B(Black), 1x12V(Vox), 2x12B(Black), 2x12V(Vox), 2x12C(ClassicA), 4x10T(Tweed), 4x12C(Classic), 4x12V(Vintage), 4x12M(Modern), FullR(FullRange)

Gate

Thrshl (Threshold) ...............................

0...

127

Sets the level at which the effect begins

 

 

 

to apply

Attack (Attack) .....................................

1...

100

Sets the attack time

Relse (Release)...................................

1...

100

Sets the release time

Respo (Response) ..............................

1...

100

Sets the speed at which the effect will

 

 

 

respond to change in the input

 

 

 

 

DeEss (Deesser)

This effect attenuates unwanted sibilants in a vocal signal.

Sense (Sensitivity)...............................

 

0...

100

Sets the sensitivity

Fc (Side Band EQ fc) ...............

500...

20.0kHz

Sets the center frequency of the side

 

 

 

 

 

band EQ

Q (Side Band EQ Q)...........................

 

0.5...

10

Sets the bandwidth of the side band EQ

Gain (Side Band EQ Gain) .........

–18...

+18dB

Sets the gain of the side band EQ

Ratio (Ratio) .....................

1.0:1...

50.0:1, Inf:1

Sets the signal compression ratio

Thrsh (Threshold [dB]) ...................

–40...

0dB

Sets the level above which the compres-

 

 

 

 

 

sor is applied

Attck (Attack) .......................................

 

1...

100

Sets the attack time

Relse (Release)...................................

 

1...

100

Sets the release time

Level (Gain Adjust [dB])......

–Inf, –38...

+24dB

Sets the output gain

 

 

 

 

 

 

Cho/Fl (Chorus/Flanger)

This effect gives a sense of pitch movement and depth to the sound. Adjusting the delay time will change the effect signifi- cantly.

DTime (Delay Time) ..................

0.0...

50.0ms

Sets the delay time

LFO (LFO Waveform) .......................

TRI, SIN

Selects LFO Waveform

*Speed (LFO Frequency) ..........

0.02...

20.0Hz

Sets the LFO speed

*Depth (Depth) ......................................

0

...100

Sets the depth of LFO modulation

Fdback (Feedback)......................

–100...

+100

Sets the feedback amount

Trim (EQ Trim) .....................................

0...

100

Sets the EQ input level

LEQG (Pre LEQ Gain [dB]) ........

–15...

+15dB

Sets the gain of Low EQ

HEQG (Pre HEQ Gain [dB]) .......

–15...

+15dB

Sets the gain of High EQ

Mode (Output Mode) ...............

Normal, Invert

Selects the output mode for the chorus/

 

 

 

 

flanger

136