Korg sampler Sampling in Program, Combina- tion, or Sequencer modes, 115, Set the recording level

Sampling in Program, Combina- tion, or Sequencer modes

External audio sources can be sampled from the various input jacks in Program, Combination, and Sequencer modes as well.

A performance in the above modes can also be internally resampled in digital form. You can resample a perfor- mance that uses the TRITON STUDIO’s full range of fea- tures (filters, effects, arpeggiator, and sequencer).

You can also sample the TRITON STUDIO’s performance together with audio from an external input source, or monitor the performance of the TRITON STUDIO’s arpeggiator and sequencer etc. while you sample only the external audio from the input jacks.

In Sequencer mode, you can sample external audio while listening to a song play back, and automatically create note data in the track that will play the sample when the track is played back. This allows you to sample vocals or guitar while the sequencer runs, just as though you were using a multitrack recorder. (This function is called “In- Track Sampling.”)

☞For examples of sampling in Program and Combina- tion modes, refer to p.45. The sampling procedure in Combination mode is the same as in Program mode.

Record an external audio input source while a song plays, and create event data at the same time (In-Track Sampling function)

As an example, here’s how the sound of a guitar con- nected to the AUDIO INPUT 1 jack can be added to a song you created.

In this example we will send the external audio input source to INDIVIDUAL 1, so if you want to monitor the sound being sampled, connect AUDIO OUTPUT (MAIN) L/MONO, R, and (INDIVIDUAL) 1 to your mixer, and use headphones etc. to monitor the output of the mixer.

1In Sequencer mode, select the song to which you want to add the guitar sound.

You can either create a song, or use Disk mode to load a previously-created song.

2Connect your guitar to the rear panel AUDIO INPUT 1 jack.

Set the AUDIO INPUT [MIC/LINE] switch to the LINE position, and set the [LEVEL] knob near the center position.

If you connect a passive-type guitar (without an internal preamp), the impedance mismatch will make it difficult to sample at an appropriate level. This type of guitar should be sent through a preamp or effect processor.

3Access the Sequencer P0: Play/REC, Sampling page.

4Set the various Input parameters so that the signal from the AUDIO INPUT 1 jack will be sent to INDI- VIDUAL 1.

Make the following settings. “Input”: Analog

Input1 “Level”: 127, “Pan”: L000, “BUS Select”: 1/2

5Set the recording level.

Play your guitar at the volume at which you will record.

If the display indicates “ADC OVERLOAD !!” (AD converter input overload), adjust the rear panel [LEVEL] knob toward MIN until the level is appropri- ate.

Press the SAMPLING [REC] key.

When you play your guitar, the level meter will indi- cate the volume at which the guitar will be sampled.

If the display indicates “CLIP!!,” use the VALUE con- trollers to lower the “Recording Level” slider (in the right of the display) below +0.0 to an appropriate level. This adjustment will not affect the output volume, but will affect the data that will be sampled.

When you have finished making adjustments, press the SAMPLING [REC] key.

6Set the various Sampling Setup parameters.

Make the following settings. “Source BUS”: Indiv. 1/2

“Trigger”: Threshold, “Level”: as desired

“Save to”: RAM, “Mode”: Mono

Sample Time”: as desired

7Select the page menu command “Select Bank & Smpl No.,” and make the following settings.

“Bank”: as desired

“Program,” “Seq.Event”: On

“Track”: a track that contains no recorded data

“Auto +12 dB On”: Off (unchacked)

You should normally turn this Off when you sample external audio sources in Sequencer mode. (The power-on default is On.)

After making these settings, press the OK button to close the dialog box.

Basic functions
Saving data
Loading data
Program	settings
Combination	settings
Producing	songs
Sampling	settings
Creating a	CD
SMF	playback
System	settings
Drum kit	settings
Arpeggiator	settings
Effects	settings
Other	functions

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