Recording methods, Realtime recording on a track

The display will change from “PLAY” to “MUTE,” and the playback of track 1 will no longer be heard. In this way, the “mute” function allows you to silence a speci- ﬁed track until the track is un-muted.

Press track 2 “PLAY/MUTE/REC.”

The display will change, and the playback of track 2 will also be muted.

To cancel muting, press “PLAY/REC/MUTE” once again.

4Press track 1 “SOLO ON/OFF.”

The display will change from “SOLO OFF” to “SOLO ON,” and this time, only the performance of track 1 will be heard. To play back only a speciﬁed track by itself in this way is known as “soloing” the track (turn- ing Solo on).

If both Mute and Solo are used, the Solo function will be given priority.

5Press track 2 “SOLO ON/OFF.”

The display will change, and only the playback of tracks 1 and 2 will be heard.

To switch Solo off, press “SOLO ON/OFF” once again. Press “SOLO ON/OFF” for both tracks 1 and 2.

The display will change, and the playback of tracks 1 and 2 will be muted. If the Solo function is turned off for all tracks, playback will be according to the “PLAY/ MUTE/REC” settings.

By using the page menu command “Solo Selected Track,” you can listen to the sound of only the selected track. This is convenient when you want to set track parameters or to make effect settings. (☞PG p.52)

[LOCATE] settings

By pressing the [LOCATE] key you can move to a speci- ﬁed location.

The location is speciﬁed by the Utility menu command

“Set Location.” You can also hold down the [ENTER] key and press the [LOCATE] key to set the location even dur- ing playback (☞PG p.54).

When you select a song, the “LOCATE” setting will auto- matically be set to 001:01.000.

Normally you will leave this set to 001:01.000., to return you to the begining of the song.

Recording methods

This section describes the ways in which you can record on the TRITON STUDIO.

Recording a track

There are two ways to record to a track: realtime record- ing and step recording. You can choose from six types of realtime recording.

In addition, you can use event editing to modify data that has been recorded or to insert data, and use track editing operations such as Create Control Data to insert data such as bend, after touch, and control changes.

Recording a pattern

There are two ways to record a pattern: realtime record- ing and step recording. For realtime recording, only one recording type (loop) is available.

In addition, you can use event edit operations to modify data that has been recorded or to insert data.

The page menu command “Get From Track” can be used to take musical data from a desired area of a track, and use it as the musical data for a pattern. Conversely, the page menu commands “Put to Track” and “Copy to Track” can be used to place or to copy the musical data of a pattern in a track.

Realtime recording on a track

This is a method of recording in which your playing on the keyboard and your operations of controllers such as the joystick are recorded in realtime.

This method of recording is normally used one track at a time, and is called single track recording.

As an alternative, multitrack recording allows you to simultaneously record multiple channels of data onto multiple tracks. This is the method you will use when using the RPPR function and the arpeggiator function to record multiple tracks of musical data at once, or when you playback existing sequence data on an external sequencer and record it onto TRITON STUDIO’s sequencer in realtime (☞p.85).

These settings are made in Sequencer P0: Play/REC, Preference page “Recording Setup.”

•Overwrite

With this method, the musical data previously recorded on a track is overwritten by the newly recorded data. When you perform overwrite recording on a previously-recorded track, its musical data will be deleted and replaced by the newly recorded data. Normally you will use this method to record, and then modify the results by using other types of realtime recording or event editing.

1Use “Track Select” to select the track that you want to record.

	Basic functions

	Saving data
	Loading data
	Program	settings
	Combination	settings


	Producing	songs


	Sampling	settings
	Creating a	CD
	SMF	playback
	System	settings
	Drum kit	settings
	Arpeggiator	settings
	Effects	settings
	Other	functions

Korg sampler manual Recording methods, Realtime recording on a track, Recording a track

Models: sampler music workstation