Korg sampler Combination settings, How a combination is organized, Basic combination editing

Combination settings

Combination editing is performed in Combination mode, just as combinations can be selected and played in Combi- nation mode.

Combination mode consists of the P0: Play–P9: Edit-Mas- ter FX pages.

In P0: Play, you can select and play combinations. You can also perform simple editing, make arpeggiator settings, and make settings for audio input and sampling. (☞p.24, 31, 35)

In P1: Edit-Program/Mixer–P9: Edit-Master FX, you can edit the parameters of the combination you selected in P0: Play.

You can perform sampling/resampling in Combina- tion mode (☞p.45, 102). You can also apply the TRI- TON STUDIO’s effects to an external audio input, for a wide range of possibilities. (☞p.143)

If you wish to save an edited combination in internal memory, you must write it. (☞p.56)

If a program being edited in Program mode is used in a combination, it will sound according to the settings being edited.

In the following pages, we will explain how to edit some of the major parameters, and explain their functions.

For a more detailed explanation of the parameters, refer to PG p.33 and following.

Combinations that you edit or create from scratch can be written into the 1,536 combination memory areas (internal memory) of banks INT-A–INT-E and EXB-A–EXB-G. They can also be stored and managed on various types of media. (☞p.59)

Basic functions

Saving data

How a combination is organized

A combination consists of a variety of parameters that can be accessed in P1: Edit-Program/Mixer–P9: Edit-Master FX. The diagram below shows how a combination is structured.

Basic combination editing

You can edit the preloaded combinations (banks INT-A– INT-D) with which the TRITON STUDIO is shipped, or start with an initialized combination (banks INT-E, EXB- A–EXB-G) to create your own original combination.

Original programs using sample waveforms/multi- samples you sampled on the TRITON STUDIO (or loaded into memory via Disk mode) can also be used in a combination.

Suggestions for editing procedure

The parameters of each timbre are set in P1: Edit-Pro-

gram/Mixer–P9: Edit-Master FX. This is where you create the basic combination consisting of the programs you select here.

First use P1: Edit-Program/Mixer to select the program

for each timbre, and then use P4: Edit-Zone/Ctrl to spec- ify the range in which each program will sound (layer, split, velocity switch, etc.). Then adjust the volume of each timbre, and set various other parameters.

To add finishing touches to the sound, you can assign insert effect settings (in P8: Edit-Insert FX) and master effect and master EQ settings (in P9: Edit-Master FX) that are different from the effect settings of Program mode. In addition, you can make arpeggiator settings (in P7: Edit- Arp.) and controller settings (in P4: Edit-Zone/Ctrl) to create the finished combination.

By using the page menu command “Solo Selected Timbre”, you can listen only to the selected timbre. This is a convenient way to audition individual sounds of timbres that are layered. (☞PG p.35)

Loading data
Program	settings
Combination	settings
Producing	songs
Sampling	settings
Creating a	CD
SMF	playback
System	settings

Timbre1 Parameters

Program

Timbre2 Parameters

Program

Timbre3 Parameters

Program

Timbre4 Parameters

Program

Routing : P8-1

Timbre

Insert Effect

Master Effect

Individual Outputs

Master Effect 1, 2 : P9

Insert Effect 1 ... 5 : P8

Controller Setup : P4- 4

Arpeggiator : P7

MasterEQ : P9	AUDIO OUTPUT
	L/MONO, R

AUDIO OUTPUT

INDIVIDUAL 1,2,3,4

Drum kit	settings
Arpeggiator	settings
Effects	settings
Other	functions

Timbre8 Parameters

Program

P1–1 or P2–2 etc. indicate pages or tab screens used on this instrument for editing.

75