Page
Important Safety Instructions
Data handling
Handling of the internal hard drive
Iii
Conventions in this manual
About this manual
Table of Contents
Basic functions
Disk
Vii
Viii
Overview
Main features
HI Hyper Integrated synthesis system
Programs and combinations
Sequencer
Sampling
Song Play
Dual polyphonic arpeggiator
Front panel
Front and rear panel
Play key
Sampling key
Global key
Disk key
REW key
Pause key
FF key
Locate key
Rear panel
Midi Thru connector
Scsi connector
Midi OUT connector
Midi in connector
Names and functions of objects in the LCD Screen
Radio buttons
Check box
Tab
Menu button
Analog audio input connections
Connections
Connecting pedals
Connecting the power cable
Analog audio output connec- tions
Analog audio input connec- tions
Scsi device connections
Installing options
Connections to Midi equip- ment/computers
Connections to Midi equipment
Combination mode
Program mode
Basic concepts
Overview of the modes
Song Play mode
Sequencer mode
Sampling mode
Global mode
Number of voices in each mode
About polyphony
Tone generators and oscillators
Basic operation
Selecting modes
Selecting pages
Value controllers
Setting a parameter
Numeric keys 0-9, Enter key, key, ./10’s Hold key
Bank INT-A-INT-G, EXB-A-EXB-G keys
Keyboard input
Popup buttons and popup menus
Turning the power on
Turning the power on/off
Turning the power off
Press the rear panel Power switch to turn on the power
Listening to a demo song
Loading the demo song data in Disk mode
Playing a cue list
Contents of the disk
Selecting a program
Selecting and playing a program
Selecting a program number
Selecting the program bank
Using a connected switch to select programs
Using 10’s Hold to select programs
Selecting programs by category
Selecting programs from the Program Select popup menu
Selecting a combination
Selecting and playing a combination
Selecting a combination number
Selecting the combination bank
Joystick
Using controllers to modify the sound
Ribbon controller
SW1, SW2
Realtime Controls 1, 2, 3
Mode controls
Lock function
Knob 1 LPF Cutoff
Keyboard
Value slider
Velocity
After Touch
Assignable Foot Switch
Foot pedals/Switch
Damper Pedal
Assignable Foot Pedal
Using the arpeggiator in Program mode
Using the arpeggiator while you play
Settings using controllers
Adjusting the arpeggiator tempo
Settings in the LCD screen
Synchronizing the arpeggiator to your key- board timing
Using the arpeggiator in Combi- nation mode
Sounding both the arpeggio notes and the notes you play
Select the arpeggiators that will run
Checking the structure of a user arpeggio pattern
Other settings for the arpeggiator
Linking the arpeggiator to program, combinations
Creating a user arpeggio pattern
Pattern Assignable
Shutdown Keys
Make sure that the Rppr check box is checked
Press a key
Performance Edit
Simple program editing
Realtime controls
Writing a program
An example of editing
Simple combination editing
Selecting the program for a timbre
Press the Prog. Select tab
Adjusting the stereo position
Adjusting the volume
Writing a Combination
Sampling recording a sample
Connect a mic and make input settings Input
Set the recording level Recording Level dB
Press the Sampling REC key
Create a multisample and indexes
Specify the recording method Recording Setup
Record a sample
Play consecutive notes on the keyboard
Press the Create button to create a new index
Naming a multisample
Assigning a name to the sample or multisample
Naming a sample
Play the keyboard
Converting a multisample into a program
Saving sample data
Sampling and looping a drum phrase
Specify the recording method Recording
Make loop settings
Record the sample
Play back the audio source that you want to record
Select the page menu command Grid to access the dialog box
Button
Set End
Adjust the recording level Recording Level dB
Resampling an arpeggiated phrase in Program mode
Specify the recording method Sampling Setup
Make settings for the sample that will be recorded
Select the program that you want to sam- ple
Listen to the sample and edit it
Connect your guitar and make input set- tings
Press the Sampling START/STOP key to stop recording
Specify the sample that will be recorded
Play your guitar at the volume that you will be recording
Listen to the sample
Input Analog Input 1 Level 127, Pan as desired, BUS Select
Using the metronome
Examples of sampling settings
Creating the basic song
Producing a song
Press the OK button to load the template song
Press the OK button to copy the pattern
Recording the bass track
Press the Sequencer REC/WRITE key
Recording arpeggio patterns
Step recording
Recording other tracks
Set Track Select to Track 08 Lead Synth
Set From Measure to
Naming the song and tracks
Using controllers to record tonal changes
Naming a song
Naming a track
Press the OK button to save the data
Saving the song
Types of data that can be saved
Saving data
Writing to internal memory
Saving to various types of media
About preloaded data and preset data
Using a page menu command to write
Writing to internal memory
Writing a program or combination
Using the Sequencer REC/WRITE key to write
Assigning a name Rename
Memory protect
Write Select
About the Edit Buffer
Types of media that can be used
Saving on media
How to save data
Press the Disk key to enter Disk mode
Formatting media
Other ways to save
If the data does not fit on one volume of media floppy disk
Midi data dump
Loading data/Restoring the factory settings
Loading data Restoring the factory settings
Loading data
Types of data that can be loaded
Programs
Loading individual banks from a .PCG file
Combinations
Drum Kits
Contents of the included floppy disk
EXB-PCM series
Loading data by individual item or bank
Insert the included floppy disk, and select the .PCG file
Select the page menu command Load Selected to load the data
Program settings
How a program is organized
Basic program editing
Oscillator settings
Program Basic
OSC Basic
When Oscillator Mode = Drums
When Oscillator Mode = Double
Selecting a multisample
Rev Reverse check box
Controller Setup
Pitch settings
P2 Edit-Pitch
Velocity Zone
P3 Edit-Filter
Filter settings
Pitch EG
Filter1
Filter1 Mod.
Amplifier settings P4 Edit-Amp
Filter1 LFO Mod.
Filter1 EG
Amp1 Level/Pan
Amp Mod.
Amp1 EG
Arpeggiator settings P7 Edit-Arpeggiator
LFO settings
Insert Effect settings P8 Edit-Insert Effect
Master Effect settings P9 Edit-Master Effect
Suggestions for editing procedure
Combination settings
How a combination is organized
Basic combination editing
Edit-Program/Mixer
Timbre 1-8 program, pan and volume P1 Edit-Program/Mixer
Midi Ch
OSC
Pitch
Key Zone page Key zone settings
Midi filter settings P3 Edit-MIDI Filter
Delay ms
Other
Insert Effect settings P8 Edit-Insert FX
Arpeggiator settings P7 Edit-Arp
Master Effect settings P9 Edit-Master FX
Vel Zone page Velocity zone settings
Producing songs
Features of the sequencer
Songs
Structure of Sequencer mode
Patterns
Cue List
Preparations for recording
Realtime recording on a track
Recording methods
Recording a track
Recording a pattern
When you finish recording, press the Sequencer REC/WRITE key
When you finish playing, press the Sequencer START/STOP key
Overdub
Manual punch-in
Multi multitrack recording
Loop All Tracks
Step recording
When the song ends, stop the external sequencer
Event Edit and Create Control Data
Realtime-recording to a pattern
Control data in pattern recording
Using the arpeggiator for pattern recording
Song editing methods
Setting the number of measures in the song
Copying a song
Naming a song
Select the page menu command Shift/Erase Note
Changing the key transposing/ modulating
Mute tracks
About editing
Creating and playing a Cue List
Select Sequencer P1 Cue List
Add a song to the Step area
Creating multiple songs for use in a cue list
Using a foot switch to switch the Step
Converting a song
Select the Sequencer P6 Pattern/RPPR, Rppr Setup
Creating Rppr data
Create a new song. p.88 Specify the program for each track
Play Rppr while a song plays back
Rppr playback
Take your finger off the C#2 key, and press the D2 key
Select Sequencer P0 Play/REC Check the Rppr check box
For each Rppr pattern, set Sync to SEQ
Realtime-recording an Rppr performance
Do not check Key Sync
Select the P0 Play/REC, Program T01-08
Recording the sounds of a combi- nation
Record the Rppr pattern playback and arpeggio per- formance
Press the OK button to execute the copy
Correction required*2
Triton Studio song data and its compati- bility
Compare function
Operations for which Compare is available
About Midi
Memory Protect
Operations for which Compare is not available
Track status status
Features of sampling on
Sampling settings
Editing in Sampling mode
Sampling in Program, Combination, and Sequencer modes
Sampling frequency and bit resolution
How Sampling mode is organized
100
Link with Crossfade function allows you to join
Samples and Multisamples
Using multisamples
101
Samples
Connecting an input device
Connecting an input device and making Input settings
Input settings
Preparations for sampling
103
Setting the recording level Recording Level dB
Functions
Basic
104
Sampling mode
Source BUS, select the source that you want to sample
Use Trigger to specify how sampling will begin
Recording level and Auto +12 dB On
105
Optimizing the sample memory RAM
Program, Combination, Sequencer modes
Creating multisample indexes and sampling
Sampling and editing in Sampling mode
106
Creating multiple samples
107
Applying an insert effect to a sample and resampling it
108
Ripping
Ripping digital data from an audio CD as a sample
Verify the region that will be ripped
Adjust the recording level. Press the Sampling REC key
Specify the recording method in Recording Setup
109
Execute sampling
Select the sample for which you wish to make loop settings
Loop settings
110
Grid display
Multisample editing
Sample waveform data editing
111
Editing the indices
Using samples in a drum kit
Modifying the settings of an index
Converting a multisample to a program
112
Press the Save button
113
Press the Save button to save the data
If you want to create the performance data in a pattern
114
Press the Sequencer START/STOP key to start playback
Song Select, choose
115
Sampling in Program, Combina- tion, or Sequencer modes
Connect your guitar to the rear panel Audio Input 1 jack
Set the recording level
116
117
Creating an audio CD from Wave files Sampled to hard disk
Access the Disk mode Make Audio CD
118
To add the file, press the Insert button
119
Structure of Song Play mode
SMF Standard Midi File playback
120
121
Playing SMF data
Direct playback from external media such as a floppy disk
Starting/stopping playback for each song
Saving procedure
Playback using the Jukebox func- tion
Loading procedure
Saving a Jukebox list
123
Playing along with SMF data
Minus-one play
Arpeggiator
Tuning to another instrument/ Transposing
Settings for the entire Triton Studio Global settings
Bypassing the effects
124
125
Recalling the last-selected mode and page at power-on
Creating original scales
126
Changing the scale
About drum kits
Drum kit settings
127
Multisample programs and drum kit programs
Editing a drum kit
128
About the ROM drum samples
129
Use the page menu command Write Drum Kits to save the data
Set the Exclusive Group
Use BUS Select to specify the output routing
Arpeggiator settings for a pro- gram
Arpeggiator settings
Arpeggiator settings
Arpeggiator on/off
Adjust the settings of the various parameters
131
Linking the arpeggiator to a program
132
Arpeggiator settings in Combina- tion and Sequencer modes
Linking the arpeggiator to the combination
133
Combination INT-D080 Old Vox Organ
Combination INT-C005 In The Pocket
About user arpeggio patterns
Creating an user arpeggio pat- tern
Editing a user arpeggio pattern
134
135
Creating an example pattern
Tone10 key
Drum pattern
136
Chordal pattern
Program mode, select a drum kit program
Dual arpeggiator editing
Make settings for Tone No. and Fixed Note No
137
Set the parameters for each step
Synchronizing the arpeggiator
Synchronization between arpeggiators a and B
138
Effects in each mode
Effects settings
139
Categories of the 102 effect types
Effect settings for a program
Routing settings and effect set- tings
140
Routing
141
Effect settings in Combination, Song, and Song Play modes
Master effects
Master EQ
Effect settings in Sampling mode
142
Master effects Master EQ
Effect settings for Audio Input
143
Set the parameters for Input1
Using Dmod to modify the feedback level from SW1 key
Setting example
Rotate the Tempo knob, and the delay time will change
About dynamic modulation Dmod
Adjusting the contrast brightness of the LCD screen
Setting the function of SW1 and SW2
Other functions
145
Using the Triton Studio as a data filer
Sounding a beep when the LCD screen is pressed
Setting the calendar function
Shortcuts
Power supply
Troubleshooting
LCD screen
Audio input and output
148
Can’t input sound
Can’t output sound from an audio CD
Song
Program, Combination
Sampling
149
Arpeggiator
Drum kits
Effects
150
151
Media
Floppy disk
Internal hard drive, external devices
Wave files
Other
152
Specifications and options
Specifications
153
154
Options
Midi implementation Chart
155
[Music Workstation/Sampler]
Index
Numerics
156
LPF Cutoff
157
81, 99, 102, 112, 115, 138
158
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