Korg music workstation, sampler manual Midi filter settings P3 Edit-MIDI Filter, Other, Delay ms

Adjusting the BPM of multisamples or samples cre- ated in Sampling mode

If a timbre’s program uses multisamples or samples that you created in Sampling mode (or loaded in Disk mode) at a specific BPM value, you can use the page menu com- mand “Detune BPM Adjust” to call up a new BPM value. This changes the BPM by adjusting the playback pitch.

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For example if you selected a bass program for timbre 1 and a piano program for timbre 2 to create a split-type combination, you could make the following settings so that pressing the connected damper pedal would apply the damper effect only to the piano program of timbre 2.

Set the P3: Edit-MIDI Filter-1 “Enable Damper” parameter

Timbre 1 “Enable Damper”: unchecked

Timbre 2 “Enable Damper”: checked

Other page

Delay [ms]

Specifies the amount of time before the program assigned to each timbre will sound. Specifies the time from when you play the keyboard until the program will sound.

If you select KeyOff for this parameter, the timbre will sound when the note is released.

Use Program’s Scale, Scale

Specifies the scale for each timbre. If you check “Use Pro- gram’s Scale,” the scale specified by the program will be used. Timbres for which this is not checked will use the Scale setting.

MIDI filter settings

P3: Edit-MIDI Filter

For each MIDI Filter item, you can specify whether or not the corresponding MIDI message will be transmitted and received. The checked items will be transmitted and received.

MIDI filter does not turn the function itself on/off, but specifies whether or not that MIDI message will be transmitted and received. For example if porta- mento is on, portamento will be applied to the sound of TRITON STUDIO even if “Portamento SW CC#65” is unchecked.

Layer, split, and velocity switch settings/Controller settings P4: Edit-Zone/Ctrl

Key Zone page (Key zone settings)

Indicates settings such as layer, split, and keyboard cross- fade.

Specifies the range of notes that will be sounded by each timbre. Each area that sounds a timbre is referred to as a Key Zone. By setting key zones, you can create a combi- nation in which different programs sound in different areas of the keyboard.

By combining key zones specified for each timbre, you can create layered or split combinations.

The upper and lower limits for the key zone of each tim- bre are set by the “Top Key” and “Bottom Key” respec- tively.

For example in the following diagram, timbres 1–3 are set to create a layered and split combination. This is specified by the key zone settings.

Timbres 2 and 3 create a layer. Timbre 1 and timbres 2/3 are split between the B3 and C4 note numbers.

Timbre 1		Piano
Timbre 2	Brass
Timbre 3	Strings
C–1	B3 C4	G9

As an example here, we will explain how to create a com- bination like the one shown above.

1In the P0: Play, Program Select page or the P1: Edit- Program/Mixer page, use the “Program Select” area to select the program that will be used for each timbre 1–3.

Select a piano program for timbre 1. Select a brass program for timbre 2. Select a strings program for timbre 3.

2In the MIDI Ch page of P2: Edit-Trk Param, set “Sta- tus” to INT for all the timbres that you wish to use, and set “MIDI Channel” to either Gch or to match the global MIDI channel (a “G” will be displayed after the channel number).

3In the Key Zone page of P4: Edit-Zone/Ctrl, set “Top Key” and “Bottom Key.”

Set timbre 1 to a “Top Key” of G9 and a “Bottom Key” of C4.

Set timbres 2 and 3 to a “Top Key” of B3 and a “Bottom Key” of C–1.

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